When an author decides to write a book and create fictional entities like Harry Potter, or Homer from The Illiad, where do these fictional entities exist? In what substrate or form do they exist in? — Wallows
If a philosopher decides to classify such fictional entities in categories, is he not in the same situation as the author? In what sense and where do the ontological categories of the philosopher exist? How does ontology exist? What is the 'form' of the 'form' itself? Can the form be mental? But the mental is itself a form. The form or the meaning-charged sign or the concept is maybe what avoids the what-is-it of philosophy while making it possible. — sign
Hi Q-1,
In regards to your thread/post: How do you explain this process?
Q-1 said:
When an author decides to write a book and create fictional entities like Harry Potter, or Homer from The Illiad, where do these fictional entities exist? In what substrate or form do they exist in?
Does this point towards some form of idealism on the part of the imaginative process of writing a fictional work or even if you want to take a Platonist view "operations on syntactical and grammatical rules of numbers and logic"?
Yes, I mean to imply, that we don't have to send out probes near even horizons to establish particle velocity of matter in that area. This can be done through the laws of physics and mathematics.
Seriously? I can't tell if you're just trolling or honestly believe what you wrote above. Do you really have so little understanding of the process that writers go through when they create fiction?
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Mark44
Mark44, 20 minutes ago ReportReply
18 minutes ago
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Mark44 said: ↑
Seriously? I can't tell if you're just trolling or honestly believe what you wrote above. Do you really have so little understanding of the process that writers go through when they create fiction?
I think there's some misunderstanding. What did I do wrong here?
Q-1, 18 minutes ago ReportReply
17 minutes ago
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Can my thread be moved to the Sci-Fi area?
Q-1, 17 minutes ago ReportReply
15 minutes ago
Mark44
Mark44
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Q-1 said: ↑
I think there's some misunderstanding. What did I do wrong here?
What you posted is nonsense. What do "operations on syntactical and grammatical rules of numbers and logic" have to do with how an author creates characters in a work of fiction? Not to mention event horizons and particle velocity.
Do not post such meaningless stuff at this site again.
Mark44, 15 minutes ago ReportReply
14 minutes ago
Mark44
Mark44
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Q-1 said: ↑
Can my thread be moved to the Sci-Fi area?
No.
Mark44, 14 minutes ago ReportReply
11 minutes ago
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Mark44 said: ↑
What you posted is nonsense. What do "operations on syntactical and grammatical rules of numbers and logic" have to do with how an author creates characters in a work of fiction? Not to mention event horizons and particle velocity.
Well, if we posit that Superman is the same as Clark Kent, then where do these fictional entities exist? On paper? In the mind?
Q-1, 11 minutes ago EditReportReply
8 minutes ago
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Whether I want to post about this "nonsense" or not is beyond my capacity. These are merely questions that are bothering me. If you want to tell me that my thoughts are unwelcome here; please point me in the right direction where I may be better able to analyze them.
Thank you.
Q-1, 8 minutes ago EditReportReply
7 minutes ago
Mark44
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Q-1 said: ↑
Well, if we posit that Superman is the same as Clark Kent, then where do these fictional entities exist? On paper? In the mind?
The same place that any fictional characters exist -- in the mind of the author, who subsequently puts them on paper (or a computer document).
Mark44, 7 minutes ago ReportReply
6 minutes ago
Mark44
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Q-1 said: ↑
Whether I want to post about this "nonsense" or not is beyond my capacity. These are merely questions that are bothering me. If you want to tell me that my thoughts are unwelcome here; please point me in the right direction where I may be better able to analyze them.
Maybe a psychiatrist...
Mark44, 6 minutes ago ReportReply
4 minutes ago
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Mark44 said: ↑
The same place that any fictional characters exist -- in the mind of the author, who subsequently puts them on paper (or a computer document).
OK, I understand. But, as more and more people read about Superman or Clark Kent and begin to tell each other stories about them to one another, then where do these ideas collectively reside in? A form of web of beliefs shared among people who are acquainted with what "Superman" or "Clark Kent" "denote"?
Q-1, 4 minutes ago EditReportReply
3 minutes ago
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Mark44 said: ↑
Maybe a psychiatrist...
So, you're telling me that I ought to go see a psychiatrist? On what grounds are you saying this?
Yes, all good questions or a roundabout way of saying the same. What else do you think? — Wallows
Yeah, I don't even know what to make of his quip. Was it in good faith or what? — Wallows
In what substrate or form do they exist in? — Wallows
"He comprehended that the effort to mold the incoherent and vertiginous matter dreams are made of was the most arduous task a man could undertake, though he might penetrate all the enigmas of the upper and lower orders: much more arduous than weaving a rope of sand or coining the faceless wind." — Borges
Metaphysics is possibly destabilizing to one's sense of reality, possibly in similar way some drugs are.
The metaphysically adept are like deep sea cutters and welders. Their confidence and skill of logical consistency as well as their knowledge of prior arguments allow them to brave the waters of chaos to cut or fix something somewhere. What they are welding is like the structure of their own minds, which in effect restructures the world, but this is also true of everyone whether we are aware of it or not.
"He comprehended that the effort to mold the incoherent and vertiginous matter dreams are made of was the most arduous task a man could undertake, though he might penetrate all the enigmas of the upper and lower orders: much more arduous than weaving a rope of sand or coining the faceless wind."
— Borges
~J.L. Borges, Circular Ruins
Metaphysics is like weaving a rope of sand or coining the faceless wind, toward what end? — Nils Loc
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