Is this some kind of wacky pomo course? — Terrapin Station
What do people mean when they say: "what is the meaning of life?" or "life has no meaning." — Emptyheady
There is no good reason to exclusively adhere to the terminology of a 19th century theory of signs. It is fairly easy to see that representation is an asymmetric relation whereas resemblance is symmetric. That's what sets portraits apart from representational symbols, e.g. traffic signs or words.You are not adhering to the definitions that I am using, which come from Peirce and are well-established in semiotics, so we are just talking past each other. — aletheist
Granted that a portrait can both resemble and represent its object, but if resemblance is the predominant relation which determines how a portrait signifies its object, then in this respect (i.e. as in how it predominantly signifies its object) it cannot represent its object, because representation is asymmetric whereas resemblance is symmetric. The portrait may, of course, represent its object in other respects by way of convention, for instance. *In particular, you seem to have a very narrow concept of representation. If "the portrait signifies primarily by resemblance," then it represents its object by resemblance--it is an icon. — aletheist
But the question is how, recall. A tumbling dust ball is also connected to the direction of the wind, but that does not make it a representation of it, does it?The weather vane represents (i.e., indicates) the direction of the wind, regardless of whether anyone interprets it as doing so--it is an index. — aletheist
I'm also focusing on the predominant relation, but the mere application of semiotic terminology is not an argument for "HOW a particular sign represents its object".If the photo "presents certain features which are recognizable as the face," then it represents the face--iconically due to the resemblance, and indexically due to the causal process that placed the image on the film. Now, just about every sign has all three aspects--iconic, indexical, and symbolic; but I am focusing on the predominant relation of the sign to its object. — aletheist
Any picture can represent the person, but then it is used as a symbol, regardless of its resemblance. A caricature, for instance, seldom resembles yet represents; resemblance is neither necessary nor sufficient for representation. A portrait, however, resembles, and a photographic portrait could be visually indistinguishable from the present features of the person. Granted that it could also represent the person, but if the question is: how does the picture signify, then it seems fairly clear that while a caricature represents by asymmetrically exaggerating or contorting known features of the person the portrait signifies primarily by resemblance.A portrait does not represent the person whom it portrays (resemblance)? — aletheist
It represents the direction of the wind by being used as a conventional symbol for it, regardless of its direct causal connection to the wind.A weather vane does not represent the direction of the wind (connection)? — aletheist
There is no face in the photo but colour patches, and the photographic process arranged those patches in a way that resembles the way which makes the face familiar. The photo does not represent the face, it presents certain features which are recognizable as the face.You do not recognize a familiar face in a photograph (both)? — aletheist
While it seems fairly clear that conventional symbols represent I don't think resemblance represents. Resemblance is symmetric, i.e. one thing resembles another by actually possessing some of its recognizable properties. Representation, however, is asymmetric, i.e. one thing represents another, regardless of whether they share properties.I am looking at HOW a particular sign represents its object. There are only three options--by resemblance (icon), by direct connection (index), or by convention (symbol). — aletheist
This is merely communication and inference. — darthbarracuda
Evidently we can, for example, when we talk about the mind, and share insights into the minds of different speakers. Therefore, the mind is not isolated.at least conceptually we can open these containers and see their contents. We cannot do this with mind. — darthbarracuda
I agree.The cat does not cause the observer to have a visual experience, but it does cause the visual experience to be that of a cat. — Real Gone Cat
I would amend that slightly ;). Sensing is hardly passive but it is passively identifying what is sensed, for example, the cat.Sensing is passive. — Real Gone Cat
Now that I have given up naive realism — intrapersona
Yet you wrote this:I'm not positioning the seen cat within the sensing being. — Metaphysician Undercover
It seems fairly clear to me that you suggest to position the cat within the sensing being since we were talking about a cat that you see. Now if "the referred" does not mean the cat that you see, then what?... Let's position the referred to activity, seeing, where it truly is, within the sensing being, ... — Metaphysician Undercover
With respect to the OP which concerns the relation between sense organs and experience the location of the act of sensing is hardly an issue here. Obviously sensing is located within the one who's got the sense organs, not elsewhere (we're not discussing whether remote sensing is possible, are we?).I am positioning the sensation of the cat within the being, and saying that the cause of the sensation is the act of sensing. — Metaphysician Undercover
Can things be the both a cause and an effect? Can they cause themselves? Seems incoherent. — dukkha
I merely corrected you, by pointing out that the act of "sensing", is the cause of the sensation of a cat. The cat is not the cause of sensing nor seeing the cat. Rather, the living being which senses is the cause of this activity of sensing. Let's position the referred to activity, seeing, where it truly is, within the sensing being, not within the thing being sensed. — Metaphysician Undercover
This act produces sensation, perhaps the seeing of a cat. — Metaphysician Undercover
Since I perceive the world directly there is no reason for me to doubt whether my experiences right now when I'm awake might be real or dreams.I asked how you know you aren't dreaming right now. — Mongrel
No, after your clarification your question turned out to be easy to dismiss (despite your misuse of "logic").What does it suggest.. that you don't simply answer the question? — Mongrel
Yes, do you mean that the existence of dreams, or dreams of saying things, would somehow show that we never know whether we dream or not?Problem? — Mongrel
What properties does one have that the other doesn't? — Mongrel
That's a bad argument. You shouldn't ask for justification of belief in the existence of an external world under the assumption that the external world doesn't exist, or that we would never encounter the external world, only our own internal constructs.The dream argument attempts to demonstrate that belief in the existence of an "external" world is never justified. — Aaron R
For example, by verification.Then how does the realist distinguish between a veridical and a non-veridical experience? — Michael
That's not a principle of realism.The very principle of realism is that the way the world is is independent of our experiences such that we can see things that aren't there and not see things that are there. — Michael
What is an example of a realist who would disagree with a rejection of the idea that the world exists in itself?Plenty of realists would disagree. — Aaron R
No-one says it needs to denote Kant's ding an sich, but you mentioned "thing in itself", and I replied. Moreover, plenty of scholars disagree on whether Kant's take implies two worlds or two perspectives. One is invisible and assumed to exist "in itself" whereas another is assumed to be a "visible" mind-dependent version of the invisible version. Neither is plausible, and regardless of what Kant's particular take might be I see no good reason for a realist to speak of things in themselves."In itself" need not denote Kant's "ding an sich", which is just his particular take on the concept. — Aaron R
...
And you, you can be mean
And I, I'll drink all the time
'Cause we're lovers, and that is a fact
Yes we're lovers, and that is that
... — Bowie