So I've been trying to read Schopenhauer as a prelude to Nietzsche — Albero
The ideal of the saint is not strictly about Christianity. It's more in line with some kind of esoteric mysticism. — Tate
In him the ego has melted away ...(Part 5)
So the first danger in whose shadow Schopenhauer lived was—isolation. (Part 3)
I can now give an answer to the question whether it be possible to approach the great ideal of Schopenhauer's man "by any ordinary activity of our own." In the first place, the new duties are certainly not those of a hermit; they imply rather a vastcommunity, held together not by external forms but by a fundamental idea, namely that of culture; though only so far as it can put a single task before each of us—to bring the philosopher, the artist and the saint, within and without us, to the light, and to strive thereby for the completion of Nature. (Part 5)
the Saint is a person who has experienced some sort of ego death and has blended with all life. — Tate
So "is" means equal to. Unless it doesn't. — Real Gone Cat
I'm sorry, but that's incoherent. — Real Gone Cat
I have been giving this some thought. Our debate has nothing to do with the word "is", it's with the word "plus". — Real Gone Cat
given your rejection of "is" meaning "equal to") — Real Gone Cat
"is" as used here is short for "is equal to". — Fooloso4
Hope you're not too angry. — Real Gone Cat
Could it include pebble counting? — Real Gone Cat
Still a comfort blanket, — Amity
Now I love God: human beings I do not love. Human beings are too imperfect a thing for me. Love for human beings would kill me. (4)
In other words, he is concerned with the question of how our life in the world is to be justified as worthwhile in light of the prevalent reality of suffering. — Tate
... they are now justified by his grace as a gift, through the redemption that is in Christ Jesus. (Romans 3:24)
Therefore, since we are justified by faith, we have peace with God through our Lord Jesus Christ. (Romans 5:1).
... the existence of the world is justified only as an æsthetic phenomenon. (5)
OK but you didn't address my question:
This made me think of our 'Plato's Phaedo' discussion.
The repetition and singing as incantation; myths and magic.
Why the difference between the lines, even if it seems they are saying the same thing? — Amity
What I noticed here was the change from God to god. — Amity
How do you hear it? — Amity
do you consider “wisdom” to be a synonym of “virtue” — Hello Human
Could you elaborate on the difference between addressing an audience in textual interpretation and not addressing an audience in modeling the origin of the universe? — Joshs
But aren’t the author’s original aims also interpreted via one’s current goals and aims? This is called the hermeneutic circle, which Heidegger discusses in Being and Time. — Joshs
So, is this internal self-talk - or a writer's technique to help the reader better know the characters? — Amity
I think this is a book which you can read over and over and still find something new or revealing. — Amity
The royal 'we'? Those 'above' in the spiritual realm. Or the saint and his natural companions. — Amity
What's the link between the 'clue' and the title? — Amity
We guard our property. — Amity
... it would deny the saint his comfort blanket... — Amity
With singing, weeping, laughing and growling I praise the god who is my god.
I'm still not exactly sure what 'the gift of the overman' is? — Amity
Husserl and Klein want to take math back to pebble counting. And you have apparently joined in. — Real Gone Cat
So you want to take math back to pebble counting. — Real Gone Cat
It is a matter of ontology.
Okay, let's try a thought experiment. If you hold a donut and someone hands you another donut, do you have 1+1 or 2 donuts? — Real Gone Cat
You're using "is" to refer to the partitioning of sets. — Real Gone Cat
"2+2 and 3+1 are different because they break up the number 4 in two distinct ways". — Real Gone Cat
This much needed book should go a long way both toward correcting the under-appreciation of Jacob Klein's brilliant work on the nature and historical origin of modern symbolic mathematics, and toward eliciting due attention to the significance of that work for our interpretation of the modern scientific view of the world.
Specifically at issue is Husserl's expressed concern over the loss of an "original intuition" to ground symbolic mathematical science, and the consequent breakdown of meaning in that science. For the Husserl of Crisis, the history of this breakdown consists of two stages. First is the geometrical idealization of the world via what he terms "Galilean science" (taken as a kind of collective noun). Second is the formalization of that science by means of symbolic algebra, which latter surreptitiously substitutes symbolic mathematical abstractions for the directly intuited realities of the real world ("life-world"). In the face of such loss of meaning, which fundamentally determines (and threatens) modern western civilization in the modern scientific age, the urgent task of philosophy is to bring to light or to "desediment" (so Hopkins) the historically accreted, and by now almost entirely occluded, original meaning constituents of the concepts of modern mathematical science, so as to recover and reactivate the authentic sense of these concepts./quote]
Without qualifying the "is" — Real Gone Cat
"is" as used here is short for "is equal to". — Fooloso4
This is commonly understood to mean two plus two equals four and not two plus two is the same thing as four. 3+1 "is" 4 in the sense of equals 4 but not that 3+1 and 2+2 are the same thing. We could do without "is": 2+2=4, 3+1=4, 2+2=3+1. — Fooloso4
Now it's some great revelation that 2+2 is NOT 4 ? — Real Gone Cat
In math, we call what you're referring to partitions. — Real Gone Cat
When we interpret a text, or model the origins of the universe, are we attempting to represent or to construct truth? — Joshs
Z asks the saint 'Why...? — Amity
“Why,” asked the saint, “did I go into the woods and the wilderness in the first place? Was it not because I loved mankind all too much?
