Your logic is unassailable. Most of your posts are reasonable even, most times, under pressure. And in the case of art and subjectivity I agree with you, even though I don’t want to.
The visual arts has been a central interest all my life and it’s difficult for me to accept that the appreciation of art is subjective, that it’s based on preferences. But there’s no way I can see of getting around it, though it’s hard to accept that some work I look at is not better than others or worse.
It’s partly because of this subjectivity that enables so many charlatans to operate and even steer or influence the course of art. Which is why it’s hard to go along with.
I’ve tried to look at this on a steady incline, where it’s still within the bounds of The Principles and Elements of art. A portrait is a good start. It has to have the basic features of a face: even at its most basic children will draw a circle with two dots or circles for eyes. Then the eyes have to resemble the subject, the nose, the mouth, and so on. These are all based on the the principles of art. So, so far it’s logical and clear what’s working and what isn’t happening, success or failure. But we’re still going up that incline. Then there might be expressions of the subject, things not fixed, but recognisable. The expressions are still formed by the principles of art.
But after that things get difficult. The artist might use colour to suggest character, or darkness, the features of the face may take second place, the portrait becomes more about the personality, or even how the painter ‘knows’ or ‘sees’ the subject.
Now we’re crossing the line, moving away from the stability and logic of the principles of art.
Picasso’s portrait of Daniel-Henry Kahnweiler crashes right through the line. Now you have to know something about Picasso, Cubism, and what Kahnweiler looks like to appreciate it. If one had an understanding of Cubism then they would see the logic applied, the principles of Cubism in action. If you didn’t have this understanding you’d regard it as the work of a moron.
So in a way art is a closed circle. People can call those inside ‘the elite’ if they want, but they have a greater appreciation of what’s happening in a painting than someone who just wants to see a Picasso and see if it’s true that he paints like a child.
This doesn’t explain much except my position.