Since the social whole changes, isn't Adorno himself just another relativist, but on a bigger scale? — Jamal
Is there a difference between the relativism of truth and the historical situatedness of truth?
I actually did a post graduate course specifically on Hegel's dialectics of being. The professor refused to give me the mark I needed, even after I defended my thesis in person. It seems like there is dogmatic principles concerning "the correct" way to interpret Hegel. — Metaphysician Undercover
QUESTION: Since the social whole changes, isn't Adorno himself just another relativist, but on a bigger scale? Is there a difference between the relativism of truth and the historical situatedness of truth? — Jamal
In other words, Adorno is saying that relativism is, not logically self-refuting, but hypocritical. It makes use of thoughts inherited from the social world to produce the thought that thoughts are entirely the product of the individual. — Jamal
In truth divergent perspectives have their law in the structure of
the social process, as one of a preestablished whole.
I'm finding it hard to work out how he makes this leap from the thesis of relativism to the contempt for Spirit. I understand the distinction he means, which is that between (1) useful productive work and the financial, class, in general materialist (in the popular sense, as Adorno says, "vulgar") concerns that go along with it; and (2) art and ideas, love and beauty, and God if you're so inclined. But how does relativism produce the exclusive focus on (1) and dismissal of (2)? — Jamal
Care to share a reference for the secondary material? — Moliere
I agree, he basically says that the actual consequences of relativism are what refutes it. The problem i find is that the social "whole" which he refers to is not well validated. — Metaphysician Undercover
We can talk about preestablished social conditions, but the relativist will claim that they are relativistic conditions. Adorno needs the "whole" to support his objective law. — Metaphysician Undercover
This objective whole is really nothing other than Spirit in principle, as that which unites. — Metaphysician Undercover
Since the social whole changes, isn't Adorno himself just another relativist, but on a bigger scale? — Jamal
It seems like we'd have to say "no" in keeping a charitable reading. That the social whole changes will change consciousness, but I'm thinking that this is a false consciousness. In this case I'm relying upon Marx's analysis of capital to state "the social law" only because the social whole is capitalist, and this notion of the bourgeois relativist is also only interesting because these are the circumstances we find ourselves in.
But, on the other hand, it seems that since there's never a final synthesis ala Hegel we can still reach for this more general view of things -- but the relativist of tomorrow, like the relativist of ancient Greece, will have its own particular false consciousness.
It seems to me that Adorno believes that the relativist can be demonstrated objectively false on their own terms -- not because they must have a presupposition (since a relativist can always take the skeptics route of denial over affirmation), but because the social whole will require a kind of truth that is beyond this relativism.
In a way I get the feeling that the relativism he's pointing out in particular is one that thinks things done: We're at the end of history living in liberal democracies in this viewpoint, and so we're all free to believe as we wish within our individual consciousness.
And, it seems then, that this attitude will be perennial -- if the social structure changes the form of relativism will change, but it will still be embedded within a social whole which said relativist will not be a relativist towards. — Moliere
Is there a difference between the relativism of truth and the historical situatedness of truth? — Jamal
I'd say so.
In a simple way suppose that the cat wanders off the mat. Then "The cat is on the mat" is false, where it was once true. Truth isn't relative here, but the situation changes the truth value of a particular expression. — Moliere
In truth divergent perspectives have their law in the structure of the social process, as one of a preestablished whole. Through its cognition they lose their non-committal aspect. An entrepreneur who does not wish to be crushed by the competition must calculate so that the unpaid part of the yield of alienated labor falls to him as a profit, and must think that like for like – labor-power versus its cost of reproduction – is thereby exchanged; it can just as stringently be shown, however, why this objectively necessary consciousness is objectively false. This dialectical relationship sublates its particular moments in itself. The presumed social relativity of the intuitions obeys the objective law of social production under private ownership of the means of production. Bourgeois skepticism, which embodies relativism as a doctrine, is narrow-minded.
Yet the perennial hostility to the Spirit is more than a feature of subjective bourgeois anthropology. It is due to the fact that the concept of reason inside of the existing relations of production, once emancipated, must fear that its own trajectory will explode this. This is why reason delimits itself; during the entire bourgeois epoch, the idea of the autonomy of the Spirit was accompanied by its reactive self-loathing. It cannot forgive itself for the fact that the constitution of the existence it controls forbids that development into freedom, which lies in its own concept. Relativism is the philosophical expression of this; no dogmatic absolutism need be summoned against it, the proof of its own narrowness crushes it. Relativism was always well-disposed towards reaction, no matter how progressive its bearing, already displaying its availability for the stronger interest in antiquity. The critique of relativism which intervenes is the paradigm of determinate negation.
