Get Creative! You mean stuff like the ones that are heard between 1:47 and 2:25? — Πετροκότσυφας
Exactly; those chord changes are mine. I was so inspired by this song though, because her melody
so strongly suggests a chord progression; It's so rare to work with a vocalist so intuitive that he/she can just sing melodies that basically create their own chord progressions. So, with this track, I had the luxury of deciding how and in which context, if any, I wanted to highlight the chordal structure that she was suggesting, intuitively, with her voice. Thankfully, the way I did it ended up working for her; she agreed with how I heard it.
The backbone seems to be the drones (not even sure if the term applies, but that's how I categorise it), so by drones I mostly meant the instrumental part (as opposed to vocals). — Πετροκότσυφας
Oh totally, the backbone of the track, in terms of emotion, is the "drones". But I think that the melody, especially the chorus, is what carries the track from point to point.
I like the rythm too, although, I'm pretty sure it would be different in my head had I read it first and not listened to the recitation. — Πετροκότσυφας
Same; I don't know. Hearing the translation sounds really nice. I don't know what that means.
The Bass Communion tracks is nice too. I had only listened to "Ghost on Magnetic Tape" before. — Πετροκότσυφας
Word. That's his big piece, for whatever that means. Molotov And Haze is waaaay better.