[The] impossible synthesis of assimilation and an assimilated which maintains its integrity has deep-rooted connections with basic sexual drives. The idea of "carnal possession" offers us the irritating but seductive figure of a body perpetually possessed and perpetually new, on which possession leaves no trace. This is deeply symbolized in the quality of "smooth" or "polished." What is smooth can be taken and felt but remains no less impenetrable, does not give way in the least beneath the appropriative caress -- it is like water. This is the reason why erotic depictions insist on the smooth whiteness of a woman's body. Smooth --it is what reforms itself under the caress, as water reforms itself in its passage over the stone which has pierced it....It is at this point that we encounter the similarity to scientific research: the known object, like the stone in the stomach of the ostrich, is entirely within me, assimilated, transformed into my self, and is entirely me; but at the same time it is impenetrable, untransformable, entirely smooth, with the indifferent nudity of a body that is beloved and caressed in vain.
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Destruction realizes appropriation perhaps more keenly than creation does, for the object destroyed is no longer there to show itself impenetrable. Is has the impenetrability and the sufficiency of the in-itself that has been, but at the same time it has the invisibility and translucency of the nothingness which I am, since it no longer exists.
— Sartre
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