Considering that we only get our knowledge about the external world through our senses, it seems very cavalier for Hegel to write that we need not concern ourselves about the role our senses play in understanding the external world. — RussellA
I agree. As an Indirect Realist I agree with Searle that the experience of pain does not have pain as an object because the experience of pain is identical with the pain.
Unfortunately, many who argue against Indirect Realism don't accept this. They believe that Indirect Realism requires that there must be something in the brain that is interpreting incoming data, something they often call a homunculus. — RussellA
I agree that we rationally and directly talk about the world. — RussellA
The question is, where is this "world". — RussellA
Is that what inferentialism entails? That's a bummer.
You're in danger of forcing me to read Brandom. — Jamal
https://www.marxists.org/reference/archive/hegel/works/ph/phprefac.htmThe man who only seeks edification, who wants to envelop in mist the manifold diversity of his earthly existence and thought, and craves after the vague enjoyment of this vague and indeterminate Divinity – he may look where he likes to find this: he will easily find for himself the means to procure something he can rave over and puff himself up withal. But philosophy must beware of wishing to be edifying.
Still less must this kind of contentment, which holds science in contempt, take upon itself to claim that raving obscurantism of this sort is something higher than science. These apocalyptic utterances pretend to occupy the very centre and the deepest depths; they look askance at all definiteness and preciseness of meaning; and they deliberately hold back from conceptual thinking and the constraining necessities of thought, as being the sort of reflection which, they say, can only feel at home in the sphere of finitude. But just as there is a breadth which is emptiness, there is a depth which is empty too: as we may have an extension of substance which overflows into finite multiplicity without the power of keeping the manifold together, in the same way we may have an insubstantial intensity which, keeping itself in as mere force without actual expression, is no better than superficiality. The force of mind is only as great as its expression; its depth only as deep as its power to expand and lose itself when spending and giving out its substance. Moreover, when this unreflective emotional knowledge makes a pretence of having immersed its own very self in the depths of the absolute Being, and of philosophizing in all holiness and truth, it hides from itself the fact that instead of devotion to God, it rather, by this contempt for all measurable precision and definiteness, simply attests in its own case the fortuitous character of its content, and in the other endows God with its own caprice. When such minds commit themselves to the unrestrained ferment of sheer emotion, they think that, by putting a veil over self-consciousness, and surrendering all understanding, they are thus God’s beloved ones to whom He gives His wisdom in sleep. This is the reason, too, that in point of fact, what they do conceive and bring forth in sleep is dreams. — Hegel
A single act of charity or sacrifice can bring tears to the eyes, much like a piece of music. So I think there is something to the idea that morality, even basic manners, has a certain beauty to it. — NOS4A2
Where they enter the picture is in the attempt to treat philosophical issues as scientific problems, which they're not - and this, in the context of a culture which has essentially abandoned its own metaphysical base. — Wayfarer
Ideas have consequences. — Wayfarer
The problem being that one doesn't affect others (more than being a bit sad at a philosophy) while the other has a major affect (a whole other person and stuff). — schopenhauer1
What I think Chalmers is actually trying to convey by 'something it is like...' is, simply, being. Being, and what it means to be, is surely one of the major preoccupations of philosophy (and much else besides) although it's not always explicit - for Heidegger questioning the meaning of being is philosophy. (And I do wonder whether eliminative materialism is in some ways a manifestation of what Heidegger called 'the forgetfulness of being'.) — Wayfarer
I think there's a completely unambiguous answer to that: we are not robots, or machines, or even simply organisms, but beings, and a science that doesn't understand that is a risk to humanity. You never know what you, or the person next to you, is capable of being, or becoming. — Wayfarer
In Dennett's view, scientific method must be truly universal in scope - whatever can't be included in it, is either not worth knowing about, or unknowable. — Wayfarer
I think what is behind this is the fear of the mystery of consciousness - the fear is what provides the sense of urgency, the impatience with critics, and the demand that we all must recognise scientific authority as the only path to certainty. — Wayfarer
For both Heidegger and Wittgenstein, then, the source of the intelligibility of the world is the average public practices through which alone there can be any understanding at all. What is shared is not a conceptual scheme, i.e., not a belief system that can be made explicit and justified. Not that we share a belief system that is always implicit and arbitrary. That is just the Sartrean version of the same mistake. What we share is simply our average comportment. Once a practice has been explained by appealing to what one does, no more basic explanation is possible. As Wittgenstein puts it in On Certainty: "Giving grounds [must] come to an end sometime. But the end is not an ungrounded presupposition: it is an ungrounded way of acting.
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This view is entirely antithetical to the philosophical ideal of total clarity and ultimate intelligibility. Philosophers seek an ultimate ground. When they discover there is none, even modern philosophers ... seem to think that they have fallen into an abyss -- that the lack of an ultimate ground has catastrophic consequences for human activity.
