Nostalgia is sentimentality for the past, typically for a particular period or place with positive associations, but sometimes also for the past in general, ‘the good old days’ of yore. Nostalgia combines the sadness of loss with the joy or satisfaction that the loss is not complete, nor can ever be.
‘Nostalgia’ is a portmanteau neologism coined in 1688 by Swiss medical student Johannes Hofer from the Greek nóstos (homecoming) and álgos (pain, ache). Nóstos is, of course, the overriding theme of Homer’s Odyssey, in which Odysseus strives to return to Penelope and Telemachus and his native Ithaca in the aftermath of the Trojan War. In Virgil’s Aeneid, Aeneas, another survivor of the Trojan War and the ancestor of Romulus and Remus, gazes upon a Carthaginian mural depicting battles of the Trojan War and the deaths of his kin. Moved to tears, he cries out, sunt lacrimae rerum et mentem mortalia tangunt: ‘These are the tears of things and mortal things touch the mind.’
Today, nostalgia is no longer looked upon as a mental disorder, but as a natural, common, and even positive emotion, a vehicle for travelling beyond the deadening confines of time and space. Bouts of nostalgia are often prompted by feelings of loneliness, disconnectedness, or meaninglessness; thoughts about the past; particular places and objects; and smell, touch, music, and weather.
I say ‘help’ because nostalgia does have an unexpected number of adaptive functions. Our everyday is humdrum, often even absurd. Nostalgia can lend us much-needed context, perspective, and direction, reminding and reassuring us that our life (and that of others) is not as banal as it may seem, that it is rooted in a narrative, and that there have been—and will once again be—meaningful moments and experiences. In that much, nostalgia serves a similar function to anticipation, which can be defined as enthusiasm and excitement for some expected or hoped-for positive event. The hauntings of times gone by, and the imaginings of times to come, strengthen us in lesser times.
Nostalgia is nothing if not paradoxical. In supplying us with substance and texture, it also reminds us of their lack, moving us to restoration. Unfortunately, this restoration often takes the form of spending, and marketers rely on nostalgia to sell us everything from music and clothes to cars and houses.
On the other hand, it could be argued that nostalgia is a form of self-deception in that it invariably involves distortion and idealization of the past, not least because the bad or boring bits fade from memory more quickly than the peak experiences. The Romans had a tag for the phenomenon that psychologists have come to call ‘rosy retrospection’: memoria praeteritorum bonorum, ‘the past is always well remembered’. If overindulged, nostalgia can give rise to a utopia that never existed and can never exist, but that is pursued at all costs, sapping all life and joy and potential from the present. For many people, paradise is not so much a place to go to as the place that they came from. — Neel Burton
“In speaking of this desire for our own far off country, which we find in ourselves even now, I feel a certain shyness. I am almost committing an indecency. I am trying to rip open the inconsolable secret in each one of you—the secret which hurts so much that you take your revenge on it by calling it names like Nostalgia and Romanticism and Adolescence; the secret also which pierces with such sweetness that when, in very intimate conversation, the mention of it becomes imminent, we grow awkward and affect to laugh at ourselves; the secret we cannot hide and cannot tell, though we desire to do both. We cannot tell it because it is a desire for something that has never actually appeared in our experience. We cannot hide it because our experience is constantly suggesting it, and we betray ourselves like lovers at the mention of a name. Our commonest expedient is to call it beauty and behave as if that had settled the matter. Wordsworth’s expedient was to identify it with certain moments in his own past. But all this is a cheat. If Wordsworth had gone back to those moments in the past, he would not have found the thing itself, but only the reminder of it; what he remembered would turn out to be itself a remembering. The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshipers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.”
