Both hypericin and @Michael keep adverting to naive forms of direct realism — Leontiskos
Can you cite your source? — Leontiskos
And I think this is where demands to define "indirect" in terms of physical interactions becomes relevant. Perhaps there is some way to demarcate direct and indirect physical processes, although I am skeptical of this. — Count Timothy von Icarus
Sokolowski's real focus in thought and language though, not perception. He goes on to elucidate how names, words, and syntax, are used intersubjectively to present the intelligibility of objects. Roughly speaking, the intelligibility of an object is exactly what we can truthfully say about it, what can be unfolded through the entire history of "the human conversation." — Count Timothy von Icarus
The patterns thus have a representational character in the sense that they disperse a representative form of the thing into the surrounding media. — Count Timothy von Icarus
So, even if [1] those objects are implicated in the causes of the experience, [2] they also figure non-causally as essential constituents of it — SEP
The idea is that there is some alternative vantage point which is more fundamental than phenomenal experience, and which makes inferences based on the phenomenal experience. — Leontiskos
Direct Realist Presentation: perceptual experiences are direct perceptual presentations of ordinary objects.
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Direct Realist Character: the phenomenal character of experience is determined, at least partly, by the direct presentation of ordinary objects.
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On [the naive realist] conception of experience, when one is veridically perceiving the objects of perception are constituents of the experiential episode. The given event could not have occurred without these entities existing and being constituents of it; in turn, one could not have had such a kind of event without there being relevant candidate objects of perception to be apprehended. So, even if those objects are implicated in the causes of the experience, they also figure non-causally as essential constituents of it... Mere presence of a candidate object will not be sufficient for the perceiving of it, that is true, but its absence is sufficient for the non-occurrence of such an event. The connection here is [one] of a constitutive or essential condition of a kind of event.
If I take a photograph of a flower, then the flower is in the photograph. — Luke
Distal objects are present in phenomenal experience in the same sense.
By that standard, no perception can be direct. — Luke
In what sense are they not? — Luke
Otherwise, it just boils down to an ambiguity in the meaning of "perceive", with one camp taking it to refer to perceiving real objects and the other camp taking it to refer to the way those objects are perceived and the contents of our phenomenal experience. — Luke
I think the very idea of an intermediary is a red herring. — frank
Maybe I wasn’t clear enough. I meant phenomenal intermediaries. — Jamal
Nobody has ever thought that fire engines are red in the dark — Jamal
Do we perceive the intermediaries or the distal stimulus? The intermediaries are part of the "mechanics of perception"; they are not the perceived object. — Luke

The relevant context is phenomenal experience, and perception phenomenally lacks intermediaries between experiencer and object of experience, therefore perception is direct. — Jamal
Perception (from Latin perceptio 'gathering, receiving') is the organization, identification, and interpretation of sensory information in order to represent and understand the presented information or environment. All perception involves signals that go through the nervous system, which in turn result from physical or chemical stimulation of the sensory system. Vision involves light striking the retina of the eye; smell is mediated by odor molecules; and hearing involves pressure waves.
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Perception depends on complex functions of the nervous system, but subjectively seems mostly effortless because this processing happens outside conscious awareness.
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The process of perception begins with an object in the real world, known as the distal stimulus or distal object. By means of light, sound, or another physical process, the object stimulates the body's sensory organs. These sensory organs transform the input energy into neural activity—a process called transduction. This raw pattern of neural activity is called the proximal stimulus. These neural signals are then transmitted to the brain and processed. The resulting mental re-creation of the distal stimulus is the percept.
To explain the process of perception, an example could be an ordinary shoe. The shoe itself is the distal stimulus. When light from the shoe enters a person's eye and stimulates the retina, that stimulation is the proximal stimulus. The image of the shoe reconstructed by the brain of the person is the percept. Another example could be a ringing telephone. The ringing of the phone is the distal stimulus. The sound stimulating a person's auditory receptors is the proximal stimulus. The brain's interpretation of this as the "ringing of a telephone" is the percept.
the senses don’t think. — Mww
That being the case, the meaningful sense in which we can say perception of distant objects is direct, is given from the fact the purely physiological operational status of sensory apparatuses is not effected by the relative distances of their objects. For your eyes the moon is no less directly perceived than the painting hanging on the wall right in front of you. — Mww
If we draw enough meaningful correlations between green things and other stuff, we can become conscious of green things. That's not the same as being conscious of seeing green things. The apple is green. We can become conscious of green things before we know it. Being conscious of seeing the colour green is knowing how to group things by color and being aware of doing it. Being conscious of a big green monster does not require being conscious of seeing a green monster.
