• Moliere
    5.6k
    Part 1:



    Original Philosophical Investigation series

    (1)
    On Human Being.

    (2)
    The Extreme Humungousness of the Universe
    As an Impossible Recipe.

    (3)
    Of Dreams Night and Day

    (4)
    Dancer or the Danced Upon?

    (5)
    When a Tree Falls in the Forest

    (6)
    Religion’s Restraint

    (7)
    Unfree Will

    (8)
    Time and its Blast


    Prolog

    In this lost haunt, on the Orion arm
    Of the Milky Way, safe from the core’s harm,
    We philosophers meet in the tavern,
    As sleuth-hounds, unweaving the Cosmic yarn.

    We search for the Start of the Universe,
    The End, the Before, the After, the Kinds,
    The Measures, and All That Lies Between:
    The Music of the Spheres’ Magnificat.

    We follow every single avenue,
    Whether it’s brightly lit or a dark alley,
    Exploring one-ways, no-ways, and dead-ends,
    Until cornered where the Truth is hiding.


    Here we go…


    1.
    The Map Showing the Progression
    From the Real’s Basis to Humans’ Being

    Objective

    A kind of pyramid is envisioned, with two oppositionals and two transitionals that cross to generate the humans’ being, via this and additional pairings of necessity derived that are basic, not complicated.


    The Main Section

    Here’s the theory of how the Who of Being
    Becomes of Existence’s Why and How,
    Via the transitional Then to When
    And the oppositional What and Where.

    Where: Space

    !
    !
    !

    When: Future <—— Here & Now <———— Then: Past

    !
    !
    !

    What: Matter

    Movement’s a must in quantum’s ‘vacuum’,
    Otherwise naught would have gone on to bloom;
    Stillness is impossible; Time must be!
    ‘Particles’ clump; in between, space makes room.

    The Real’s Why is that ‘Nothing’ cannot be;
    Its How is that of Possibility,
    Since all methods must be open, due to
    The Real’s never-birthed eternity.

    Matter vs. Space, of the Formless field,
    Makes for Realm-of-Appearances’ yield,
    Which, since crossed by Time’s passage, it builds life’s
    Pyramid from Movement-of-Appearances.

    Past that Was leads to Future that Will Be,
    Transformational—‘Now’ in the middle,
    Rolling smoothly, through recall, sensation,
    And anticipation. Time is movement!

    Space/Matter, oppositional, crosses,
    As the Where/What top and bottom corners,
    The left to right sweep of Past into Future,
    Which is really as Then-into-the-When.

    Where/What plus Then-to-the-When grows to blend
    The Spirit-of-Life in the Pyramid’s core,
    After some more pairing relationships,
    Subsequent, toward the life of our species.

    Then + What is History—what has occurred,
    While When + What will become Progress.
    Then + Where begets Memory—Remembrance,
    While When + Where induces Wishes, as hopes.

    Progress + Wishes combines into Vision;
    Progress + History grants Change-in-Structure;
    Memory + History makes for Learning;
    Memory + Wishes births Change-of-Outlook.

    Change-in-Structure + Vision = Planning,
    Change-in-Structure + Learning = Creating,
    Change-of-Outlook + Vision = Growth;
    Change-of-Outlook + Learning = Direction.

    Finally, Planning, Growth, Creating,
    And Direction make for Being’s Who.

    ( Matter —- Space ) [ Being ] ( Future <—- Past )


    The Inspiration

    Before the above analysis, I had mapped
    The forces, noting that two are transitional,
    The Electric and the Magnetic,
    Each giving rise to the other,

    And that two others are oppositional,
    The Weak and the Strong,
    The Weak promoting changeability,
    The Strong promoting stability.

    What about gravity, AWOL? Where is it?

    It needs matter and motion to exist
    And so it is the blended result of
    All the forces, a secondary effect.
    Gravity is the spirit-blend of all.

