This thread isn’t supposed to be about me or my book, but whatever, if that’s all anyone wants to talk about... — Pfhorrest
I’ve got that, but it’s attached to the subject obviously - but certainly not greatly important to aspects of writing.
I terms of ‘style’ there are, as Frank pointed out, no hard rules (and as Orwell states in his last point - ‘break any or all these rules rather than write something barbarous’). Something I proposed once on another forum was writing the same section in several different styles alongside each other. The initial idea was more of an exercise in writing, but then I started to consider that it may actually serve as use to reader in that it would allow them to compare and contrast how the same thing can be said in many different ways and assess, in their own mind, what combinations work for them and could work for others - in a sense it wasn’t about ‘expressing’ my ideas, but more about the reader having an active interest in seeing how an idea can be expressed in different ways.
In terms of the OP if you have someone who is either very knowledgeable about the subject matter (anti-stupid), extremely studious and persistent (anti-lazy), or extremely charitable and open to interpret your words in various ways (anti-mean). None of these things matter a great deal if there is no interest - the exception being with ‘anti-stupid’ because greater knowledge of a subject would require a degree of active interest.
I would never suggest that there are certain set rules, but there are certainly things to be avoided. I believe the biggest hurdle for any writer is getting past the idea that they are trying to be understood by the reader (I would even say this is the case in philosophical writing too, although for obvious reasons a more subtle problem). I imagine we can all agree that any philosophical work that we’ve read has never been met with our full agreement - this is the KEY point in regards to ‘being understood’. As long as we find use/value in part of what is being expressed THROUGH the authors words that is all that matters to us (of course this isn’t to say we ignore the intent of the author because our interest in what is written is partially driven by the authors declarations of intent - and they have to fulfill them enough to satisfy the readers interpretation of said ‘intent’).
An example of ‘quality’ (in terms of Grice) I like to refer to Kant’s words from The Critique of Pure Reason. Other than his text being a kind of go-to read for people interested in philosophy, there is something brutally honest (‘quality’) he states early on. First the subject matter is clear - he posed a question to the reader (not literally a ‘?’ though).
In the preface to the first edition:
... Abbe Terrasson writes indeed that if we measured the size of a book, not by the number of its pages, but by the time we require for mastering it, then it could be said of many a book that it would be much shorter if it were not so short. On the other hand, if we ask how a wide-ranging whole of speculative knowledge that yet coheres in one principle can best be rendered intelligible, we might be equally justified in saying that many a book would have been clearer if it had not tried to be so very clear. For though the aids to clarity be missed with regard to details, they often distract with regard to the whole. The reader does not arrive quickly enough at an overview of the whole, and bright colours of illustrations hide and distort the articulation and organization of teh system, which, after all, matter most if we want to judge of its unity and solidity.
The main point here I personally have to drill into my head, over and over, is “... many a book would have been clearer if it had not tried to be so very clear.” I’m a whore for tangental thought and often go off-road without realising it (I have a feeling I could be doing it in this very post? Haha!)
My emphasis in a final draft would always be focused on what is compelling to the reader, what is of interest for the reader, and whether or not I’ve managed to express this without stating it explicitly - no one likes to be told what to think and how to think it. People come armed to the project with their own ideas and speculative thoughts ready and willing to bounce them off what they find.
The adeptness of the reader shouldn’t be a concern for the author. The adeptness of the author should be the concern of the author. The hardest thing is understanding who would find use/value in what you’ve written and whether or not you reach them quickly enough before they lose interest (the later is a great problem when the subject of concern is highly technical and requires copious background knowledge beforehand). So-called ‘philosophical works’ that I’ve found easier to digest are usually quite dated (Rousseau and such) and usually they’re focused more on what would now be categorised as ‘Social Sciences’ and/or ‘Psychology’, but there are more modern works that do a very tasty job of creating a fuller, yet less detailed, picture (Russell’s ‘A History of Western Philosophy,’ and more recently something I read the other year that makes use of combining History with Philosophy, Herman’s ‘The Cave and The Light’ which has a stronger narrative form than Russell’s work).
I wouldn’t say people read philosophy for ‘fun,’ but it is an act of self-cultivation that can certainly be uplifting. Because philosophy doesn’t have an ‘end goal,’ per se, it is a difficult subject to frame for the layman so buttressing it up against something else (be this history, motorbikes or keep fit) helps to spread the net wider. The whole scope of philosophy is, in my mind, completely at odds with day-to-day living, but certain magnification of ‘parts’ of philosophy do readily slot into day-to-day living. A project hoping to reach the general public the is infused with a complete overview of the philosophical endeavor is likely doomed to failure unless it can wrap itself around more obvious aspects of human life that connect with human activity in a visceral manner.
Anyway, sorry if I’m being a tangent monster - it’s not my intention! I guess what I believe is that what my ideas are and what I want to say are not necessarily of any particular interest to the reader. My focus, once I have my ideas and what I want to say lain out, then my focus should shift to the reader’s perspective - what they may or may not find fruitful and how turning up or down the contrast here or there would balance the work enough to be an engaging read that the reader can work with rather than the reader being a passive receptacle for what I believe is important and interesting.
I like writing
:)