By:
@Count Timothy von Icarus (Only placed here because it wouldn't fit the character limit in the OP)
Footnotes:
1. C.S. Lewis. The Discarded Image. Cambridge University Press. (1964) pg. 161
2. Boethius. De Consolatione Philosophiae. Trans H.R. James (1897) Book I, Prose I
3. C.S. Lewis. The Discarded Image. Cambridge University Press. (1964) pg. 161
4. Aristotle, Nicomachean Ethics. Book X, Ch. VII.
5. Plato, Laws (645a).
6. Samuel Johnson. A Dictionary of the English Language. (1755)
7. David Hume. A Treatise of Human Nature. (
2.3.3.1) (1740)
8. David Hume. A Treatise of Human Nature. (
2.3.3.3) (1740)
9. Plato. Timaeus. 90a
10. Although under “deflationary theories of truth,” where all that can be said about truth is exhausted by an account of the role of the term ‘true’ in our language, it is now less clear what “truth” itself refers to.
11. That is, the desires Plato ascribes to the “rational part of the soul,” namely the desire for truth and goodness as such.
12. E.g., St. Thomas Aquinas. Summa Theologiae. Part I, Q.16, A.1
13. St. Thomas Aquinas Questiones Disputatae de Veritate. Q1, A2. Trans. Robert W. Mulligan (1952)
14. Here, it is worth noting that the reduction of man’s “rational soul” to merely the power of discursive ratio might be seen as a major cause (and presupposition) of views that confine truth to language or formal systems
15. Aristotle. De Anima. Book III, Ch. V
16. See: St. Thomas Aquinas. Summa Theologia. Part I. Q. 85. A.1 R
17. The most erotic passage of the Commedia occurs at the end of Canto X of the Paradiso, in the Heaven of the Sun, where Dante meets the souls of the wise theologians who progressed furthest in knowledge of the divine (see endnote iii).
18. Byung-Chul Han. The Agony of Eros. Trans Erik Butler. MIT Press (2017) pg. 1
19. That is, something like the actions of the man in John Searle’s “Chinese Room” thought experiment, who follows the rules of the Chinese language in producing text, but understands none of it. Some of the most deflationary conceptions of the human intellect claim that there truly is nothing more to language and rationality than this sort of rule following.
20. St. Thomas Aquinas.Summa Theologia. Part I. Q. 79. A.8
21. Boethius. De Consolatione Philosophiae. Trans H.R. James (1987) Book IV, Prose VI
22. See: St. Thomas Aquinas. Summa Theologia. Part II/I, Q.3, A.4
23.For an example of this distinction see St. Thomas Aquinas. Summa Theologia. Part II/I, Q.8, A.1
24. Dante Alighieri. Epistle to Cangrande. Trans James Marchand. Georgetown University. §7
25.Mark Musa. Divine Comedy Volume I: Inferno. Penguin Classics. (1984) Canto I, 3
26.It is not incidental that an erotic other, rather than a teacher, must lead Dante on this last leg of his pilgrimage.
27.Virgil will require angelic assistance to get past the demons who block the pairs’ descent (Cantos VIII-IX).
28.See Paradiso Canto XXXIII, lines 103-104, where Dantes specifies the Good (God) as the goal of all willing.
29. Mark Musa. Divine Comedy Volume I: Inferno. Penguin Classics. (1984) Canto, III, 17-18
30. Mark Musa. Divine Comedy Volume I: Inferno Penguin Classics. (1984) Canto III, 6 & 12
31. See: Inferno, Canto V
32. Mark Musa. Divine Comedy Volume I: Inferno Penguin Classics. (1984) Canto XX, 20-21
33.That all goodness relates to the Divine Good is explained in St. Thomas Aquinas’s Summa Theologiae, Part I, Q6. Lucifer and Adam’s falls are recounted in Canto XIX and XVI of the Paradiso respectively. Lucifer’s fall and his current condition is also covered in Canto XXXIV of the Inferno.
34. See: Paradiso, Canto IV, line 33
35. Mark Musa. Divine Comedy Volume III: Paradise. Penguin Classics. (1984) Canto I, 1-3
36. See: St. Thomas Aquinas. Summa Theologiae, Part I, Q6 on this point.
37. Mark Musa. The Divine Comedy Volume I: Inferno (1984) Canto III, line 6
38. Mark Musa. The Divine Comedy Volume III: Paradise. (1984) Canto XXXIII , line 145
39. Mark Musa. The Divine Comedy Volume II: Purgatory. (1981) Canto XVII, lines 103-105
40. Mark Musa. The Divine Comedy Volume II: Purgatory. (1981) Canto XVII, 91-96
41. Mark Musa. The Divine Comedy Volume III: Paradise (1984) Canto II, line 19
42. Mark Musa. The Divine Comedy Volume II: Purgatory. (1981) Canto XVIII, 25-27
43. See Purgatorio Cantos XIV and XV.
44. Mark Musa. The Divine Comedy Volume III: Paradise (1984) Canto IV, lines 124-126
45. Plato. Republic. (518c-518d)
46. It is worth noting here that on St. Bernard of Clairvaux (Dante’s final guide in the Commedia)’s “Ladder of Love,” the final step is the “love of creatures for God’s sake.”
