2001: A Space Odyssey's monolith. As long as I can remember I've imagined Kubrick/Clarke's "Monolith" as the ultimate intelligent descendant of terrestrial life interacting with its primeval ancestors (us) in "higher dimensional" quantum-level simulations (e.g. "pocket universes"). Symbolically, the "Monolith" is both mirror and window (i.e. "film screen") of the unknown – e.g. individual death; species extinction; event horizon; cosmic horizon; heat-death of the universe – the a priori strange attractor that self-organizes intellect: nonbeing ... emptiness (à la Nāgārjuna).
When (movie) Dave Bowman transforms (chrysalis-like) into the "Starchild", the Monolith's simulation, I imagine, becomes aware of itself as (manifested as an avatar of) the Monolith's simulation. (Book) Bowman's last transmission as his pod falls onto / into the Great Monolith "My God, it's full of stars ..." in which "stars" could mean souls, or minds, or intelligences ... perhaps all there ever has been and will ever be ... simulated. No doubt, another inspiration for Frank Tipler's cosmological "Omega Point"?
Anyway, 2001 is stll my all-time favorite cinematic experience. :fire:
https://thephilosophyforum.com/discussion/comment/741055
Time for bed. :yawn:
Will I dream?
— SAL-9000 — 180 Proof
Ati sundar mon ami, ati sundar!
Stanley Kubrick's monolith is as ambiguous & vague as a Rorschach test can be. It's intended to represent an advanced intellect and yet, since, as
javi2541997 pointed out, Kubrick was trying to imagine the unimaginable, his experience & knowledge had to be swept aside as nothing in 'em made the cut - they were all too earthly, too mundane as some like to put it. He then probably went apophatic, as he sifted through all the proposals that were put forward, saying "
neti neti" (not this, not that, no, not that either). He seems to have finally settled on a
black, smooth, rectangular prism. It was, as the OP opined simple, rather anticlimactic you might say, but just consider for a moment the notion of
divine simplicity, that god (the alien extraordinaire) is
infinitely simple. Instead of trying to think of something mind-bogglingly complex, Kubrick chose something simple, with the same effect mind you, the head meets the tail, the ouroboros coiled.
Simplify, Simplify, Simplify — Steve Jobs