And yet you've still failed to even present an argument as to why it cannot be both. — Isaac
How do we know the difference between our experience of the world and the way the world is independent of our experience? You must have had some experience to even make this claim, so there must be some experience that has informed you how the world is independent if your experience. — Harry Hindu
There are two philosophical points here. The first is that, since the "unseen" world causes what we see, we can and have used those causes to grasp the nature of that unseen world. Science did what Kant imagined to be impossible. — Banno
The reply to him is simply that since such a world is utterly outside of what we can comprehend, it cannot act as the cause of what we experience. — Banno
Recall the scene in A Beautiful Mind where Nash asks a passing stranger if they can see the representative from the Nobel Foundation. — Banno
I would not agree these ever could be the same kind of experiential event. An hallucinatory experience is private to the subject. There is no verification of a subject's hallucinatory reporting, while a veridical experience can in principle be verified since they can report on a public environment. — Richard B
The argument from hallucination relies on the possibility of hallucinations as understood above. Such hallucinations are not like real drug-induced hallucinations or hallucinations suffered by those with certain mental disorders. They are rather supposed to be merely possible events. For example, suppose you are now having a veridical perception of a snow-covered churchyard. The assumption that hallucinations are possible means that you could have an experience which is subjectively indistinguishable—that is, indistinguishable by you, “from the inside”—from a veridical perception of a snow-covered churchyard, but where there is in fact no churchyard presented or there to be perceived.
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However, as noted above, from a phenomenological point of view, hallucinations too seem as though they are direct presentations of ordinary objects: from the subject’s perspective a hallucination as of an F cannot be distinguished from a veridical experience of an F. This is why it seems so plausible to think of them as fundamentally the same.
You made a further claim about what does inform our intellectual considerations. You did not merely claim that the external object does not inform our intellectual considerations directly. You made the claim that it does not tout court, and that something else does. — Isaac
I'm disputing your claim that indirectness prevents aboutness. — Isaac
You seem to think that the hidden states' steps (light scattering, retinal stimulation, occipital modelling...) mean that the connection is indirect, but the steps that the visual image takes to our response (hippocampus re-firing, working memory channel, sensorimotor inference, proprioceptive cascade...) are direct. Why? Both processes seem to have steps. There are a number of steps between object and model. There are a number of steps between model and response. Why are the latter steps direct and the former indirect? — Isaac
Putting the pieces together, our ordinary conception of perceptual experience involves:
Direct Realist Presentation: perceptual experiences are direct perceptual presentations of ordinary objects.
Clearly, there are differences between these categories, but from a phenomenological point of view, these experiences seem the same in at least this sense: for any veridical perception of an ordinary object, we can imagine a corresponding illusion or hallucination which cannot be told apart or distinguished, by introspection, from the veridical perception.
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Thus, a veridical, illusory, and hallucinatory experience, all alike in being experiences (as) of a churchyard covered in white snow, are not merely superficially similar, they are fundamentally the same: these experiences have the same nature, fundamentally the same kind of experiential event is occurring in each case. Any differences between them are external to their nature as experiences (e.g., to do with how they are caused).
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The two central arguments have a similar structure which we can capture as follows:
A. In an illusory/hallucinatory experience, a subject is not directly presented with an ordinary object.
B. The same account of experience must apply to veridical experiences as applies to illusory/hallucinatory experiences.
Therefore,
C. Subjects are never directly presented with ordinary objects.
(C) contradicts Direct Realist Presentation, and thus our ordinary conception of perceptual experience.
But then what's indirect about it? — bongo fury
Oh, so it's a picture, after all? — bongo fury
Literally they obviously don't. They 'see and hear things'. — bongo fury
What kind of thing is it, if not an actual voice, and now apparently not a mental image either? — bongo fury
Obviously the point for me is the usual one, of whether or not seeing an apple is a case of seeing a picture of the apple — bongo fury
But the book itself: is it directly about the historical events, or only indirectly? — bongo fury
So the true factual literature "my dog has fleas" isn't about an actual dog?
Or is it that actual things are the same kind of things as made-up things? — bongo fury
And, I suppose: the kind of thing that we read about in true factual literature is the same kind of thing that we read about in fiction? — bongo fury
But if it didn’t challenge scientific realism, then there wouldn’t even be a metaphysical question. — Wayfarer
The bit where someone explains what indirect realism is still needs work. Seems unclear. — Banno
I'm inclined to agree as per this particular argument. However the sentiment behind the argument, the rejection of radical scepticism by showing that it undermines itself, remains. Neo was evicted from his pod, and hence there is a world in which there is a pod. For the brain in the vat, there is a vat. The phenomenalist conclusion ... fails because the pod and the vat are not just "theoretical constructs". — Banno
There is much more to be said about these broad kinds of models, for which I refer to the papers by Eliasmith, Grush, and Friston & Stephan.