    ( Strong —- Weak ) [ Gravity ] ( Electro <—> Magnetic )

    The strong force facilitates stability;
    The weak force leads to changeability.
    Electric action, leading to magnetic motion,
    Adds to the Movement-of-Appearances.

    The strong force binds the atomic nucleus,
    Barely beating E/M’s repelling force.
    The weak force counters strong’s stability,
    Through decay that promotes changeability.

    It is the forces that count for everything,
    Matter being but a secondary singing,
    For atoms exert forces through space,
    Especially of the electromagnetic race;

    So then, it is forces that disburse
    The currency of a rich universe.
    Space is a kind of a large-scale limitation
    Of an underlying discrete network of connections.

    Atoms would not even know at all
    That their companions existed, with no call,
    Without the push or pull of the forces’ thrall,
    For then they themselves would be as pall
    As some ghosts passing through a wall.

    The four forces hold our world together
    In its diversity of shape, structure, form, and color.


    Conclusion

    So, would oppositional and transitional pairs
    Work for our human being as well?

    Yes!

    The Duos and Duels of Nature:

    Dualities seem to assist nature:
    Good/evil, on/off, hot-cold, man/woman,
    Up/down, left-right, here-there, past-future, and
    So, none can exist without the other.

    What, Where, Who, Then, and When:

    ‘What’ Matter particles the ‘Where’ Space,
    Begetting the ‘Appearances-in-Motion’ pace,
    As ‘Then’ Past moves through ‘Now’ to ‘When’ Future—
    This ‘Spirit-of-Life’ granting our ‘Who’ face.

    Past flows to Future through the rolling Now,
    As Memory to Anticipation’s bow;
    Through Sensation’s bridge they smoothly glide—
    Time’s essence is but Movement, this we vow.

    Thus from the simplest oppositions flow
    The complex patterns that let Being grow;
    Through Time’s transforming touch they weave and blend,
    Till consciousness can rise and wisdom know.

    Like streams that join to form a mighty river,
    These forces merge their gifts that they deliver;
    From Why through How, from Then through Where and When,
    Till Being’s Who emerges whole forever.

    The Pyramid of Being thus builds its throne
    From basic blocks to patterns fully grown;
    Each level adding new complexity,
    Till Being’s Who can claim its realm as known.

    Mark well how from the simplest pairs arise,
    The structures that let consciousness devise
    Its plans and visions, learning as it grows,
    Till Being’s Who can open wisdom’s eyes.

    So ends this tale of transformation’s art,
    How Being’s Who found form in every part;
    From cosmic forces paired and merged anew,
    Till consciousness could make its upward start.


    Overall Summation

    Why Existence?

    No ‘Nothing’.

    +

    How?
    Possibility.

    !
    !
    v

    Where? Space. <— Appearances —> What? Matter.

    !
    !
    v

    Who’s Being.

    Yes, the Real’s Basis is as simple as can be, but we are the most complex that can be, and that’s where the Real’s excitement is.


    2.
    The Impossible Recipe?
    A Dialog About the Universe’s Free Lunch

    Goal:

    Explain the extravagant spendthrift Universe.


    In the Main

    The Cosmos spreads its feast beyond the sky,
    An endless banquet none can quantify,
    Where matter rises from energy’s deep—
    The greatest feast, yet none can tell us why.

    Explaining the Cosmos is as easy as pie:
    It’s an endless extravagance beyond the sky,
    Which shows that matter’s very readily made—
    Underlying energy raising the shades.

    This All sounds rather like the ultimate free lunch,
    For the basis is already made, with no punch,
    It ever being around, as is, never a ‘was’—
    Everywhere, in great abundance quite unheard of.

    Behold this cosmic lunch that comes for free,
    Where something springs from what can never be;
    The basis ready-made without a source,
    Eternal present without history.

    Really now, why’s the universe so large—
    With trillions of galaxies of billions of stars,
    About which so many planets whirl and twirl,
    With so much dust swirling in between worlds?