47.David Hume. A Treatise of Human Nature. (2.3.3.415) (1740)
48. Mark Musa. The Divine Comedy Volume II: Purgatory (1984) XXVII lines 140-142
49.Mark Musa. Divine Comedy Volume III:Paradise. Penguin Classics. (1984) Canto I, line 70; see also pg.13 for Musa’s commentary on the use of this unique term.
Endnotes:
I. Indeed, the triumph of volanturist theories of liberty can be seen as stemming, at least in part, from the fact that the new conception of reason is incapable of ruling over a person because it is bereft of its own motivations (i.e., its desire for Goodness and Truth as such).
II. One need only consider likely modern challenges to St. John of Damascus’s matter of fact claim that: “neither are all things unutterable nor all utterable; neither all unknowable nor all knowable. But the knowable belongs to one order, and the utterable to another; just as it is one thing to speak and another thing to know,” to see that labeling both modern and pre-modern views “correspondence theories” papers over a great deal of difference (St. John of Damascus. An Exact Exposition of the Orthodox Faith. Book I, Ch. II)
III.
Then, as the tower-clock calls us to come
at the hour when God's Bride is roused from bed
to woo with matin song her Bridegroom's love,
with one part pulling thrusting in the other,
chiming, ting-ting, music so sweet the soul,
ready for love, swells with anticipation
Paradiso, Canto X, lines 139-142 (Musa translation)
IV. Much more could be said about how Han’s recent influential critique in The Agony of Eros relates to Dante’s conception of love and knowing. It’s worth noting that Han covers ground that is very similar to Pope John Paul II’s Theology of the Body in Simple Language, with the latter drawing heavily from the tradition Dante represents.
Han quotes Emmanuel Levinas’s Time and the Other (pg. 11-12) approvingly, questioning if the erotic love must always be a “failure” if it is defined in terms of “grasping,” “possessing,” or “knowing,” since these presuppose the conquest (and so elimination) of the other, and are “synonyms of power.”
However, Levinas’s inclusion of “knowing” in the paradigm of power presupposes the modern notion of knowledge. This is not the knowing of ecstasis one finds in Plato and much of the pre-modern tradition, nor is it the "knowing by becoming" of the Neoplatonic ascent. Rather it is a knowing where a static self lays hold of the other and makes it a part of itself, consuming it. There is no "going out" or "being penetrated" in such a view, but merely "acquisition."
This shift in “knowing” makes certain a sort of sense when one considers the modern reduction of man's rationality to discursive ratio alone. Aquinas himself says that ratio is to acquisition (and movement) as intellectus is to possession (and rest). The latter is, of course, likened to "possession," but this is not Levinas’s “possession as power.” It is possession as respects rest in a goal, a rest in the other as an end, rather than a frenetic, never-ending movement, a need to extract from the other as means for the gratification of the self.
V. Such a view of knowing also goes along with Ferdinand Ulrich’s conception of “being as gift,” which is heavily influenced by Aquinas and the medieval tradition.
VI. Christian Moevs’s excellent work The Metaphysics of Dante’s Comedy explores these notions of “knowing by becoming,” and “knowing as self-knowledge” in depth.
VII. Understanding the role of love vis-à-vis reason is complicated by the fact that “love” has itself been subject to a sort of deflation. We can see this in the collapse of several unique concepts (i.e., philia, agape, pragma, stroge, eros, and ludus) into a single English word: “love.” Today, one finds the language of the buffered, atomized, discursively rational economic actor (the goal-driven consumer) even in the language of romantic relationships. Be it in guides on attracting "high value males," and not being a "pick-me," aimed women, or the "attraction through competition," and "peacocking" schemes of male-oriented advice writers (the self-described “pick-up artists” of the online “Manosphere”), Homo oeconomicus appears to have replaced Homo sapiens.
VIII. Another of Dante’s sources, Dionysius the Areopagite uses similar circle imagery in De Divinis Nominibus (Book IV, Chapter IX):
Further, there is a movement of soul, circular indeed,----the entrance into itself from things without, and the unified convolution of its intellectual powers, bequeathing to it inerrancy, as it were, in a sort of circle, and turning and collecting itself, from the many things without, first to itself, then, as having become single, uniting with the uniquely unified powers, and thus conducting to the Beautiful and Good.
IX. For instance, in the Prolegomena to Any Future Metaphysics, Kant stakes our ability to distinguish dreams from reality on “connection according to [discursive] rules that determine the combination of representations” in experience, rather than on any definite relation between the actuality of things and their appearances (4.290).
