This suggests that there is more to the visual phenomenon than just the raw retinal data. There is a sub-personal interpretive or organizational component that structures the experience in one way or another before it is given to conscious experience. — Pierre-Normand
Why can't distal objects be constituents of experience — creativesoul
I think that you've given indirect realism too much credit. I see no reason to think that if colors are not inherent properties of distal objects that the only other alternative explanation is the indirect realist one. They can both be wrong about color. — creativesoul
With the phrase "visually appears to grow" I refer to the visual information about an objective increase in the dimensions of an object. — Pierre-Normand
Do you believe that naive/direct realism cannot deny color as a property of objects? — creativesoul
When you are hanging upside down, the flower pot sitting on the floor may momentarily appear as if it is inverted and stuck to the ceiling. — Pierre-Normand
Suppose you are walking towards a house. As your distance from it is reduced by half, the house doesn't visually appear to have grown twice as large. — Pierre-Normand
The eyes are active; they seek out and use the light, transducing it, converting it to signals for use by the rest of the body, in a similar way you mention. My guess is indirect realists do not consider such an act as an act of perception because it doesn't involve a mediating factor. — NOS4A2
I am a direct realist and do not believe distal objects and their properties are actual constituents of the experience. — NOS4A2
I try my best to make sense of the argument, but so far "experience" appears to be a roundabout way of describing the body, at least metaphorically.
But there are epistemological problems with indirect realism, and they are insurmountable. If one is privy only to his experience, or representation, whatever the case may be, how can he know whether they represent the real world? — NOS4A2
Reading through, the play for indirect realism seems to be to pick two supposedly distinct aspects of a perceiver and to have one mediate perception for the other. This gives the impression that there are 3 parties, a relationship that is necessary for mediation, and for indirect realism.
But the distinction is abstract and has no empirical grounds. All one has to do is observe a perceiver and note that only two parties are involved in the perceptual relationship, and all the indirect realist has really done is implied that the perceiver mediates his own perception, which isn’t mediation at all. — NOS4A2
Must they, though? — jkop
I'd say seeing a colour is neither right nor wrong, it's just a causal fact, how a particular wavelength in the visible spectrum causes a particular biological phenomenon in organisms that have the ability to respond to wavelengths in the visible spectrum. — jkop
You postulate that we (humans) have the experience with our kind of eyes / brain, so how come you say that another organism must have differently working eyes and brain to have the same experience? — jkop
What do you mean by saying that photoreception is subjective yet not special?
The argument that there is no "correct" orientation or "correct' way of perceiving the world seems to me help make the case for direct realism rather than for indirect realism. Direct realists think it is possible for our perceptions of the world to be veridical, despite there being no "correct" way to perceive it (whatever that might mean). It is indirect realists who seem to think it is impossible for our perceptions to be veridical, and this seems to be because we either do not perceive the world "correctly" or because we cannot know whether we perceive the world "correctly". — Luke
Now, it's true that when your turn you head all the way upside down, some illusion regarding the orientation of the external world may ensue. — Pierre-Normand

World maps are indeed conventional, like many other artificial symbols, but misleading as an analogy for visual perception. Visual perception is not an artificial construct relative conventions or habits. It is a biological and physical state of affairs, which is actual for any creature that can see.
For example, an object seen from far away appears smaller than when it is seen from a closer distance. Therefore, the rails of a railroad track appear to converge towards the horizon, and for an observer on the street the vertical sides of a tall building appear to converge towards the sky. These and similar relations are physical facts that determine the appearances of the objects in visual perception. A banana fly probably doesn't know what a rail road is, but all the same, the further away something is the smaller it appears for the fly as well as for the human. — jkop
Direct and indirect then both apply, in different senses: direct because connecting in an unbroken chain; indirect because involving links and transformations. — bongo fury
I guess, the same work as "actually"? — bongo fury
But isn't that our eyes? Our eyes receive light physically upside down. Our brains spin it around.
If some creature had upside down eyes relative to us, it would be up to their brain how they experience the visual orientation, not necessarily the way their eyes are positioned. — flannel jesus

many of its properties, and its downstream physical effects, are indeed directly presented in and constitutive of the photo — bongo fury
In your thought experiment, somehow, this relative inversion between the contents of the two species' (or genders') respective visual experiences is a feature of their "private" qualia and is initially caused by the orientation of their eyes. But what does it even mean to say that an animal was born with its eyes "upside down"? Aren't eyes typically, functionally and anatomically, symmetrical across the horizontal plane? And since our eyes are camera obscura that already map the external world to "upside down" retinal images, aren't all of our eyes already "upside down" on your view? — Pierre-Normand
Paintings and human texts indeed (often) purport to be about objects in the world. But this purport reflects the intentions of their authors, and the representational conventions are established by those authors. In the case of perception, the relation between the perceptual content and the represented object isn't likewise in need of interpretations in accordance with conventions. Rather, it is a matter of the experience's effectiveness in guiding the perceiver's actions in the world. You can look at a painting and at the scenery that the painting depicts side by side, but you can't do so with your perception of the visual world and the visual world itself. — Pierre-Normand
After struggling for a couple of days with ordinary manipulation tasks and walking around, the subject becomes progressively skillful, and at some point, their visual phenomenology flips around. — Pierre-Normand
it is the visible property of the rain that determines the phenomenal character of the visual experience — jkop
Because perception is direct. — jkop
I can't separate my visual experience from the rain — jkop
As I am also attempting to explain, it is the indirect realists who are facing a challenge in explaining how the inner mental states that we enjoy can have intentional (referential) relations to the objects that they purport to represent that are apt to specify the conditions for those experiences to be veridical. — Pierre-Normand
On the disjunctivist view, the phenomenal character of this experience isn't exhausted by an inner sensation or mental image. Rather, it consists in your very readiness to engage with the apple — Pierre-Normand
The disjunctivist, in contrast, can ground perceptual content and veridicality in the perceiver's embodied capacities for successful interaction with their environment. — Pierre-Normand
First of all, does it make sense to speak of shared sensations? — sime



Yes it does. He had to. — Hanover
We assign culpability to people who are not actually culpable. — Truth Seeker
I think hard determinism is true. — Truth Seeker
If hard determinism is true, then no one is morally culpable.
I am not sure if this follows. Consider a basic sketch of compatibalist free will as one's relative degree of self-determination: — Count Timothy von Icarus
However, if hard determinism is true, then it is inevitable that X murdered Y. In that case, X is not actually culpable. The actions of X are as determined and inevitable as death by an earthquake. We don't hold earthquakes culpable for murder, but we hold adult humans of sound mind culpable for murder. Should we though? — Truth Seeker
The question is, does scientific progress ultimately lead to self-destruction or major destabilization of human civilization? — SpaceDweller
you have internal representations that map to objective features of it. — hypericin
I’ve only seen red things. — NOS4A2
I have no problem understanding the argument, only the entities we’re dealing with. And that the indirect realist cannot point to any of these entities, describe where they begin and end, describe how and what they perceive, nor ascribe to them a single property, is enough for me to conclude that they are not quite sure what they are talking about, and that this causal chain and the entities he puts upon them are rather arbitrary. — NOS4A2
But again, your position lacks a referent. — NOS4A2
As it stands, no intermediary exists between perceiver and perceived. — NOS4A2
The odour molecules are a part of that unperceived causal chain. — Luke
