There are facts that represent other facts. They do this, roughly, by their elements being arranged the same way the elements of the facts represented are. This is pretty intuitive. But it also leads directly to the point that a representing fact, a picture, cannot have
as an element any of these: something that indicates it is a picture, something that indicates what fact it is a picture of, something that explains how it represents what it represents, any indication that it is a picture at all. None of those are present in the fact represented, so there is no element in what is represented for any such element of the picture to correspond to. (If there are such things, they will have to be immanent in the picture, but not an element.)
Thus we get
2.172: "The picture, however, cannot represent its form of representation; it shows it forth." (More below.)
We're still working through whether and how pictures are veridical. We begin with pictures tied to facts and reality. Thus at
2.15: "That the elements of the picture are combined with one another in a definite way, represents that the things are so combined with one another." That's
are. No question that the elements of a picture are combined in a definite way. Of course they are. So what does a picture represent? Obviously a veridical picture shows things combined as they are. What about a non-veridical picture? Doesn't it show things combined in a way that they
aren't? (More on this in a moment.)
We get the rest of the terms we need in the remainder of
2.15: "The connection of the elements of the picture is called its structure, and the possibility of this structure is called the form of representation."
Structure makes perfect sense, but form of representation is the
possibility of this structure? And then in
2.151 he says: "The form of representation is the possibility that the things are combined with one another as are the elements of the picture."
So
this is what
2.172 says the picture cannot represent. It represents a possible situation in logical space, atomic facts existing or not, and it represents (
vorstellen this time instead of
darstellen) that things are combined the way its elements are, but it does not represent the possibility of itself having the structure it shows the things it represents having.
The form of representation is the possibility of this fact, the picture, having a certain structure; what's notable about this structure is that its elements can be
coordinated with the things it represents. This is the representing relation. The representing relation is what makes a fact a picture, and this relation is immanent in the picture. (Evidently pictures are not signs at all, are not arbitrary — that will come later. Pictures are models.)
All this leads up to
2.17: "What the picture must have in common with reality in order to be able to represent it after its manner — rightly or falsely — is its form of representation." So its form of representation — the possibility of the picture having the structure that it does, its elements being combined as they are — this
possibility is what the picture has in common with reality.
So now we can come back to the true and false problem. We can look at this backwards: what the picture does not represent, it cannot get wrong; what no picture represents is its own form of representation. This it cannot help but get "right". But what is it?
((Timeout. Possible that "form of representation" is not the best translation here. P&M use "pictorial form" which is scarcely better. The key word here is
Abbildung which seems to cover lots of stuff related to
projection — reproductions (as of pictures), mappings and such in mathematics. As a matter of fact, it seems likely that this idea of projection — from what is represented to the picture — is exactly what's missing here. LW has all these descriptions that run from the picture to reality — the feelers and all that — but almost nothing in the other direction, which is quite strange.))
It seems like he was on the verge of saying that a picture has the same structure as what it represents, but he doesn't — he says it has in common with what it represents this form of representation, or projection or mapping. So we can conclude that this possibility of the structure the picture has is also a possibility found in what is pictured.
Remember my marbles? Physically sorting the red and blue marbles into separate boxes is a way of physically representing the logical partition of the marbles by color, using the marbles themselves. The physical arrangement of them into separate boxes creates a correspondence, a systematic correspondence like a mapping or a projection, between how the marbles are combined or separated and the logical partition. This is a physical model of a logical possibility. That's suggestive anyway.
I'll stop here and wait for your input,
@Posty McPostface. Need clarity on the form of representation, and then we'll make some sense of the true and false business. Maybe that won't be clear until we push into 3 and propositions.