The tone, the flavour, the atmosphere, the focus - the very essence of the story was altered unrecognizably. — Vera Mont
I don't know how much time teachers have nowadays to spend with individual students, even if they didn't have to fear accusations of inappropriate behaviour. Boys' clubs, interest groups, community projects and informal sports under the leadership of male role models would be more are beneficial. — Vera Mont
I'm just glad I visited San Francisco in the 1980's, when it was colourful and charming, when we engaged in conversation or banter or at least commerce with many locals. — Vera Mont
I'm in one of several nearby communities where people still notice one another, hold elevators, smile at jokes in the checkout line and appreciate a compliment. — Vera Mont
Re: The Myth of Siayphus by A. Camus; also, section 2.5 (esp. re: Camus) of the SEP article "Hope" ... — 180 Proof
To embrace the absurd implies embracing all that the unreasonable world has to offer. Without meaning in life, there is no scale of values. "What counts is not the best living but the most living."
Thus, Camus arrives at three consequences from fully acknowledging the absurd: revolt, freedom, and passion... — Wiki - The Myth of Sisyphus
Camus compares the absurdity of man's life with the situation of Sisyphus, a figure of Greek mythology who was condemned to repeat forever the same meaningless task of pushing a boulder up a mountain, only to see it roll down again just as it nears the top. The essay concludes, "The struggle itself towards the heights is enough to fill a man's heart. One must imagine Sisyphus happy." — Wiki - The Myth of Sisyphus
- Wiki.Courage (also called bravery, valour (British and Commonwealth English), or valor (American English)) is the choice and willingness to confront agony, pain, danger, uncertainty, or intimidation. Valor is courage or bravery, especially in battle.
Same reason anyone wears "lipstick". — 180 Proof
This classic cosmetic has long been a symbol of femininity, empowerment, and self-expression
...a symbol of resistance against societal norms and expectations. During World War II, red lipstick became a symbol of hope and defiance against the oppressive Nazi regime. Women in the resistance wore red lipstick as a form of protest and to signal their solidarity with the cause. — Medium - Red lipstick
I used it to paraphrase the old (American?) saying 'lipstick on a pig'. :kiss: — 180 Proof
But clearly, a shift back toward traditional gender roles is resonating with them now as progression toward female empowerment threatens their already delicate self esteem.
So how do we address this, going forward? How do we ensure that young boys practice critical thinking instead of falling victim to Trump’s rhetoric with its focus on recommitting to gender stereotypes that we believed had finally been eradicated?
Parents, we urge you to be aware of this growing phenomenon and teach your children about the dangers of calculated political movements designed to further one politician’s agenda...
In fact this is an epidemic that will continue to spread rapidly until we start talking about it.
They've discovered that collapsible tube with a window in the side. Even the big cats still play with it from time to time, but for the little guys, it's a whole playground. — Vera Mont
That nation was, in fact, not merely divisible, but divided from its very inception. Things got better, with a lot of hard work, perseverance and sacrifice. Now they're worse again. The descents are fast; destruction is much easier than construction; destruction can be carried out by an army of drunken orcs, while construction takes vision, co-operation, forbearance, patience and fortitude.
I just don't believe there is time for another long upward slog. — Vera Mont
I hated the cinematic version of Good Omens, perhaps even more than I normally would have, because I like David Tenant and found that over-the-top campy performance embarrassing. The book OTOH, was charming and quietly amusing. The central characters were determined mortal kids, not the supernaturals. — Vera Mont
...the beginning of a new wave of male conservatism that was infiltrating our school. Obsession with achieving a more muscular body through excessive exercise and intense dieting fueled by ridiculous social media campaigns fell far outside the realm of healthy self-care. And the desire to socialize only with other boys stood in stark contrast to the co-ed activities we were accustomed to since childhood.
It hadn’t taken long for this focus on machismo to creep into these boys’ mindsets and conversations. Seemingly harmless disrespectful comments with witty undertones toward girls became commonplace, and feelings of traditional male dominance started to sneak back into our friend groups.
