Franken was photographed grabbing a sleeping soldier's boobs too. — Akanthinos
Every woman who criticizes the movement is condemned for "interiorized misogyny". — jamalrob
Just one day after Hollywood offered a show of support for the #MeToo movement on the Golden Globes red carpet and stage, a famous actress [Catherine Deneuve] on the other side of the Atlantic lent her name to a public letter denouncing the movement, as well as its French counterpart, #Balancetonporc, or “Expose Your Pig.” ...

... “The philosopher Ruwen Ogien defended the freedom to offend as essential to artistic creation. In the same way, we defend a freedom to bother, indispensable to sexual freedom.” Though the writers do not draw clear lines between what constitutes sexual misconduct and what does not, they say that they are “sufficiently farseeing not to confuse a clumsy come-on and sexual assault.”
Catherine Deneuve and other French women tell the world how their interiorized misogyny has lobotomized them to the point of no return.
Futile? — Bitter Crank
Yes, beautiful and meaningful have nothing to do with right and wrong or true and false, I'm not sure why you seem to think you're still disagreeing with me. — gurugeorge
Self-concept or just self-recognition?
Of course this study simplifies a mass of psychological complexity. Psychologists have raised all sorts of questions about what the mirror test reveals. It could be, for example, that infants just don’t understand faces particularly well until they are around two years old. Perhaps, then, they develop a self-concept at a much earlier stage.
Alternatively it could be that at around two years old infants develop a solid physical or visual self-concept, but still have little mental self-concept. In this case all the test is showing is that we know what we look like; perhaps we don’t develop our self-concept until much later in life.
You are more informed than I am about art, clearly. It just seems to me that the velocity of change in the last third of 19th century was so much higher than in previous centuries, and the velocity has stayed fast. But then, the velocity of change across the board sped up in the 19th century, and has continued. So, what shall we attribute this to? Science, technology, industrialism, capitalism (its ability to mobilize and deploy resources very rapidly), population growth, two world wars (which also led to a fast mobilization and deployment of resources), empires (like the B.E.) which concentrate resources, and so on? All those things are disruptors of equanimity and settled belief. — Bitter Crank
Have you seen the new season of Black Mirror? It's interesting to see technological versions of Heaven and Hell. They aren't called that in the show, but it's the same idea. — dog
Yes, as I said, the aesthetic way of looking at the world isn't one in which right or wrong enter into the picture, it's not an alternative way of parsing right and wrong, true and false, etc. — gurugeorge
If you went to an art exhibit in 1817, 1917, and 2017, you would have seen huge changes in artistic production between 1817 and 1917; between 1917 and 2017, it's quite possible (depending on the selections, that you would think things hadn't changed very much at all in the previous century. — Bitter Crank
Besides, is constant change inherent to art? Is there something wrong with art if doesn't change faster than women's wear fashion? What makes art change rapidly? It could be that it is driven, or pulled along, by a very strong demand by art buyers for novelty. Should we hand out awards to cultures that maintain a style for a long time, or only reward cultures that are always changing?
Personally, Praxis, I'd probably find Egyptian stability stultifying, but there is something to say for less hectic change. — Bitter Crank
In a rapidly changing world no one static source of meaning will last for long.
— praxis
That depends on what you mean by "rapidly" human nature and the nature of the world change over time, sure, but rapidly? That's an attempt at persuasive redefinition. Rapidly relative to the timescale of stars and the formation of galaxies, glacially relative to the life of a human being, a family or the formation and dissolution of human cultures. — gurugeorge
Is the aesthetic way of looking at the world a way of "examining" the world? — gurugeorge
And is it a "method"? It's a way of looking at the world, but it's not a way of looking at the world in which true and false enter into the discussion, it's not an alternative way of being right or wrong about things. — gurugeorge






Sunyata = reductionism because reductionism is materialistic in nature. — TheMadFool
The only time I think about it is when people ask me things like: "Are you a believer?" I don't know how to answer the question. — WISDOMfromPO-MO
Question: How should I have responded to the following scenario that just happened to me. — ArguingWAristotleTiff
people regularly work through it.
— praxis
No, they evade it [nihilism]. — gurugeorge
There are other methods and perspectives.
— praxis
Are you sure? — gurugeorge
Of course there is, the ONLY difference is that we are free, or freer, to find/construct our own narratives because there is no longer a reliance on an external authority.
— praxis
There's a certain amount of freedom yes, but it's analogous to a tether - the goat has a fair amount of room to move around, but there are limits. Similarly, the biological base forms a "tether" for the cultural superstructure; there's some leeway, but there's no untrammeled freedom to explore all possible cultural space (for example, at one type of extreme, the social rule "kill everyone you meet" would obviously be unworkable). — gurugeorge
there is a way of discovering meaning in the universe that we just haven't been smart enough to figure out yet, that will eventually raise our spirits and give us a foundation for morality that enables us to sustain it through time, going forward. — gurugeorge

I don't understand how you can say it's a phase, there's no escape from it if the world is as science describes it. — gurugeorge
We are (most of us) "designed" to believe in a religion ... — gurugeorge
... once any reason to believe is knocked away, there's no possible over-arching narrative that makes any sense of a material universe, ... — gurugeorge
... all we can do is clutch at twigs as we swirl down the rushing torrent to oblivion (how's that for drama :) ). — gurugeorge
But there doesn't seem to be any solution. It's impossible for a sceptical, materialist-minded person to go back to a religious point of view, and yet it's also psychologically impossible to face nihilism naked and unadorned. — gurugeorge