    There are vast multitudes, true, so easily made.
    So, there are stars to burn, as with riches,
    But why must this largest be so damn large?

    It is because the infinitesimal, the smallest,
    Must be so very tiny, so minuscule,
    As simple, continuous fields of waves,
    Neither composite nor of course complex.

    So, there is a basic lightness of being
    Because anything more would then be of parts
    And thus beyond the fundamental arts?

    Yes, it is that the base can only be as such
    When it’s just a bit more than nothing.
    This handy for flexibility of construction.

    Where do we lie amid this scale so vast?

    The largest is so large, near everywhere,
    Since the smallest is so small, barely there.
    At the mid-point, there’s finite unity,
    We’re suspended there, hovering entirely.

    What!

    Infinity * Infinitesimal = 1, as Finite Unity

    Is it too that there are then so many more chances
    For arrangements, due to the extravagances?

    Not as meant, but that falls out, too, as free,
    For since the opposite Not cannot be,
    It must then be Everything—of Possibility.

    I’m still astounded by the amount;
    It seems to be an impossible recipe.

    More numerous than thoughts can ever count,
    Universes bubble past all amount;
    In pockets vast beyond our universe,
    New cosmos spring from every quantum fount.

    What kitchen could produce this causeless cake?
    What chef could such infinity awake?
    There is no source from which it all could spring,
    No recipe these worlds could undertake.

    No turtles hold our cosmos from below,
    No final cause makes all existence flow?
    The buck stops at the edge of Nothing’s realm,
    Where Being simply is—that’s all we know.

    Not from Nothing?

    Pure Nothing cannot give what Being needs,
    No void can sprout existence’s first seeds;
    Yet Something clearly dances here and now,
    While Nothing’s barren garden grows no weeds.

    It’s too much!

    In just our universe, at first there were
    About 2x10**85 particles
    Which is now 2x10**76, less annihilations,
    Since there are one billion photons for every proton.

    Cripes!

    There’s even more of it than can be imagined—
    Of lavish big spenders, there in amounts unbounded:
    Bubbles of universes within pockets more,
    Across all the times and spaces beyond our shore!

    What is the birthing source of this tremendous weight?
    There is nothing from which to make the causeless cake!
    Its nature is undirected, uncooked, unbaked?
    There can’t be a choice to that ne’er born and awaked!

    There can’t be turtles on turtles all the way down;
    The buck has to stop somewhere in this town.
    ‘Nothing’ is unproductive—can’t even be meant;
    All ever needed IS, with nothing on it spent!

    Yes, none from nothing, yet something is here, true;
    But, really, you can’t have your cake and Edith, too!
    And yet I’ve still all of my wedding cake, I do—
    It’s just changed form; what ever IS can never go.

    My wedding cake remains through all its change,
    Though forms shift through their transformations strange;
    What IS can never slip to never-was,
    As matter-energy cannot estrange.

    Since there’s no point at which to impart direction
    The essence would have no limited, specific,
    Certain, designed, created, crafted, thought out meaning!
    Thus the Great IS is anything and everything!

    Without a chef to guide creation’s art,
    No recipe could give it form or start;
    Thus Everything must be its own design,
    When no Designer stood to play that part.

    This All is as useless as Babel’s Library
    Of all possible books in all variety!
    Yes, and even in our own small aisle we see
    Any and every manner of diversity.

    Like Babel’s Library of endless books,
    Where every possible combination looks
    Both meaningful and meaningless at once,
    All patterns swim in possibility’s brooks.

    The information content of Everything
    Would be the same as that of Nothing!
    Zero. The bake’s ingredients vary widely,
    And so express themselves accordingly.

    Each aisle contains all diversity,
    Each shelf holds chaos and symmetry.
    The information content of it all
    Equals pure Nothing’s null density.

