So we're going?
@Posty McPostface you should change the thread title!
((I have a week of vacation coming up, so good timing! My intention is just to read and work and talk -- if we hit some stumbling block or something really really interesting, I'll figure out which box has Cora Diamond and David Pears in it. The Notebooks are in there somewhere too.))
First incautious thoughts.
You can imagine a collection of things, but even if you imagined a collection of everything, you would not be imagining a world. A collection of things is only the
substance of a world, and it must also have
form to be a world. The collection must be structured. Do we say here that it must be structured in a particular sort of way to be a world? Are there ways of structuring a collection that are not world-forming ways? I think the answer to that is "yes". (We'll see. What I am thinking of is structuring the collection conceptually, i.e., by a hierarchy of predicates and class membership, that sort of thing. That's a structured collection, but it's not a world.) There is a special sort of form we're looking for, the arrangement of objects into states of affairs*. A collection of objects arranged into states of affairs is a possible world; the actual world is one of these, the one in which a particular collection of states of affairs is the case.
Need to go back there a moment. You can have
(1) A collection of things;
(2) A collection of things arranged into states of affairs;
(3) A collection of states of affairs;
If you add that some states of affairs are the case and some aren't, then you can also have
(4) A collection of states of affairs that are the case;
(5) A collection of the holdings of states of affairs.
And we should go back again, and note
(2a) A collection of things arranged into possible states of affairs;
(3a) A collection of possible states of affairs;
I think we take two steps away from things. We consider them as they could be arranged into states of affairs (logical space), and shift our interest from the things themselves to these possible arrangements. Then we consider whether any individual possible state of affairs is the case; if it is, this is a fact (
Tatsache). Now we're looking at collections of facts, not states of affairs, not things -- and this is a possible world, a collection of facts. How the "lower levels" get dragged along is a point of interest.
Is there anything gained in talking about possible facts? What would that be? A state of affairs is already a possible arrangement of things -- what would be the possible holding of a possible arrangement be except a possible arrangement?
I'm going to stop right here, so we can nail down how to understand facts. (I've been doing some of this by looking and some by not looking, so maybe I've made a hash of it.)
There's lots of stuff I haven't gotten to yet -- the gesture toward picturing in 2.0212, which explains why we're doing all this. Geez, why didn't he start here?
And we need to get to the biggy, which is
@MetaphysicsNow's question about the atomicity (!) of
facts states of affairs.
No, I don't think LW is building a sort of phenomenalist world like Goodman in
The Structure of Appearance, or like Russell might have been doing around this time. (Don't know Russell well enough to know what he was doing right before the TLP.)
I would guess color turns up as a key exemplar of the way logical space works. (Hume noticed this with the "missing shade" business, and LW returns to issues of color throughout his work.) When he says in 2.0251 that "Space, time, and colour (colouredness) are forms of objects", I don't think this is meant to be an exhaustive list such as Kant might have given. They are examples of how objects are tied to a particular subspace of logical space, how what states of affairs they can be part of is prejudged.
I think I see what you're getting at -- the comparison to Kant, rationalism and empiricism -- but it doesn't quite feel true to the text. There's only the one mention of knowledge, at 2.0123-2.01231, and the suggestive variation in 2.0124, where instead of me
knowing an object, objects are
given. If anything, it seems like LW is specifically avoiding the tradition of starting with a perceiving subject. Instead we're going to start with how representation is possible and get to who does this representing later.
What do you think?
* This is
Sachverhalt. Pears & McGuinness "state of affairs", Ogden & Ramsey "atomic fact". ((I only have Ogden & Ramsey, but we all have the German, right? I'm happy to follow the P&M terminology.))
EDIT: Dang it! Wrote "facts" for "states of affairs".