It's a range, but yea. — frank
Frequencies of light are not color... according to those I'm arguing against. — creativesoul
Check out the strawberries that are experienced as red, when they're really black and white. That's an example a gross disconnect. — frank
Therefore, if we want to talk about it, we'll have to back down into philosophy. — frank
Which is just as selective, unscientific and false as your belief that colour perception is all about neuroscience. — jkop
People universally believe that objects look colored because they are colored, just as we experience them. The sky looks blue because it is blue, grass looks green because it is green, and blood looks red because it is red. As surprising as it may seem, these beliefs are fundamentally mistaken. Neither objects nor lights are actually “colored” in anything like the way we experience them. Rather, color is a psychological property of our visual experiences when we look at objects and lights, not a physical property of those objects or lights. The colors we see are based on physical properties of objects and lights that cause us to see them as colored, to be sure, but these physical properties are different in important ways from the colors we perceive.
There is no color in light. Color is in the perceiver, not the physical stimulus. This distinction is critical for understanding neural representations, which must transition from a representation of a physical retinal image to a mental construct for what we see. Here, we dissociated the physical stimulus from the color seen by using an approach that causes changes in color without altering the light stimulus. We found a transition from a neural representation for retinal light stimulation, in early stages of the visual pathway (V1 and V2), to a representation corresponding to the color experienced at higher levels (V4 and VO1).
But for a science-buff like you they're all "percepts" — jkop
A colour is open to view, while its seeing is in the head. The seeing is just the conscious awareness of the colour, while the colour is the bundle of lights and pigments that emerge as a colour when seen under ordinary conditions. It's a way of using light, which is open for anyone who has the ability. It ain't in the head. — jkop
The "naive" belief that the world is coloured, and that colours exist outside the mind, is perfectly compatible with ordinary language and the science. — jkop
The noun “red” doesn’t refer to anything — NOS4A2
But your general account uses adjectives, not nouns. — NOS4A2
I know we smell, taste, and see our environment, yes. — NOS4A2
It’s not clear what we’re experiencing when we use that sort of language, though, leaving unexplained the question of what color is. It’s impossible for me to understand what experiencing an experience is and what that entails. — NOS4A2
The adjective “red” can only describe a red thing, and it is that thing that absorbs certain wavelengths, and reflect others. There is no reason for me to apply that adjective to any other objects, especially mind-dependent ones. — NOS4A2
I was speaking of color qua color, not color experiences — NOS4A2
I don’t doubt that you experience the changes in pigment, but it seems to me the changes in pigment are the result of the changes in the object, not some other mind-dependent property. We can test this by mixing paints. It results in a change in color of the paint. — NOS4A2
Some of the things we see are complex, context-dependent, dispositional, emergent etc. — jkop
It just bumps against the hard problem again — Harry Hindu
How does a colorless process create color? — Harry Hindu
What is pain? — Harry Hindu
The main brain areas that are most consistently activated under painful conditions are the insular cortex and secondary somatosensory cortex, bilaterally. Electrical stimulation of these areas, but not in other candidate brain areas, is able to elicit a painful sensation.
In other words, it isn't known whether color experiences require the appropriate neurological activity..., In other words it is possible that colors ain't just in the head. — Harry Hindu
What's so special about neurological activity that causes color? — Harry Hindu
It means that the colour ain't in the head. — jkop
If that was true, then you could make the blind see by merely stimulating parts of their brains. — jkop
But since their brains have never recieved the right stimulation (e.g. from the eyes via the optic nerve), then the right neural connections for colour-vision have not been developed,. — jkop
If the pen has a surface layer of atoms that reflect light at with a wavelength of ~700nm then there is both red in the pen and the pen is red. — Leontiskos
it looks as if you believe that there are mind-independent micro-structural properties that are not responsible for colour — Banno
The pen just has a surface layer of atoms that reflects light with a wavelength of ~700nm. When light stimulates the eyes it causes the neurological activity responsible for colour percepts, and we name the colour percept ordinarily caused by 700nm light "red".