    Through dimensions stacked like layer cake,
    See how the possible paths undertake
    Their dance through time—your world-line stretching far
    Through futures that your choices might yet make.

    What’s Everything, detailed? Length, width, depth, 4D—
    Your world-line; 5th, all your probable futures;
    6th, jump to any; 7th, all Big Bang starts to ends;
    8th, all universes’ lines; 9th, jump to any;
    10th, the IS of all possible realities.

    The fifth dimension holds all might-have-beens,
    The sixth lets jump between these parallel scenes;
    The seventh spans all cosmic histories,
    While eight contains all universe machines.

    The ninth permits our leaps through space and time
    To any cosmos in the grand sublime;
    The tenth encompasses reality
    In all its forms, beyond reason or rhyme.

    We stand before infinity’s grand horn,
    Where endless plenty spills through endless morn.
    Yet some stay hungry at this boundless feast—
    A cosmic irony that leaves us torn.

    What IS must be because naught else could be;
    Existence brooks no opposite, you see;
    Like mathematics’ truth, it simply is,
    Beyond all cause, eternally set free.

    Each universe a bubble in time’s wine,
    Each possibility allowed to shine;
    When Nothing’s ruled impossible by logic,
    Then Everything must endlessly combine.

    The multiverse spreads wider than all thought,
    More numerous than numbers ever wrought;
    Each quantum choice spawns new reality,
    Till every possible path is caught.

    No chef controls this cosmic cuisine’s yield,
    No recipe these realities wield;
    The menu offers everything at once,
    When all that could exist must be revealed.

    In this grand feast where all must simply BE,
    Each morsel holds eternal mystery;
    For in the end, the simplest truth remains:
    Something IS—as none knows all, you see.

    So here we dance in Being’s endless light,
    Where all that could exist takes form in flight;
    No reason gives us rhyme for why it’s so—
    The cosmic cake bakes itself in the night.

    Conclusion

    Your elucidation is quite a piece of cake!
    Yo, it exceeds, as well, and so it takes the cake.
    Everything ever must be, because ‘nothing’ can’t?
    Yes, it’s that existence has no opposite, Kant!

    So, we’re here at the mouth of the horn of plenty,
    For a free breakfast, lunch, and a dinner party;
    Yet many starving are fed up with being unfed.
    Alas, for now I have to say, ‘Let Them Eat Cake!’.


    3.
    What and How are Imagination’s Dreams Night and Day?

    Dreams

    Dreams are the starlight of our minds,
    A canopy of hope that shines
    Above our lives to light our days,
    And prove we are more than our daily ways.

    Dreams are the starlight of our minds’ vast night,
    A scattered glory burning clear and bright;
    Above the mundane world of daily tasks,
    They spread their constellations of delight.

    Like stars that guide the sailor’s seeking eye,
    Our dreams direct us through life’s clouded sky;
    Each hope a beacon burning in the dark,
    Each vision showing paths we might yet try.

    The day may bind us to Earth’s solid ground,
    In duty’s chains and labor’s circle bound;
    But dreams, like stars, reveal the infinite,
    Where possibility knows no fixed round.

    As astronomers chart heaven’s gleaming face,
    So dreamers map the mind’s unbounded space;
    Each vision adds another point of light
    To guide us through time’s dark embracing grace.

    These stellar fragments of our deeper souls
    Burn holes through habit’s thick concealing folds;
    Like distant suns they hint at worlds unknown,
    Where wonder’s light its mystery unfolds.

    By day we walk the well-worn paths of Earth,
    Our feet upon the ground that gave us birth;
    But nights reveal our truer, higher selves
    In dreams that prove our more celestial worth.

    Each hope that glimmers in our inner sight
    Burns like a nova through doubt’s clouded night;
    These cosmic sparks of possibility
    Show paths beyond the bounds of wrong and right.

    Our dreams outfit the ships of thought with sails
    To catch imagination’s star-born gales;
    Beyond the harbor of the known they fly,
    Through spaces where no Earthly map avails.