While these are just observations within our own high school, we believe that this is happening across the country. Young, well-off white boys from liberal families are being tempted by conservatism simply to protect an archaic idea of masculinity that guarantees them inherent power. It is not as if they are against abortion, or care much about the economy or immigration, or even feel remotely attracted to the rest of conservative dogma. But clearly, a shift back toward traditional gender roles is resonating with them now as progression toward female empowerment threatens their already delicate self esteem.
So how do we address this, going forward? How do we ensure that young boys practice critical thinking instead of falling victim to Trump’s rhetoric with its focus on recommitting to gender stereotypes that we believed had finally been eradicated?
Parents, we urge you to be aware of this growing phenomenon and teach your children about the dangers of calculated political movements designed to further one politician’s agenda. Until we do so, it is likely this pattern will continue. Boys in our school as young as eight are beginning to exhibit these same misogynistic tendencies that we never remember noticing when we were their age. And the most dangerous aspect of this is how little it’s talked about in mainstream media and how easily it has been overlooked in progressive communities. In fact this is an epidemic that will continue to spread rapidly until we start talking about it.
By telling hopepunk stories, we necessarily have to be asking questions like, “How do we care about each other in a world which so aggressively doesn’t care about so many of the people in our communities? Who do we consider community, and is that definition too narrow? How do we fight back against the people who want to make us sit down and shut up?”
By asking ourselves these questions, hopepunk expands from simple “genre” to an entire life philosophy. It sticks in the back of your head and changes you, a little bit.
There is a need for hopepunk because our president is a fascist.
Because there are children dying in concentration camps within our borders. Because Jeff Bezos makes nearly nine million dollars per hour while his warehouse employees risk homelessness. Because we think it’s normal that people should go bankrupt if they get ill and need medical assistance, or that they should get an Uber to the hospital instead of an ambulance. Because climate change is real. Because children have safety drills to practice what to do in case of an armed shooter in their school. Because racism, sexism, homophobia, transphobia, and ableism exist.And there is a need for hopepunk because it reminds us that these dragons can be slain. Because it reminds us that there’s power in a union, that communties banding together can make a difference. Because the moral arc of the universe bends towards justice. We’ve beaten them before, and we can beat them again, and the next time after that. The work is never finished, and the fight is never permanently won. But we keep fighting anyway, because it is the fight itself, not “winning”, that’s the point. — Den of Geek - A Hopepunk Guide - Interview with Alexandra Rowland
Yes. But it wouldn't be a Gothic novel then; it would be literary fiction and I hadn't signed up for that much effort.* Even the one that I intended as a kind of spoof of historical romance turned itself into a subversive social commentary. Damn — Vera Mont
Wiki has it all.Initially describing a subgenre, its use has extended to refer to motivations, narrative tone, outlook. The editors of Uncanny Magazine define it as "radical empathy" and "radical kindness", contrasting it to the hopelessness of grimdark.[9] Rowland wrote that "Hopepunk isn’t pristine and spotless. Hopepunk is grubby, because that’s what happens when you fight."[10] Although they may include horrible events, injustice, and inequality, hopepunk stories have characters who choose to act, rejecting pessimism and passivity. Positive human traits and community contribute to solutions.[11
Stories in the hopepunk subgenre reject the fatalism and cynicism of grimdark. Hopepunk characters persevere, believing in the possibility of something better in the face of difficult realities.[12] Hopepunk is an approach in which characters choose to fight to make things better, and are motivated by noble motives.
They want the middle ages back, because they cannot imagine anything better than having someone to kick down at while their masters give them attaboys. — Vera Mont
What’s behind the global political divide between young men and women?