One important and, probably, unfashionable thing that this theory tells us about the mind is that perception is indirect. As Gregory puts this Helmholtzian notion:
"For von Helmholtz, human perception is but indirectly related to objects, being inferred from fragmentary and often hardly relevant data signaled by the eyes, so requiring inferences from knowledge of the world to make sense of the sensory signals. (1997, p. 1122)"
What we perceive is the brain’s best hypothesis, as embodied in a high-level generative model, about the causes in the outer world.
This paper considers the Cartesian theatre as a metaphor for the virtual reality models that the brain uses to make inferences about the world. This treatment derives from our attempts to understand dreaming and waking consciousness in terms of free energy minimization. The idea here is that the Cartesian theatre is not observed by an internal (homuncular) audience but furnishes a theatre in which fictive narratives and fantasies can be rehearsed and tested against sensory evidence.
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These facts have a powerful bearing upon our assumptions about how consciousness is engendered by the brain. We are forced to conclude that we live in something like a theatre and, while it is certainly not Cartesian, it does have properties that lend themselves to the sort of neurobiological and cognitive specification that we attempt to demonstrate in this paper.
Finally, associating consciousness with inference gets to the heart of the hard problem, in the sense that inferring that something is red is distinct from receiving selective visual sensations (visual data) with the appropriate wavelength composition. Furthermore, you can only see your own red that is an integral part of your virtual reality model. You cannot see someone else’s red or another red because they are entailed by another model or hypothesis. In short, you cannot see my red — you can only infer that I can see red. In one sense, tying consciousness to active inference tells one immediately that consciousness is quintessentially private. Indeed, it is so private that other people are just hypotheses in your virtual reality model.
What is it you understand by 'generative model posits'? What definition of generative model posit are you using? — Isaac
But thus constructed qualia, we argue, are of a piece (modulo that added certainty, more on which later) with other inferred variables such as dogs, cats, heatwaves, and vicars. This gives our story its slightly more realist tinge. Qualia – just like dogs and cats – are part of the inferred suite of hidden causes (i.e., experiential hypotheses) that best explain and predict the evolving flux of energies across our sensory surfaces.
The authors identified the models associated with them seeming to have qualia, but they do not actually have qualia. — Isaac
If the term ‘qualia’ is constrained to pick out some kind of raw experiential data, then qualia are an illusion, and we only think (infer) that such states exist, But in another sense, this is a way of being a revisionary kind of qualia realist, since colors, sights, and sounds are revealed as generative model posits pretty much on a par with representations of dogs, cats, and vicars.
[our story] identifies qualia with distinctive mid-level sensory states known with high systemic (and 100% agentive) certainty.
We see red because we infer a strangely certain and peculiarly independent dimension of ‘looking red’ as part of the mundane process of predicting the world.
Other papers have identified the schizophrenic's 'demon voices' with failures of backwards acting suppressive models in the autidory system.
None of these papers are saying that the phenomena is actually happening as it reported. We don't actually talk to god, we don't actually have out-of-body experiences, we don't actually hear demons, and we don't actually see qualia. — Isaac
The fact that you've had to change the wording of the quote to make it match your conclusion says it all. — Isaac
So the papers identifying out-of-body experiences with certain activity in the parietal and premotor cortices, is saying that we do actually have out-of-body experiences?
Or, is it saying that we feel like we have out of body experiences (but don't really) because of the modeling assumptions of those regions? — Isaac
The claim is not that we actually have qualia, it is explaining why we might think we have qualia when thinking about perception. — Isaac
Do you have privileged and unfettered access to everything that happens in your brain? — Isaac
If you want to translate it into what 'red' refers to it would be the trivially true statement that, for some, 'red' refers to the quale 'red' when they are verbally reporting their meta-theory of perception. — Isaac
Here's a Bayesian model
P(S1,…,Sn)=∏i=1np(Si|parents(Si))
What colour is it? — Isaac
I think we would both agree that the sense data is exactly the same whether you call it a image of a duck or an image of a rabbit. — Richard B
Is it a matter of temperament? Indirect realism just suits you better? — Tate
Why do you think it's warranted? — Tate
I mean, if this is true, then how do you know about mind independent objects? — Tate
Why do you have confidence the standard model if you learned about it through your senses? — Tate
1. Difficult to understand how a scientist would observe a subject’s phenomenal character of experience since it is private to the subject.
2. Assuming that 1. Is achievable, how can a scientist compare it if mind independent objects are not directly accessible according to phenomenology — Richard B
You agree with phenomenalism because of subatomic particles? — Tate