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There is, however, something that average everyday intelligibility obscures, viz., that it is merely average everyday intelligibility. It takes for granted that the everyday for-the-sake-of-whichs and the equipment that serves them are based upon God's goodness, human nature, or at least solid good sense. This is what Heidegger called "the perhaps necessary appearance of foundation." One cannot help thinking that the right (healthy, civilized, rational, natural, etc.) way to sit, for example, is on chairs, at tables, etc., not on the floor. Our way seems to make intrinsic sense -- a sense not captured in saying, "This is what we in the West happen to do." What gets covered up in everyday understanding is not some deep intelligibility as the tradition has always held; it is that the ultimate "ground" of intelligibility is simply shared practices. There is no right interpretation. Average intelligibility is not inferior intelligibility; it simply obscures its own groundlessness. This is the last stage of the hermeneutics of suspicion. The only deep interpretation left is that there is no deep interpretation. — Dreyfus
Is it Norman Rockwell versus Salvador Dali...? — Tom Storm
It was Socrates who posed, “Is it good cause the gods like it or do the gods like it because it is good?” — schopenhauer1
Translation please, Sir. — Tom Storm
It respects people's suffering. Everything else is gaslighting, justifying why other people need to do X, or just fixing broken things (including our own broken tranquility). — schopenhauer1
I'm afraid Hegel is like a too rich chocolate cake. I can only have a nibble before feeling done... — Tom Storm
:up:rival aesthetical perspectives may be as significant a source of misunderstanding and conflict as anything generated by politics. — Tom Storm
The true content of romantic art is absolute inwardness, and its corresponding form is spiritual subjectivity with its grasp of its independence and freedom.
This inherently infinite and absolutely universal content is the absolute negation of everything particular, the simple unity with itself which has dissipated all external relations, all processes of nature and their periodicity of birth, passing away, and rebirth, all the restrictedness in spiritual existence, and dissolved all particular gods into a pure and infinite self-identity. In this Pantheon all the gods are dethroned, the flame of subjectivity has destroyed them, and instead of plastic polytheism art knows now only one God, one spirit, one absolute independence which, as the absolute knowing and willing of itself, remains in free unity with itself and no longer falls apart into those particular characters and functions whose one and only cohesion was due to the compulsion of a dark necessity.
Yet absolute subjectivity as such would elude art and be accessible to thinking alone if, in order to be actual subjectivity in correspondence with its essence, it did not also proceed into external existence...
...the Absolute does not turn out to be the one jealous God who merely cancels nature and finite human existence without shaping himself there in appearance as actual divine subjectivity; on the contrary, the true Absolute reveals itself and thereby gains an aspect in virtue of which it can be apprehended and represented by art.
...the determinate being of God is not the natural and sensuous as such but the sensuous elevated to non-sensuousness, to spiritual subjectivity which instead of losing in its external appearance the certainty of itself as the Absolute, only acquires precisely through its embodiment a present actual certainty of itself. God in his truth is therefore no bare ideal generated by imagination; on the contrary, he puts himself into the very heart of the finitude and external contingency of existence, and yet knows himself there as a divine subject who remains infinite in himself and makes this infinity explicit to himself. — Hegel
For the professor, an atheist worldview was ugly and deficient. His account of god provided a type of poetic wholeness, coherence and perfection. Or so he thought.
Any views on this, or am I full of shit? — Tom Storm
Is there anything which can't be regarded aesthetically? — Tom Storm
https://www.marxists.org/reference/archive/hegel/works/ae/introduction.htm#s7-3Fichte sets up the ego as the absolute principle of all knowing, reason, and cognition, and at that the ego that remains throughout abstract and formal. Secondly, this ego is therefore in itself just simple, and, on the one hand, every particularity, every characteristic, every content is negated in it, since everything is submerged in this abstract freedom and unity, while, on the other hand, every content which is to have value for the ego is only put and recognized by the ego itself. Whatever is, is only by the instrumentality of the ego, and what exists by my instrumentality I can equally well annihilate again.
... But in that case the ego can remain lord and master of everything, and in no sphere of morals, law, things human and divine, profane and sacred, is there anything that would not first have to be laid down by the ego, and that therefore could not equally well be destroyed by it. Consequently everything genuinely and independently real becomes only a show, not true and genuine on its own account or through itself, but a mere appearance due to the ego in whose power and caprice and at whose free disposal it remains. To admit or cancel it depends wholly on the pleasure of the ego, already absolute in itself simply as ego. Now thirdly, the ego is a living, active individual, and its life consists in making its individuality real in its own eyes and in those of others, in expressing itself, and bringing itself into appearance. For every man, by living, tries to realize himself and does realize himself.