Seeing the color green as "green" is what we do after talking about it. — creativesoul
For the Rays, to speak properly, have no Colour. In them there is nothing else than a certain power and disposition to stir up a sensation of this Colour or that. — Isaac Newton
The sensory information that an organism receives from its environment is a perception. You are basically saying that our perceptions are direct. — Luke
Direct Realist Presentation: perceptual experiences are direct perceptual presentations of ordinary objects.
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Direct Realist Character: the phenomenal character of experience is determined, at least partly, by the direct presentation of ordinary objects.
There are, however, two versions of direct realism: naïve direct realism and scientific direct realism. They differ in the properties they claim the objects of perception possess when they are not being perceived. Naïve realism claims that such objects continue to have all the properties that we usually perceive them to have, properties such as yellowness, warmth, and mass. Scientific realism, however, claims that some of the properties an object is perceived as having are dependent on the perceiver, and that unperceived objects should not be conceived as retaining them.
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Scientific direct realism is often discussed in terms of Locke’s distinction between primary and secondary qualities. The Primary qualities of an object are those whose existence is independent of the existence of a perceiver. Locke’s inventory of primary qualities included shape, size, position, number, motion-or-rest and solidity, and science claims to be completing this inventory by positing such properties as charge, spin and mass. The secondary qualities of objects, however, are those properties that do depend on the existence of a perceiver.
Secondary qualities are the result of interactions between the body and the objects that display them. For example, of course colour considered as a visual phenomenon, cannot manifest as such except as seen. I see no puzzle in that. — Janus
The argument has nothing to do with the status of so-called 'secondary qualities' or particle physics and you seem to be conflating naive realism with direct realism, so I am a loss as to how to respond. — Janus
For the Rays, to speak properly, have no Colour. In them there is nothing else than a certain power and disposition to stir up a sensation of this Colour or that. — Isaac Newton
We’ve looked in all the objects involved and have found no thing nor substance worthy of the noun-phrase. So perhaps it’s all a fiction after all.
In any case, it cannot be shown that there is any such intermediary standing between the perceiver and the perceived, there simply is no evidence to support any dualism of any kind. — NOS4A2
But what is “sensory experience”? — NOS4A2
70% of the time, sure. 30% of the time, not so much. — NOS4A2
Do bitter representations or sense-data have phenylthiocarbamide in them? — NOS4A2
Would you say an object that appears green is not green? — NOS4A2
Well sure, one implies a little more certainty than the other. A little more examination ought to suffice and relieve any doubts. What is it about the object that says otherwise? — NOS4A2
I don’t think so. — NOS4A2
We know the object is green because we because that’s what it looks like. — NOS4A2
There's more than swarms atoms in fundamental physics, such as the forces that bind atoms together so that they necessarily form what we in our scale see as cars etc — jkop
(B) solves (or appears to solve) a number of philosophical problems, which is why it shows up perennially. — frank
Ordinary language is tied to a frame of reference where the direction of the center of gravity of the Earth plays an important role. So it's not really a problem to translate, "Banno (in Oz) reached down to catch the cup falling off the table." to a frame of reference suitable for an accurate understanding of what happened. — wonderer1
The point is: fundamentally, there's no difference. — frank
But say a community finds (B) to be more parsimonious. They would advise you to accept (B) unless there's actual evidence to the contrary. — frank
Think of two scenarios:
A. Contemporary science starts with the assumption that each person is a body responding to stimulation (and simultaneously altering the environment). The image is similar to a computer arrayed with analog to digital converters. The question scientists grapple with is how the computer is creating a seamless experience out of the flood of data.
B. Now compare this to Berkeley's view: the "stuff" isn't even out there until we turn our gazes upon it.
What draws one to accept A over B? — frank
Wouldn't they "flip" the image in the way your paper describes, seeing the world right way up? — Banno
The most common form of direct realism is Phenomenological Direct Realism (PDR). PDR is the theory that direct realism consists in unmediated awareness of the external object in the form of unmediated awareness of its relevant properties. I contrast this with Semantic Direct Realism (SDR), the theory that perceptual experience puts you in direct cognitive contact with external objects but does so without the unmediated awareness of the objects’ intrinsic properties invoked by PDR. PDR is what most understand by direct realism. My argument is that, under pressure from the arguments from illusion and hallucination, defenders of intentionalist theories, and even of relational theories, in fact retreat to SDR. I also argue briefly that the sense-datum theory is compatible with SDR and so nothing is gained by adopting either of the more fashionable theories.
Have you noticed how little of the SEP article on the problem of perception has to do with either direct/indirect realism, or with the science? — Banno
Direct Realist Presentation: perceptual experiences are direct perceptual presentations of ordinary objects.
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Direct Realist Character: the phenomenal character of experience is determined, at least partly, by the direct presentation of ordinary objects.
The indirect realist almost has to invent the direct realist in order to get this debate going. — Banno
