As much of a lofty goal as it may be to aspire to some impersonal "I", I am generally so inclined so as to be cognizant of my own subjectivity when engaged in discussion, particularly on online forums. My posting often has more to do with me rambling before a coherent theory comes back to me than any collective project that attempts to uncover some sort of abstract truth.
Confusion certainly plays into my habit of talking incessantly, though.
People put more effort into their posts here than on any other forum, by my estimation, and, so, though often abstract, I think care more about what they have to say than most. As I have a tendency to emphasize that our understanding of the world is situated by experience, even though within, let's say, an abstract Metaphysical conversation, you can say that we all have egos that we could just as soon do without, I am willing to admit that it just would be just simply impossible for a person not to care about what they written when they had done something like written over ten pages. Perhaps, you should lie and make the claim that there is a difference between criticism and critique? I don't really know. It's kind of like music criticism. I'd like to say that, even though they have four great albums which, I think, just about everyone should love, The Beatles actually have a better creative output than The Kinks when you consider the bands over their entire careers. As a Kinks fan, however, I just wouldn't ever want to change the relationship that a person has with them as such, despite what I have a near stake in getting across about the upper class in the United Kingdom.
An explanation:
The Beatles were a great band whom people who consider for themselves to be cultivated have kind of an aversion to celebrating, despite that they are willing to do so of The Kinks. Both The Beatles and The Kinks were British Invasion acts that began as Skiffle bands, later turned to Baroque Pop, and experimented with Psychedelia. Both of them concept albums and both of them became extraordinarily popular acts, The Beatles obviously moreso. Both bands can be criticized for having been either kind of chauvinist or somewhat dissolute and, though I often disagree, it can be argued that the decadent instrumentation on some of their albums detracts more than it adds to them at times. For all intensive purposes, we can say that they were fairly similar bands. Despite this, because The Kinks, though they were not, to my knowledge, as such, had adopted kind of an aristocratic mein, which The Beatles did not, The Kinks are considered to be a band for people with a certain degree of intelligence and The Beatles are not. What I suspect of the social ecology at Oxford is that such assumptions are intentionally created so as to retain an
intelligensia of a certain class, though, were I to be fair, I should also level this critique against American Ivy League universities as well.
I had made that non-sequitor and discovered that only I would understand it. The point being is that, even though everyone really ought to only ever talk about whatever the topic at hand is, you just can't but help but engage in the Mensa mind game of accumulating social capital and establishing a certain place for yourself in the world, and, so, will often become somehow defensive, as you do, even here, have a certain ground to gain and to lose within any debate.
No one ever likes it when you talk about the things that no one ever talks about, though.