but I believe it is worth talking about the effect of an expanding marketplace where ‘novelty’ and ‘rarity’ become the norm - as strange as that sounds. — I like sushi
But I think it has a lot to do with television, shopping malls, and our great fascination with rebellion. — unforeseen
If I had to guess, those desires mostly come from advertisements and other tactics businesses employ for profitability. — unforeseen
As such, commodity fetishism transforms the subjective, abstract aspects of economic value into objective, real things that people believe have intrinsic value." — unforeseen
What is "Commodity Fetishism"? — unforeseen
That seduction feels like a revelation of the real, and to some degree I think it is, but it is also a construction of a our shared conceptual reality. We swim in an ocean of signs. As 'spirits' we are chains of signs that talk about themselves. Something like that... — Eee
On an interpersonal basis I would like to put forward the idea of artistic/aesthetic qualities being a force to drive a healthier social interaction between what is made, who is making it and the buyer. — I like sushi
Reputation is the selling factor for mass produced goods - Apple is an example of this (although it has waned by most people’s standards). Really I was trying to highlight how what is ‘new’, ‘original’ and ‘novel’ plays into this ‘fetishism’ as well as the distance between the manufacturers and consumers.
I think we’re really consumed by ‘rarity’ and the conflicting drives to feel/appear ‘uniquely individual’ whilst also craving to be ‘part of the crowd’. I don’t see there being any other major force behind what drive economics that doesn’t fall into one of these two broad categories. — I like sushi
On an interpersonal basis I would like to put forward the idea of artistic/aesthetic qualities being a force to drive a healthier social interaction between what is made, who is making it and the buyer. — I like sushi
We also tend to care a lot about people we form relationships with and get along with. How these relationships form is complex but usually out of loneliness as a driving force — schopenhauer1
Take as an example a work that WAS NEVER INTENDED to be "art" but was deemed "art" by a viewer. Has the viewer become the artists in that case? Or is this somehow NOT "art"? — ZhouBoTong
It doesn't mean it has no purpose — Wallows
The tacit agreement between me and Baden was that this one was final. My spectrum of human emotions has and probably be defined by this nick. — Wallows
One pastime to get me through the day was taking ADHD meds, and killing time reading or doing something productive. — Wallows
So what is left? What is left is procreation is simply a personal preference like any other personal preference. I want coffee, eggs, and to read the newspaper. I want this cereal and not that one. The preference to procreate is simply one other personal preference, albeit one that impacts a person's life significantly. It still does not meet the criteria of 1 and 2 which may indeed count as natural (though even 2 can be argued against). Being that it does not meet the criteria of 1 and 2, it is thus a personal preference. — schopenhauer1
The Importance of Justice
Why does is matter what is moral or not, good or bad, in the first place? — Pfhorrest