X. For instance, Wittgenstein’s influential On Certainty takes up many of the same questions about justification and knowledge addressed by Aristotle’s Posterior Analytics. Yet the two thinkers come to radically different conclusions on the nature of knowledge, in large part because intellectus is not considered as an option in the later work.
XI. In Christian terminology, this would be the rule of the “Flesh.” Yet it is important to note that the “Flesh” is not simply the body, nor is it the sensuous appetites or passions. These are to be purified and redirected towards what is truly good, not uprooted. The appetites and emotions are an important part of the person, and the human being’s perfection in “the age to come” involves the restoration of their body. Rather the “Flesh” represents an orientation towards finite goods and away from God, the ultimate end of human existence. Because it is the intellect that knows the good as good, it is only when the intellect rules that man can be directed towards goodness itself, and so escape the allures of the “World” and “Flesh.”
XII. It is instructive that Virgil makes this pronouncement before Dante is led to Limbo, with its bucolic scenery and its brightly glowing seven walled castle (likely symbolizing the seven “liberal arts” by which men are made free and the “light of intellect,” as suggested by Musa pg.103). The imagery here recalls the Earthly Paradise atop Mount Purgatory, a “heaven on Earth,” that Virgil, human reason, was ultimately capable of directing the Pilgrim to. Indeed, as Gerald Walsh suggests, had Dante wished to write a Human Comedy, an ode to humanism, the story might have ended with Virgil bringing Dante to that summit, to a Limbo-like Heaven atop Mount Purgatory. In so doing, Walsh claims Dante would have advanced a view of man’s telos in line with Condorcet, Kant, and Hegel (Gerald Groveland Walsh. Dante’s Philosophy of History. The Catholic Historical Review, Vol. 20, No. 2 (Jul., 1934), pp. 117-134).
Yet Canto IV begins with Virgil telling the Pilgrim that he is now descending “into the sightless world” (Canto IV line 13), and the air of Limbo is filled “the sounds of sighs of untormented grief” (line 28). Hence, we must not forget that for Dante, those in Limbo are still “damned.” These souls have “lost the good of intellect” in that intellect can no longer bring them to man’s natural end. They are consigned to endless motion, never reaching satisfaction. They have seen the Beloved, but cannot reach Him.
Dante’s narrative here, far from showcasing a “secular semi-heaven,” should rather be taken as a potent critique of ethical systems that take the Good to be the proper target of rational thought and will, but in the end merely an “intentional object” (ens rationis but not ens reale). Such a system supposes that, though we might become true self-movers, exercising a rational freedom, our movement is ultimately every bit as vain as Satan’s fruitless kicking (and so in some sense still irrational).
XIII. Such an association of multiplicity with sin is a foundational part of the Christian tradition. For instance, Origen of Alexandria, often regarded as the first systemic Christian theologian, writes in his On Prayer (Chapter XII. The Lord’s Prayer:: The Preface in Matthew):
There is no unity in matter and in bodily substances, but every such supposed unity is split up and divided and disintegrated into many units to the loss of its union. Good is one; many are the base. Truth is one; many are the false. True righteousness is one; many are the states that act it as a part. God’s wisdom is one; many are the wisdoms of this age and of the rulers of this age which come to nought. The word of God is one, but many are the words alien to God.
XIV. A look at how St. Thomas defines “spirit,” in contrast to “soul” might be helpful here. The spirit is the soul vis-a-vis its transcendence of the body (e.g. ST 1.97.3). When we consider the “spirit,” the agent of the operations of intellect and will is the soul considered in its distinction from the body (as opposed to its unity with the body). The sensible appetites, which attract us to finite goods that cannot be freely shared, are excluded from spiritual activities (ST 1.75.2).
Hence, we could think of envy, and all of our competition for status, wealth, etc., as in some sense a misordering, since it involves the lower part of the soul (i.e. sensible) ruling over the higher part (i.e. the rational). It is also a misuse of our body, if we consider the body to be primarily a vehicle for the spiritual life, that is, a conception of the body as sacramental (e.g. in Pope John Paul II’s Theology of the Body in Simple Language).
XV. St. Bonaventure, one of Dante’s many sources (and a soul he encounters in the Heaven of the Sun), is instructive here:
The creatures of this sensible world signify the invisible things of God [Rom. 1:20], partly because God is of all creation the origin, exemplar, and end, and because every effect is the sign of its cause, the exemplification of the exemplar, and the way to the end to which it leads; partly from its proper representation; partly from prophetic prefiguration; partly from angelic operation; partly from further ordination. For every creature is by nature a sort of picture and likeness of that eternal wisdom… (Itinerarium Mentis in Deum. Chapter 2.12)
XVI. Dante’s conception here is in line with the classical Christian tradition. For example, we could consider the famous adage from St. Maximos the Confessor that:
Nothing created by God is evil. It is not food that is evil but gluttony, not the begetting of children but unchastity, not material things but avarice, not esteem but self-esteem. It is only the misuse of things that is evil, not the things themselves.