The presence of the social whole in his thought ties things together. Without it, things in all their contradictory nature just don't make sense. Thus, the social whole is a valid inference. I admit, of course, that he nowhere deduces it. — Jamal
I don't understand this interpretation. I mean, I can accept that Adorno inherited the very idea of a totality from Hegel, but he explicitly distinguishes it from Spirit. — Jamal
Or, does criticality towards capitalism not imply Marxism? — NotAristotle
Do you think Adorno talks about Marxism as if it were objectively true? — NotAristotle
If so, why? Given the terrible things done under Stalin during Adorno's lifetime, does it really make sense to read Adorno as a Marxist? Or, does criticality towards capitalism not imply Marxism? — NotAristotle
This seems to be a tension inherent in the book; ND rejects abstract theorizing, why is Marxism the exception to this rule? Or, do you disagree that Marxism is theoretical and abstract?
But this implies that we ought to be able to analyze and judge theinductivereasoning involved in concluding the "preestablished whole". — Metaphysician Undercover
Only people who have become responsible for themselves would be capable of utilizing their free time productively, not those who, under the sway of heteronomy [a kind of alienation], have become heteronomous to themselves.
Do you think Adorno talks about Marxism as if it were objectively true? If so, why? Given the terrible things done under Stalin during Adorno's lifetime, does it really make sense to read Adorno as a Marxist? Or, does criticality towards capitalism not imply Marxism?
This seems to be a tension inherent in the book; ND rejects abstract theorizing, why is Marxism the exception to this rule? Or, do you disagree that Marxism is theoretical and abstract? — NotAristotle
Do you think exploitation of labor is definitive of capitalism or could extra capital be achieved through other avenues like technological development? — NotAristotle
Lastly, I will just comment on the prose itself. I find it remarkably difficult. Maybe even intentionally opaque? There are a lot of allusions I do not understand and the method of expression is not in any way explicit or easy to elucidate. Still, I appreciate the level of interpretation the text allows because of its complexity. — NotAristotle
as we approach ND itself, I am thinking about Adorno's style of presentation. It's a fact that his style is very deliberate, something he was always conscious of, and something he was forever pre-occupied by (because he didn't separate form and content). I think it will help to know how to read him, which is not always a matter of finding an answer to "what is he trying to say?" at the level of a paragraph but of keeping multiple descriptions, analogies, etc. in mind over the course of the work.
One aspect is his attitude to definition. It's a principle of his method that in his writing he avoids definitions of concepts, instead circling around them, or approaching them from different angles. (More than that, I suppose he does not even regard them as fixed points that can be honed in on)
Even though these lectures were recorded, not written, I think we've already seen this principle at work. We've seen him going over similar ground repeatedly, never satisfied with a single metaphor or encapsulation. — Jamal
But this section goes deeper than that, since he is talking about his own mode of expression, i.e., it's meta. Expression in language that aims to uncover reality in the way described above should itself enact dialectics in its mode of expression. Thus, we get Adorno's way of writing: style as substance, form as content (I'm glad we've finally got back to this topic, which I think I mentioned on the first page of this thread). Rather than obscurantism, this is the fullest stringency (EDIT: or maybe better put, the best balance between expression and stringency). He does not want to explain and describe, but to performatively expose. The same applies to negative dialectics as applies to screenwriting: show don't tell. — Jamal
Before diving into a more comfortable rewording, it's worth stopping to wonder why he wrote like this. It is initially quite annoying. I don't think it's an intentionally inflated pomposity or pretentiousness, although it reads a bit like it is. It's a serious attempt to performatively express content in form. Difficult substance, difficult style. The idea, I suppose, is that the mode of clarity and linearity would be too comfortable to elicit proper intellectual engagement. Personally, I'm 50/50 on this issue. Sceptical but also sympathetic. In a way, this kind of writing is easier than a plainer kind of style, because you don't have to constantly remind yourself to slow down as you do when reading, say, Plato; it's forced on you. — Jamal
Adorno's style is mimesis in action, showing in the form of his writing the real contradictions of the world. — Jamal
What would nonexploitative labor look like? And do you maintain that such labor is necessarily inconsistent with a capitalist system? (And if so, please explain why this inconsistency) — NotAristotle
Get involved in philosophical discussions about knowledge, truth, language, consciousness, science, politics, religion, logic and mathematics, art, history, and lots more. No ads, no clutter, and very little agreement — just fascinating conversations.