There is no color in light. Color is in the perceiver, not the physical stimulus. This distinction is critical for understanding neural representations, which must transition from a representation of a physical retinal image to a mental construct for what we see. Here, we dissociated the physical stimulus from the color seen by using an approach that causes changes in color without altering the light stimulus. We found a transition from a neural representation for retinal light stimulation, in early stages of the visual pathway (V1 and V2), to a representation corresponding to the color experienced at higher levels (V4 and VO1). The distinction between these two different neural representations advances our understanding of visual neural coding.
Say that a coloring agent is added to a clear pen in order to make it red. Different agents can be added to different pens in order to add different color to the plastic of the pen. Pigments and coloring agents exist out there, in the pen, independent of the mind. I can’t see the color anywhere else, whether beside it, in front of it, or somewhere behind my eyes.
This leads me to believe the color, which is the coloring agent itself, mixed as it is in the plastic in order to produce a singular result, a red pen, is why the color is in the pen.
In scientific terms: the properties of the material in the pen determine the wavelength and efficiency of light absorption, and therefor the color. My question is: what properties in the “color percept”, whether added, removed, or changed, can explain why the pen is red? — NOS4A2
Yet we both see the red in the pen. — Banno
How do you know your memory is sufficient? Because you remember? Somewhat circular, don't you think? — Banno
Sure we talk about pain, and so far as we do it is not private. — Banno
If we agree that this pen is red, and the others are not, then we agree to something about this pen, and not to something that is only in your mind. — Banno
It's that thinking about it in terms of things being mind-dependent or mind-independent is muddled, and can best be replaces by thinking about the actions of embodied people in a shared world. — Banno
Quite a bit. If your "mental percepts" are individual, in your mind only and unsharable, then they are tantamount to the private sensation "S" used by Wittgenstein. You might now be calling "red" the percept you yesterday called "green"; you have no way of checking except your own memory. — Banno
The way we talk about colours and pains are different. They involve, in Wittgenstein's terms, different grammars. — Banno
And pain works somewhat differently to colour. There is no equivalent to the box, no something that is available for us both to examine. — Banno
Not quite. The argument is more that you and I can both choose the red pen from a container of various other colours, and hence that we agree as to which pen is red, and that hence being red is different to being black or blue - and that this is a difference in the pens, not just or only in your mind. We agree as to which pen is red and so being red involves pens as well as sensations. — Banno
All this means is that scientists use that term to talk about seeing colours. — Banno
As described above, this is not in keeping with the present scientific view. — frank
My point is that you need both internal and external data to distinguish between colors. — frank
If that was true you would have easily been able to pick them out in the apple picture. You need an external crutch to distinguish between them. — frank
You see the shades of red, but you can't distinguish between them without an external crutch. — frank
Both of those would demonstrate color externalism. — frank
Without looking at your sample, identity each of those shades in this picture... without any words. — frank
If you use the same word for both, that might diminish your awareness of a distinction, right? — frank
Here is a kind of puzzle or paradox that several philosophers have stressed. On the one hand, existence questions seem hard. The philosophical question of whether there are abstract entities does not seem to admit of an easy or trivial answer. At the same time, there seem to be trivial arguments settling questions like this in the affirmative. Consider for instance the arguments, “2+2=4. So there is a number which, when added to 2, yields 4. This something is a number. So there are numbers”, and “Fido is a dog. So Fido has the property of being a dog. So there are properties.” How should one resolve this paradox? One response is: adopt fictionalism. The idea would be that in the philosophy room we do not speak fictionally, but ordinarily we do. So in the philosophy room, the question of the existence of abstract entities is hard; outside it, the question is easy. When, ordinarily, a speaker utters a sentence that semantically expresses a proposition that entails that there are numbers, what she says is accurate so long as according to the relevant fiction, there are numbers. But when she utters the same sentence in the philosophy room, she speaks literally and then what she asserts is something highly non-trivial.