Now in relation to beauty and art, this acquires the meaning of living as an artist and forming one’s life artistically. But on this principle, I live as an artist when all my action and my expression in general, in connection with any content whatever, remains for me a mere show and assumes a shape which is wholly in my power. In that case I am not really in earnest either with this content or, generally, with its expression and actualization. For genuine earnestness enters only by means of a substantial interest, something of intrinsic worth like truth, ethical life, etc., – by means of a content which counts as such for me as essential, so that I only become essential myself in my own eyes in so far as I have immersed myself in such a content and have brought myself into conformity with it in all my knowing and acting. When the ego that sets up and dissolves everything out of its own caprice is the artist, to whom no content of consciousness appears as absolute and independently real but only as a self-made and destructible show, such earnestness can find no place, since validity is ascribed only to the formalism of the ego.
True, in the eyes of others the appearance which I present to them may be regarded seriously, in that they take me to be really concerned with the matter in hand, but in that case they are simply deceived, poor limited creatures, without the faculty and ability to apprehend and reach the loftiness of my standpoint. Therefore this shows me that not everyone is so free (i.e. formally free)[52] as to see in everything which otherwise has value, dignity, and sanctity for mankind just a product of his own power of caprice, whereby he is at liberty either to grant validity to such things, to determine himself and fill his life by means of them, or the reverse. Moreover this virtuosity of an ironical artistic life apprehends itself as a divine creative genius for which anything and everything is only an unsubstantial creature, to which the creator, knowing himself to be disengaged and free from everything, is not bound, because he is just as able to destroy it as to create it. In that case, he who has reached this standpoint of divine genius looks down from his high rank on all other men, for they are pronounced dull and limited, inasmuch as law, morals, etc., still count for them as fixed, essential, and obligatory. So then the individual, who lives in this way as an artist, does give himself relations to others: he lives with friends, mistresses, etc; but, by his being a genius, this relation to his own specific reality, his particular actions, as well as to what is absolute and universal, is at the same time null; his attitude to it all is ironical. — Hegel
not too frequently that I stumble upon an idea or an argument that makes me revise all or even most of my previous "commitments" — Manuel
As to the plausibility of Brandom's reading of Kant, I may have some doubts, but for that Mww is your guy. He knows his Kant better than most scholars, as far as I can see. And he's quite a character to boot. — Manuel
But without us, these distinctions couldn't be made and what would remain as far as we can tell, is at best a bunch of fields of energy and a worst (from our want of understanding) a "I don't know what" Lockean substance, or a noumenon in the negative sense, in Kant's philosophy. — Manuel
By mind-independent I mean what the word says. If we did not exist, there would still be planets and suns - in some fashion - as would there be photons and fossils. I don't believe that we literally created the world, that there was nothing here prior to homo sapiens. — Manuel
Here we are though discussing the very norms you don't find plausible. Which inferences play by the rules ? Are valid ? That's us discussing what concepts mean in the first place, or so might an inferentialist claim.It feels a bit strange to say that one is to be held responsible for making a judgement - I don't think that must follow. — Manuel
I think rationality (more so than norms) goes significantly beyond stop-signs or handshakes, it's an innate characteristic of a very peculiar creature, namely, human beings. — Manuel
What's your take on Direct Realism ? — RussellA
Try harder at seeing the full picture. You don’t see the spider ripping off that insects head? The homeless man having a meltdown? The terrible accident? The unwanted chore? The starvation of not doing X to get Y? Disagreement? Physical pain? Emotional pain? Ennui? The uncomfortable situation? The hostile situation? The annoying situation? The dire situation? The deadly situation? — schopenhauer1
Even “ghastly nihilism” can be seen aesthetically. — praxis
It is, unconsciously... but usually no philosopher will admit as much consciously, that is the philosophers conceit, their pride in their reason getting in the way. — ChatteringMonkey
I think life and humans are pretty dreadful, but what can you do?I don't whine. I don't celebrate. I have a tendency towards optimism which, try as I might, I can't suppress. Absurdism works for me too. — Tom Storm
The relation of perception to the experience is one of identity. It is like the pain and the experience of pain. The experience of pain does not have pain as an object because the experience of pain is identical with the pain. Similarly, if the experience of perceiving is an object of perceiving, then it becomes identical with the perceiving. Just as the pain is identical with the experience of pain, so the visual experience is identical with the experience of seeing. — RussellA
Whether knowledge is an instrument or passive medium to bridge the gap, it alters what passes from a mind-independent world to our conscious mind, meaning that our perceptions are indirect.. — RussellA
Chomsky not only argued that language was uniquely human but he also questioned Charles Darwin's theory that language evolved from animal communication and B.F. Skinner's theory that language could be reduced to learned behavior. — Gnomon
What norms? If a scientist is speaking about astronomy, she is specializing in a specific branch of science, attempting to clarify what exists in the mind-independent world. — Manuel
nor do I see how a scientist or a philosopher is "to accept the selftranscending bindingness and legitimacy of these norms." — Manuel
I don't know how simply saying that the self is a kind of fiction or a necessary social construction is any less clear than adding the aspect of a "tradition we perform" — Manuel
It's the same thing? — Jamal