What we want, think we want, is for the scent of just cut grass to be to smell what the look of just cut grass is to our vision. — Srap Tasmaner
The point here would be that we would have the opportunity to catalog new unfamiliar scents by their relations to ones we already know, and we could describe scents we have smelled to others who haven't relying on systematic similarities and differences. — Srap Tasmaner
I'm not concerned with whether the underlying psychology here is accurate; what I want is a sort of model of how we think about familiar and unfamiliar sense impressions, how we talk about them with other people, how we might link such behaviors to our actual sensory experiences. Something like what I've described seems good enough for a start. — Srap Tasmaner
And now we can flesh out what it would mean for the scent of just cut grass to be to smell what the look of just cut grass is to vision: the idea is that they would occupy similar positions in our respective sensory catalogs, near the same sorts of things and distant from the same sorts of things, showing the same pattern of similarities and differences, and describable using the same comparisons — Srap Tasmaner
Is this at all close, you think? — Srap Tasmaner
I used to think that. And I agree the prospects do not look that great. But the future is unknown, and the more positive the general attitude is towards dealing with an existential threat is, the better the outcome will be. And better remains better even if the outcome might be bad from our present standpoint. If everyone just gave up and said "we're fucked", then we would be truly fucked. — Janus
Now that you mention it, the definition of knowledge might need revision to accommodate this fact. — TheMadFool
It implies you had an expectation, a preconception if you will of how a certain object/phenomenon should look/smell/taste/sound/feel like. — TheMadFool
It seems to mean: the smell of grass does not resemble the sight of grass. But why the privileging of sight? After all, it doesn't seem like the reverse operation is admissable - why not say, 'the sight of grass does not resemble the smell of grass?'. — StreetlightX
is judged to fail to 'live up to' the 'resemblance' understood as 'what it looks like'. But what kind of problem is this? — StreetlightX
Or in yet other words: all sensing is synesthetic from the get-go, and the parcelling out of senses into discrete modalities is an artificial, analytic operation undertaken after the fact, on the basis of a rationalist confusion. — StreetlightX
Innate knowledge? The horseness of a neigh - a neigh is part of the (Platonic) form of horses. Someone who hears a neigh a for the first time might immediately recognize it as horse's vocalization. :chin: — TheMadFool
As I tried to point out, the chemical and physical structure of objects determine their properties. Does this answer your question or does it not? if it does then there are reasons why objects appear to us as they do - the way they look, smell, taste, sound and feel are functions of their, how shall I put it?, essence. — TheMadFool
A property-less object? How does one distinguish that from nothing? Is this too off-topic? — TheMadFool
I would like to say "separately" but this is known to be false, for instance, when it comes to taste and smell -- we think there ought to be some analogy, or even homology, between the different impressions. That is, the look of cut grass should be to vision as the scent of cut grass is to smell as the texture of cut grass is to feel, something like that. — Srap Tasmaner
We know the connection can be explained, grass being what it is means it looks a certain way and smells a certain way when it's just been cut, and we can associate those impressions, but that association can't help but seem somewhat arbitrary. — Srap Tasmaner
The look and feel and taste of that object to this person are supposed to be abstractions, in a sense, aspects of an interaction between that single object and this single subject. But it doesn't feel like that; it feels like a particular look arbitrarily associated with a particular texture and a particular scent, and so on. — Srap Tasmaner
Should we infer that everything about the interaction of that object and this subject is assembled somehow, maybe that the object is just a sort of bundle of impressions, a bundle we assemble? Maybe we also conclude that we are such a bundle. That's Hume's word, I guess, but I'm not trying to insist that there is no structure here, only that there is some assembly required to get a subject and an object. — Srap Tasmaner
Most people, I'd guess, will think there's something terribly foolish about expecting any kind of similarity between the "reports" of our various senses, but I'd much rather ask this very strange question and get an actual answer for why we shouldn't expect it. — Srap Tasmaner
It seems arbitrary, lacking a rationale and this I suppose is what bothers you. Is it that the matter is more about rationality (expecting reasons, good ones I guess, for why things are the way they are) than about reality? — TheMadFool
You seem to flip-flop between discussing things and how their properties aren't necessary to those things and properties themselves. What's up with that? — TheMadFool
So these two worlds have the same physical laws, but they're still different from each other. What is that supposed difference? It's consciousness. Therefore, does that mean consciousness is not physical by merit of me being able to imagine said two worlds? — Yun Jae Jung
I still don't know what you mean when you say "sound completely different from what they appear." What does a sound appear like? — T Clark
I thought I'd throw in something about why they don't bother to think about it, why it's not only a matter of instinct but a perfectly reasonable default view. — Srap Tasmaner
What would it mean for the sound of a horse pulling a wagon to resemble a horse pulling a wagon? — T Clark
You've run a bait and switch. It's not a question of the red sensation resembling red. It's a question of the sight of an apple resembling an apple. In what sense does the sight of an apple resemble an apple that is different from the sound of a horse pulling a wagon resembling a horse pulling a wagon. — T Clark
I saw a black dog on the sidewalk, lying down but trying to move get up. It was disturbing. On closer examination it turned out to be a black plastic back being moved by a breeze. It was a strong resemblance until once examined, it was not. — Bitter Crank
Semblances add to the interesting features of experience. — Bitter Crank
They made a good starting point, but reified the issue in terms of objective causation. The phenomenologists made much ore headway here — Joshs
Most of what we see is not there in front of us but filled in by us. Resemblance plays a crucial
role all along the way here. What is closely similar becomes unified for us — Joshs
When it comes to the case of monistic idealism in particular, I’m pretty much agnostic on it at this point. I’ve read some very interesting and convincing arguments for it and against materialism/physicalism, but we just don’t really know for sure. — Paul Michael
Does this not necessitate the use of language towards the descriptions of these fictions or literary figures in apparent reality?
Of course... — Shawn
Where is Santa Claus?'
'At the North Pole, of course, my child!'
, then, nothing further can be said, than what was told was a lie. So, there's an ontological commitment once treated as a statement or proposition, that can be elucidated when treating these fictitious entities as non-existent or truth apt. — Shawn
If we really want to take this seriously, then we simply state the ontological "area"/"region"/"place" where they exist as fictitious entities or literary figures, no? I see this as a necessary condition when talking about things such as Pegasus or Santa Claus, no? — Shawn
He is emphasising an underlying thought about a potential end as understood as a cultural idea. He argued that it was bound up with a linear conception of history and assumptions about history as something which may finish. How does this connect with real threats in the world. But, to what extent is it the end of history, as the end of civilisation. Or, is the idea of the 'end' a myth? — Jack Cummins