― Excerpt From: The Weight of Glory — CS Lewis
I'm afraid not. Nostalgia is akin to grieving about the past. One cannot grieve over something that hasn't happened yet. What is it, then, that you feel about the future? Dreaming, imagining? Fear of the future? Perhaps, you are longing about the future.Now, having that great piece of information in your working memory, I want to ask if it's possible to be nostalgic about the future .......you've never experienced; but, would like to? — Posty McPostface
The future of humanity, of civilization, causes you great distress?I don't know what that future will look like and that causes me great distress. — Posty McPostface
Solipsistic view does not need to be negative, although common sense is gonna get you.The future that I can picture in as a solipsistic mind is self-defeating and negative.The solipsism constantly must always wonder that she can think whether she is solipsistic or not. — Posty McPostface
You've lost me there.Is that the end result of the attitude that a philosopher ought to be is cynicism? If that's not true then, what ideal for a man or woman ought to be? — Posty McPostface
I'm not sure the meaning of humanistic to you.
If you mean that because philosophy is practiced/followed/thought of by humans only, that it is, in effect, humanistic, then I don't understand you. — Caldwell
I think on a more fundamental biological level, nostalgia has a connection to the the loss of a sensitivity to novelty (domapinergic reward system stuff). Most types of recreational drugs for instance set up a first time expectation/reward which the user is always trying to return to but can never arrive to the ideal the first experience sets up. — Nils Loc
Might have to go read about nostalgia before I continue talking out my arse. Just read that drug tolerance is reversible but I wonder what addicts experience, from a more subjective take on first time use. — Nils Loc
Feelings of nostalgia must range from benignly pleasant (ex. watching my brother play super nintendo in the early 90s and sleeping under the Christmas tree) to full of heart ache (reminiscing about a deceased relative or partner). — Nils Loc
My notion of nostalgia always has a melancholy heartache element to it, missing the past, missing a non-existent home type of feeling, dead friends, et cetera. This is where the feeling is potent but it is not without a sort of pleasantness despite the ache (a happy sad mixture, sweet memories haunting the future). — Nils Loc
So in a way of course we feel nostalgia for the future (the future doesn't really exist except as reconstruction of the past). — Nils Loc
Generally speaking, addicts miss the features of the drug that influence them. Such as heightened perception or increased productivity. The initial high isn't of import to the discussion. — Posty McPostface
I wonder about dark scenarios though, killing someone's partner or child in front of them and then giving them heroine. Does the initial experience determine whether they develop an addiction, or have an influence on the likelihood of addiction... Maybe the pain relief during such horror would be welcome. — Nils Loc
Nah, you sound disinterested and hurried. — Nils Loc
Most humans have troubled minds, ceaseless desires, unending thoughts. — Nils Loc
Eh, I was trying thinking of a weird scenario with set and setting and how that might influence subsequent experiences with a drug. How the memory interacts with the drug... I'm just in the weeds here though with its relevance to nostalgia. It's all horribly complex in the end anyway. — Nils Loc
Not sure have any direction to go with nostalgia but it is an interesting subject, especially with regards to human fantasy and fiction, even political ideals and national identities (forces behind the "American Dream" and it's good old days). — Nils Loc
Is that the end result of the attitude that a philosopher ought to be is cynicism? If that's not true then, what ideal for a man or woman ought to be? — Posty McPostface
"In our day, when historical pressure no longer allows any escape, how can man tolerate the catastrophes and horrors of history—from collective deportations and massacres to atomic bombings—if beyond them he can glimpse no sign, no transhistorical meaning; if they are only the blind play of economic, social, or political forces, or, even worse, only the result of the 'liberties' that a minority takes and exercises directly on the stage of universal history?
"We know how, in the past, humanity has been able to endure the sufferings we have enumerated: they were regarded as a punishment inflicted by God, the syndrome of the decline of the 'age,' and so on. And it was possible to accept them precisely because they had a metahistorical meaning [...] Every war rehearsed the struggle between good and evil, every fresh social injustice was identified with the sufferings of the Saviour (or, for example, in the pre-Christian world, with the passion of a divine messenger or vegetation god), each new massacre repeated the glorious end of the martyrs. [...] By virtue of this view, tens of millions of men were able, for century after century, to endure great historical pressures without despairing, without committing suicide or falling into that spiritual aridity that always brings with it a relativistic or nihilistic view of history"[24] — Mircea Eliade
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