Also, in political discourse in the 90s, black on black crime was used to deflect from conversations on institutional racism. It's an exceptionally serious problem, but was just kind of way for news pundits to highlight the danger of certain neighborhoods so as to skirt actually addressing inherent racial inequalities most particularly pronounced within the United States, which is a shame, as it's very sad and something that people ought to be willing to think well enough about so as to change such a state of affairs.
Anyways, though I'm fairly keen on getting around to reading
Necro-Politics,
Slavery and Social Death, and
The Undercommons eventually, I still stand by what I said about afro-futurism. It's just good all around.
Note:
I lied when I said that I was an activist and have further done so by pretending to be a philosopher. I'm mostly just interested in Shoegaze. Black Shoegaze will just sound awesome, though. Someone should really take me up on this.
It could also, perhaps, dabble in Dub and utilize Samuel R. Delany references, but I fear that I may have taken this too far.
Before this objection is even raised, I have undertaken to put this hypothetical musical act out there out of an interest in the pure production of an aesthetic and, most importantly, of a sound. To counter tokenism within the Shoegaze community, an act could very easily deploy some form of
détournement. I don't necessarily speak for the Shoegaze movement as a whole, but, this is not an effort on our part to make the genre appear more multicultural. This is a decision that I have made out of the sole interest in getting very high. Clearly, I can't expect for black artists to pander to such a desire, but will say that the creation of this band is just a good idea. Upon reading that article, I did immediately think, "not you, too", but, then quickly discovered the potential for a radically new musical genre and near perfect musical act.
Also, as to why I wouldn't just do this, no matter what I did, people would just say that it's appropriative, and they wouldn't just keep telling me how to make it sound even doper. If it seems like too monumental of a task to create, if you figured out how to make it sound dope enough to be promising, then, people would just keep telling you how to make it sound even doper.
Also, should a black artistic savant discover this and decide to take me up on it and happen to want to help me get my Drone label,
Tellurian, off of the ground, hmu. I can't promise that it would, but feel kind of like this could take off like Apple Records. The tagline for
Tellurian is "music for the people of Earth". Otherwise, I'd just be happy for this to somehow exist in the world.
Despite what vested interest I may or may not have in this, I do, in full sincerity, think that this theoretical act could actually be good enough to bring about what would be like another golden age of Jazz. Don't not do this because of that some alienated hipster came up with it here. It's too good of an idea not to take as far as you possibly can.
Anyways, that's all that I came here for.
As before, ☮!