I admit -- I don't know all of what you're getting at. But I like that music video and want to talk about it.
There was also a good live performance on SNL worth watching if you haven't:
https://www.youtube.com/watch?v=l2P2qbr-_Ps
To me: The music video and song is the most angry expression of being trapped in something he doesn't want. America views blacks as happy dancers from Africa willing to put on a performance to get the money they need to escape the poverty enforced upon them, but the song points it out on multiple occasions: "This is America". This happens after the reggae-ish intro claiming that "we just want to party, party just for you, we just want the money, money just for you" -- to set the scene and point to "this" in "this is America".
Of course in the music video he also kills a man just prior to the music change and saying "this is America". But that's because blacks are faceless victims of murder in America, and in spite of that fact -- whether it be police or criminals carrying guns pulling the trigger -- the popular stage for black Americans is as entertainers who are pretty and hip and happy who just want to party.
Also, as if to warn what happens if you fall out of the Black America character, Gambino explicitly says "don't catch you slippin up" -- you're accepted as a party icon, as someone who is out for the money (for you), as someone who would pull the trigger, and also as a victim forgotten not even 2 seconds after the trigger is pulled -- but don't slip out of that.
The dance confirms this variation between happy-fun-entertainer and serious-minded player -- by hopping between clear expressions of gay frivolity that are exaggerated where the eyes are pointed off screen to looking straight at us, the viewer, no smile with advice and a dead cold stare that says 'here is the truth'.
Also, shortly after Gambino is joined by dancers in school clothing that present the "nice negro". They are always involved in a song and dance number as well as in the SNL stage version of the song. They are the front that you need to present, well dressed with good dance moves, that you can't slip out of.
Contrast this with the lyrics where weapons are a necessary part of life, where you have to think like you are going to get what you need, that you are cold, that you are cool, that you are engaged in guerrilla war.
Quick change to a black church choir singing -- the advice from grandma saying you gotta get your money, black man. It sounds happy and looks happy and ends with a Kalashnikov killing every one of the singers.
I honestly thought of the civil rights movement when I saw the choir. It was the old way of doing things, the get your money black man and stand up way. I saw the killing as a breaking away from the old way, as well as throwing back to the worthlessness of black lives in America -- because, immediately after, Gambino says 'this is America'
In the montage that follows we have Gambino and the school-clothes dancers at front, but in the back we have people running around everywhere and chaos -- first there's a guy thrown from the rafters, then you see people sitting in the rafter recording everything with a cell phone, and then a car on fire with a police officer chasing after the people causing chaos in the background.
I am honestly uncertain about the reference to Oaxaca. Just prior to that we get the answer though: "Hunnid bands, hunnid bands, hunnid bands
Contraband, contraband, contraband:
And just after we get a reference to reparations, but ones that are individual:
"America, I just checked my following list and
You go tell somebody
You mothafuckas owe me"
with the quick justification that grandma always told the speaker.
Just prior to all this we have the speaker lighting a blunt, and after the justification we have a common hip hop theme of the speaker hopping on top of a vehicle with plenty of vehicles on display with girls as if he owns them all. But they aren't the usual luxury vehicles. They are old vehicles, as if "get your money" and a blunt are what you have to settle for.
Dancing all the way until the end. Where the truth is presented --
"You just a Black man in this world
You just a barcode, ayy
You just a Black man in this world
Drivin' expensive foreigns, ayy
You just a big dawg, yeah
I kenneled him in the backyard
No probably ain't life to a dog
For a big dog
"
Someone trapped, and running -- and to take the SNL video -- someone still performing for the money.
The fact that the song is catchy and dance-able just adds to the meaning. It's the only medium in which this sort of feeling could be expressed.
edit: So in conclusion I felt the song was both very angry and cynical in its presentation, but because of the ending it seemed like the singer -- as opposed to the person in the music video -- wanted more than this "new" way of doing things. Like there was hope outside of the structures that forced the performer to perform, since at the end he was running. And in some sense, according to the music video, it looked like everyone was running too, even people who are not black. Just that black America has it worse.
Having said that, I don't know that philosophy works in the same way that art does. Art has a place in the world for expression. Philosophy does too. But I don't know if this art
replaces philosophy -- they are just different modes of expression.
One thing art has over philosophy is that it's able to express philosophical ideas in a manner that is more tasteful and moving than philosophy tends to be.
But philosophy appeals to reason, at the end of the day. That is both its weakness and strength.