Trump’s victory in the US shone a light on the growing political polarisation between between young male and female voters happening all over the world
Sure, but I perceive no shortage of writers exploring the deepest, darkest crannies, describing the vilest acts in the most graphic terms. They don't need any help from me. I'm more interested in the small, everyday pleasures and pains, loyalties and betrayals, courageous and craven acts or ordinary people. Lately, I've been exploring how someone decides which side to take in a conflict. If my protagonists end up with the forces of light, I'm in no position to fault them. — Vera Mont
I sniff around the word 'humane' like a poodle at the corner lamp-post. — Vera Mont
Fwiw, my conception of courage sans hope is primarily indebted to Aristotle, Spinoza & Camus (as well as e.g. Laozi, Epicurus, Epictetus, P. Zapffe, S. Beckett, C. Rosset, A. Murray ... who aren't mentioned in the article) and grounded in lived experience. — 180 Proof
From ancient times, people have recognized that a spirit of hope had the power to heal afflictions and helps them bear times of great suffering, illnesses, disasters, loss, and pain caused by the malevolent spirits and events.[48] In Hesiod's Works and Days, the personification of hope is named Elpis.
Norse mythology however considered Hope (Vön) to be the slobber dripping from the mouth of Fenris Wolf:[49] their concept of courage rated most highly a cheerful bravery in the absence of hope.[50 — Wiki - Hope
religious questions were examined and the state of the students’ faith assessed. The young women were divided into three categories: those who were “established Christians,” those who “expressed hope,” and those who were “without hope.”
Much has been made of Emily’s place in this latter category and of the widely circulated story that she was the only member of that group. Years later fellow student Clara Newman Turner remembered the moment when Mary Lyon “asked all those who wanted to be Christians to rise.” Emily remained seated. No one else did. Turner reports Emily’s comment to her: “‘They thought it queer I didn’t rise’—adding with a twinkle in her eye, ‘I thought a lie would be queerer.’ — Poetry Foundation - Emily Dickinson
...on one side we have optimism, humourlessness, and inhumanity--a lack of attention to real people and real experience--and on the other side we have hope and humour, where humour is often if not always built on an attention to misfortune. — Jamal
The Guardian said content on the platform about which it had longstanding concerns included far-right conspiracy theories and racism. It added that the site’s coverage of the US presidential election had crystallised its decision.
“This is something we have been considering for a while given the often disturbing content promoted or found on the platform, including far-right conspiracy theories and racism,” it said.
It added: “The US presidential election campaign served only to underline what we have considered for a long time: that X is a toxic media platform and that its owner, Elon Musk, has been able to use its influence to shape political discourse.” — Guardian - No longer posts on Elon Musk's X
I tend to be wary about what I write. Maybe too much, and maybe it wasn't a big deal. — javi2541997
If I were a teacher of language, I would ask my students to write a poem each Friday. Doesn't matter the topic or type. Just to power up their creativity. I think it would be interesting to see if their imagination grows in the following weeks. — javi2541997
Sometimes it's all in the style, tone, or approach, rather than the theme. The theme can be serious or dark while the tone is light, playful, or optimistic. As a reader it's not themes I find life-affirming and intellectually or emotionally energizing; rather it's in the creativity itself. Sometimes it's obvious that the writer is having fun even when writing a tragedy.
— Jamal
There's a deeper layer here too. Optimism is in a sense inhumane (it's hope that is humane), and there is no humour in success and contentedness — Jamal
For good or ill, I can't do that. I get too involved in the story. I can't be jolly about a character I intend to kill off. I tried to write a Gothic once and everyone in it turned nice by Chapter 3, so I had to throw it away and start another project. — Vera Mont
Nietzsche's interpretation of the Pandora myth recalls Arthur Schopenhauer's descriptions of hope as "a folly of the heart". For him, hope is a delusion. In his essay Psychological Remarks (1851), he notes that the emotion "deranges the intellect's appreciation of probability" so that we neglect the likely outcomes of events, even when the odds are stacked against us. "A hopeless misfortune is like a quick death blow, whilst a hope that is always frustrated and constantly revived resembles a kind of slow death by prolonged torture."
It might take the creatives to do this.
— Amity
I think that they play an important role. We are not so easily moved by statistics and theories. We are emotional beings. But this can be manipulated in different directions. Compassion, but also fear and hatred. — Fooloso4