Eternalism vs the Moving Spotlight Theory Picture if you will a skyscraper in a timeless world; it is eternal and unchanging. Also, every floor of this skyscraper is strictly two-dimensional; it’s really a bunch of flat sheets stacked in a tower, but I’m going to talk about them like they’re floors of a building.
The top of the tower is a point, and the floors get wider toward the bottom. We don’t have to worry about where the bottom is for now, for our purposes the tower may as well be infinitely tall, and we’re looking at it from the top down.
Every lower floor is identical to the floor above it except for one tiny change to each thing on the floor. These changes have to follow certain rules, and over time interesting patterns in the things on the floors develop. Patterns that, under the influence of the rules, lead to more copies of themselves being around on the lower floors, tend to become more common the lower you look in the tower, for obvious reasons.
One such kind of pattern turns out to be having as a part of its pattern copies of other patterns from upper floors, arranged in order by floor, and also extrapolations of that series of patterns into ones likely to appear on lower floors. Lower-floor variations of those patterns continue to build on their series’ of images from upper floors, and update their projections of expected images of lower floors accordingly.
So within these 2D patterns of stuff are contained representations of 3D sections of this building, sections that span multiple floors, but are represented inside of things that exist on just a single floor. In a sense, an image of part of the 3D building is contained within one thing that only exists as such in 2D.
I hope I don’t need to spell out this analogy.