“Why did I speak of love? I bring mankind a gift.”
They are mistrustful of hermits and do not believe that we come to give gifts.
To them our footsteps sound too lonely in the lanes. And if at night lying in their beds they hear a man walking outside, long before the sun rises, they probably ask themselves: where is the thief going? (4-5).
I make songs and sing them, and when I make songs I laugh, weep and growl: thus I praise God.
With singing, weeping, laughing and growling I praise the god who is my god.
And here we have an Enlightenment theme:
The saint says:
"Go not to men, but stay in the forest! Go rather to the animals! Why not be like me—a bear amongst bears, a bird amongst birds?" — Tate
God is dead means several different tbut related hings for Nietzsche. — Fooloso4
The saint might be a symbol for clergymen in general. — Tate
they aren't aware of what's been happening in the world, that is, that the Enlightenment has come and gone. — Tate
If you only refer to the Cambridge book pages, I have difficulty finding the quotes in the Cambridge pdf.
Could we stick to one or the other; or do both? — Amity
Prologue 2, page 5
He's gone into the forest to escape men because he loved them too well. Was he gay? — Tate
Zarathustra answered: “I love mankind."
“Why,” asked the saint, “did I go into the woods and the wilderness in the first place? Was it not because I loved mankind all too much?
Now I love God:human beings I do not love. Human beings are too
imperfect a thing for me. Love for human beings would kill me.”
The theme of going up and coming down recurs. — Tate
Shall we move on? — Tate
Like the son/Sun of 'God', Jesus the man, he is part of a Trinity - Father, Son and Holy Spirit ? — Amity
I don't see where that question is coming from. The death of God is an historical event. It's not a doctrine Nietzsche is pushing. — Tate
“Could it be possible! This old saint in his woods has not yet heard the news that
God is dead!” – [Prologue 2, page 5]
When Zarathustra had spoken these words he looked again at the people and fell silent. “There they stand,” he said to his heart, “they laugh, they do not understand me, I am not the mouth for these ears.
Must one first smash their ears so that they learn to hear with their eyes? Must one rattle like kettle drums and penitence preachers? Or do they believe only a stutterer? (Prologue 5, page 9)
I'm sure you don't think Zarathustra comes down the mountain to teach atheism. — Tate
The death of God is an historical event. — Tate
Plato's “I went down yesterday to the Piraeus..." — Amity
Are you asking me? Or saying that it's not dependent? — Tate
There's obviously a distinction between high and low. It's a division. — Tate
Why Zarathustra? Or perhaps the better question is, why the return of Zarathustra?
— Fooloso4
What are your thoughts? — Tate
like any other world-weary hermit and seeker of peace and enlightenment. — Amity
a mutually dependent relationship between the source of life and light — Tate
... his own being, divided by high and low: the eagle and the snake. — Tate
The point is: Zarathustra, the creator of an ancient religion, has withdrawn from the world, become full, and now wants to shine his light upon mankind. So he goes down the mountain. — Tate
then 2+2 is not 4 either. — Real Gone Cat
If 2+2 is 4 because they have the same numeric value, then 2+2 is 3+1. — Real Gone Cat
Why is he talking to the sun? — Tate
You great star! What would your happiness be if you had not those for whom you shine?
For ten years you have come up here to my cave: you would have tired of your light and of this route without me, my eagle and my snake ...
Like you, I must go down as the human beings say, to whom I want to descend.
... Zarathustra wants to become human again.
Your thoughts so far? — Amity
Is it necessary to read the Intro first? — Amity
Nietzsche himself provides no preface or introduction, although the section on TSZ in
his late book, Ecce Homo, and especially its last section, “Why I am a Destiny,” are invaluable guides to what he might have been up to.
Laurence Lampert’s Nietzsche’s Teaching: An Interpretation of “Thus Spoke Zarathustra” (Yale
University Press,1986, establishes the need for a new teaching, the nature of the teaching, and the foundational role it plays in the history of philosophy. Lampert’s Nietzsche and Modern Times: A Study of Bacon, Descartes, and Nietzsche (Yale University Press, 1993), much broader in scope, goes
further in the direction of specifying the ecological, earth-affirming properties of Nietzsche’s teaching via Zarathustra.
... if you kept all 4 donuts, that would be different from sharing them out 3 for you and 1 for me. — Real Gone Cat
It might be seen as a bit of a cheat and not everyone approves of using secondary sources.
For various reasons. Fooloso4 can reel them off! — Amity
I can't access that website. Which translator is it? — Tate
