I like the Schmitt Music Company building.
I was thinking more along the lines of
This is JR in NYC. The walkway was an above ground train or road, which the City abandoned and then turned into a walkway park, which is very popular. JR gets around, his project in Havana 2012 is inspiring...the video he did shows how he managed to get neighborhood people involved in his artwork.
https://youtu.be/BD2VWmxW1nk
It reminded me of the previous video you posted of the Crown Fountain in Chicago, the artist took faces from the local community to play in circuit on fountain's face.
https://youtu.be/BD2VWmxW1nk
Other more subversive:
Banksy said: “We’re often led to believe migration is a drain on the country’s resources but Steve Jobs was the son of a Syrian migrant. Apple is the world’s most profitable company, it pays over $7bn (£4.6bn) a year in taxes – and it only exists because they allowed in a young man from Homs.”
It is a positive message, not a negative. Much of the Street Art, I am interested in, places a photo/stencil
in place where it surprises the viewer, unexpected, framed by its normative context. It poses almost a dialectic relationship between its reality and the reality of its context. The more realistic the work, the greater the contrast between itself and what is expected, what we experience all the time.
Up until very recently there was a sense of temporality to most of these works. The city only saw them as criminal defacements and sent out the work crews to whitewash, to purify the city's walls. Many of the major artists such as JR, Shepard Fairey, and others use wheat paste to put up their works. The works have built in temporality.
The Modern era saw artworks that became progressively more abstract, then art went schitzo, it became about itself, it became Postmodern,
critical of itself, & any totality. I think some Street Artists are trying to go beyond the
critical to embrace a community idea of art, one that shapes lives by romancing the particular. Post-Critique.