Everywhere it is machines—real ones, not figurative ones: machines driving other machines, machines being driven by other machines, with all the necessary couplings and connections. An organ-machine is plugged into an energy-source-machine: the one produces a flow that the other interrupts. The breast is a machine that produces milk, and the mouth is machine coupled to it. The mouth of the anorexic wavers between several functions: its possessor is uncertain as to whether it is an eating-machine, an anal machine, a talking-machine, or a breathing machine (asthma attacks). Hence we are all handymen: each with his little machines. — Number2018
I've always liked DG's style.Utterly original. Let's say that we think long and hard about what is the simplest, most irreducible and primordial thing we can say about any sense of meaning, and what we come up with is this: The most basic origin of being is something like a machinic algorithm, a conceptual pattern which is designed to do something, something very simple and basic. But it never does this thing alone, it does it as a differential relation to some other machinic process. So all there are are machinic processes and their constantly changing differential relations. Now lets ask the question of HOW this simple machinic functioning changes. If we say that some sub-component of a machinic process is altered, this doesn't really amount to a transcendence of the whole process. Instead it is only a variation WITHIN the already structured function of the machine. A real transcendence requires a move beyond the meaning of the machine in its design and intent as a whole. This implies disconnection, interruption, gap, contrast, becasue the machine does what it does, and to cahnge from one machinic functioning to another is to move on to a new functioning.
Let me contrast this to Eugene Gendlin's notion of the most basic, irreducible grounding of a sense of meaning. Gendlin begins from the lived body, but his notion of body is not a conventional one. It bears some things in common with Merleau_ponty's notion of body as background-figure gestalt structuration, but for Gendlin , body is what he calls an implicit intricacy, an unseparated multiplicity is not a whole composed of separate parts but an original interaffecting. It exists by implying into occurring. That is, an event which occurs, which is experienced,crosses with the intricacy. An event is this crossing which carries forward the intricacy rather than interrupting it or disconnecting from it. Occurring into implying is not a new event which takes the place of an old event. It is neither the same nor just different, but rather an explicating.
"If one assumes separate events, processes, or systems, one must then add their co-ordinations as one finds them, as if unexpectedly...“Inter-affecting" and "coordination" are words that bring the old assumption of a simple multiplicity, things that exist as themselves and are only then also related. So we need a phrase that does not make sense in that old way. Let us call the pattern we have been formulating "original inter-affecting". This makes sense only if one grasps that "they" inter-affect each other before they are a they
Our bodily sense of situations is a concretely sensed interaction process that always exceeds culture, history, and language.The body's interaction is always more intricate than language. It is after and
with language, always again freshly ongoing and constellating this situation in the present.
Language elaborates how the body implies its situation and its next behavior.
We can see the body's primacy and priority when we feel how the body now functions, always in a much wider way than language. The body functions in crucial ways, and in ways that are trans-historical. It is not the five senses but the sentient bodily interaction that takes on language and history - and then always still exceeds them.
Suppose, for example, that you are walking home at night, and you sense a group of men following you. You don't merely perceive them. You don't merely hear them there, in the space behind you. Your body-sense instantly includes also your hope that perhaps they aren't following you. It includes your alarm and many past experiences - too many to separate out -and surely also the need to do something, be it walk faster, change your course, escape into a house, get ready to fight, run, shout (.....).
My (.....) expresses the fact that your body-sense includes more than we can list, more than you can think by thinking one thing at a time. And it includes not only what is there. It also implies a next move to cope with the situation. But this implying of your next move is still a (.....) since your actual move has not yet come. Since it includes all this, the (.....) is not just a perception, although it certainly includes many perceptions. Is it then a feeling? It is certainly felt, but "feeling" usually means emotion. The (.....) includes emotions, but also so much else. Is it then something mysterious and unfamiliar'? No, we always have such a bodily sense of our situations. You have it now, or you would be disoriented as to where you are and what you are doing.
Is it not odd that no word or phrase in our language as yet says this? "Kinesthetic" refers only to movement, "proprioceptive" refers to muscles. "Sense" has many uses. So there is no common word for this utterly familiar bodily sense of the intricacy of our situations, along with the rapid weighing of more alternatives than we can think separately. We now call it a "felt sense." Notice that a (.....) is implicitly intricate. It is more than what is already formed or distinguished. In my example it includes many alternative moves, but more: the (.....) implies a next move - the body is the implying of - a next move, but after-and-with all that it includes, that move is as yet unformed.
The (.....) is interaction. It is the body's way of living its situation. Your situation and you are not two things, as if the external things were a situation without you. Nor is your bodily sense only internal. It is certainly not just an emotional reaction to the danger. It is that, but it also
includes more of the intricacy of your situation than you can see or think. Your bodily (.....) is your situation. It is not a perceived object before you or even behind you. The situation isn't the things that are there, nor something internal inside you. Your intricate involvement with others is not inside you, and it is not outside you, so it is also not those two things together.
The body-sense is the situation. It is inherently an interaction, not a mix of two things. The living body is an ongoing interaction with its environment. Therefore, of course, it contains environmental information. The bodily (.....) also implies a further step which may not yet be capable of being done or said. We need to conceive of the living body in a new way, so as to be able to understand how it can contain (or be) information, and also be the implying of the next bit of living. It is not the usual use of the word "body." As we have seen, the body is not just an orienting center of perceiving, nor only a center of motions, but also of acting and speaking in situations.
The bodily felt sense of situation can also be related to Heidegger's (1927) concept of "being-in-the-world." The early Heidegger and Merleau-Ponty wrote powerfully about what is inherently implicit, pre-thematic. In Being and Time (1927), Heidegger presented a fascinating
analysis of being-in-the-world that always included feeling, understanding, explication, and speech. He re-understood each and showed that they are "equally basic" to each other, and always in each other. Heidegger argued that in our felt understanding we know our reasons for an action "further than cognition can reach."
Now DG might want to argue that Gendlin's implicit intricacy is a kind of machine, and that authentic change in experiencing would require an interruption of its mode of functioning. Perhaps Massumi would use affect as the body's way of disrupting the flow of the implicity intricacy.
On the other hand , Gendlin argues that DG's machines are like the way we think of word concepts, as discrete patterns that interact. But he would go on to claim that, just like word concepts and other logical patterns, there is a generating process which they derive from. A machinic pattern is something that drops out from the implicit intricacy.
"We can phenomenologically study how we use logic – for example in philosophical analysis, or in computing our bank account. We do it by holding the implicit intricacy aside, it is always there. We "know" why we are pursuing this logical chain just now, and what it means for our philosophy or our finances. We keep all this aside so as to follow "only" the logic. Without this implicit holding-aside, the logical thinking would not be possible. Logic does not control where it begins and ends. It also does not control the creation of the defined units it requires. One slight shift in the implicit meaning of any one unit can utterly undo a logical conclusion. By entering the implicit directly, we can generate a whole territory of distinctions and new entities, and then position the logical analysis where it is informed by the implicit intricacy. We can much better use the great human power of logic when we can enter the implicit and consider where to position and re-position the logic, and how to create its units. We do not need the assumption that reality consists of defined units.”
“ Recent thinking still assumes that all order and all interaction is externally programmed. For example, Deleuze and Guattari (1983) [13] argue that in order to overcome social control, a body would have to be "without organs", since it is through organs that it interacts with others. The assumption is that interaction is externally programmed; the body could be free only if it could give up all points of contact with other people. (The book has a laudatory preface by Foucault.) “