    Like telescopes that pierce the cosmic deep,
    Our dreams reveal the secrets that we keep;
    Each constellation of desire and hope
    Maps territories that our souls would reap.

    The mind’s dark matter teems with dreams unborn,
    Like nebulae from which new stars are torn;
    Each vision waiting for its time to shine,
    Each hope a sun to light some future morn.

    These astral wanderings prove we’re more than dust,
    More than our daily labors and their rust;
    For who could dream of flight yet never fly,
    Unless some star-born spirit earned their trust?

    So let the night-sky of the mind reveal
    Its chart of dreams, whose light can help us heal;
    For in their glow we glimpse our higher selves,
    And touch the truths that daily life conceals.

    Imagination

    Behold how heart and soul and mind combine
    When touched by life’s sweet wonders, line by line;
    As Love lifts heart toward inspiration’s peak,
    The spirit takes its flight through realms divine.

    Deep in the soul, unimaged whispers sing
    Their wordless songs of every nameless thing;
    Too vast for bounded thought to capture whole,
    Yet in the depths their echoes ever ring.

    These mysteries that no eye has ever seen
    Flow through the subconscious, dark and green
    As ancient forests where no path is marked,
    Where meaning dwells in spaces in between.

    If one but yields to wisdom’s gentle source,
    These whispers take a dual-flowing course:
    Through senses’ gates they pour their precious wine,
    While mind drinks deep their truth without remorse.

    See how they merge like rivers joining seas,
    As intellect and feeling find their keys;
    Beyond mere joy they lift the spirit high
    Where inspiration sets the vision free.

    Here in this space where reason touches light,
    Imagination spreads its wings for flight;
    The mind’s cold logic catches fire at last,
    As understanding blazes pure and bright.

    The heart’s wild wonder meets the searching mind,
    While soul-songs leave their fingerprints behind;
    In this sweet union poetry is born,
    As all the fragments of our self align.

    Like scattered stars that form one galaxy,
    These separate powers join in harmony;
    The heart’s deep knowing guides the mind’s clear sight,
    Till wisdom blooms in full maturity.

    Conclusion

    So let the wonders of this life inspire
    Your heart to leap toward heaven’s distant fire;
    While soul-songs echo through thought’s deepest caves,
    Till mind and spirit join their sacred choir.

    For in this merging lies creation’s art:
    When logic’s light and feeling’s shadows part,
    Then poetry springs forth like morning’s dawn
    To heal the rifts within the human heart.


    4.
    Am I the Dancer or the Danced Upon?

    Objective:

    Explain the Scribe of Being

    Mainly

    Who’s the scribe; what slab is written upon?
    Where’s horrid Hell, and gloried Heaven yon?
    I asked Myself of such stylus and slate:
    ‘You’re both the dancer and the danced upon’.

    The mind that seeks itself in endless quest
    Finds seeker, seeking, sought—all self-possessed;
    No separation twixt the eye that sees
    And that which is by seeing’s light caressed.

    We chase our shadows round the cosmic hall,
    Like cats that chase their tails and sometimes fall;
    Not seeing that the watcher and the watched
    Are one same dance against existence’s wall.

    Who observes the thought that thinks this thought?
    And who records the wisdom thereby caught?
    The scribe who writes upon the slate of mind
    Is but the slate on which the words are wrought.

    Heaven and Hell we seek in realms apart,
    Not seeing they’re but chambers of one heart;
    The judge who weighs our deeds in final scale
    Is weighed himself—of every judge a part.

    Consciousness curves back upon its source
    Like snake that swallows tail in endless course;
    Subject and object merge in knowing’s light,
    As river joins the sea without remorse.

    The dancer whirls to music’s mystic sound,
    Not seeing that the dance itself spins round;
    Both movement and the one who moves through space
    Are one same flow above the spinning ground.

    The stylus writes its message on the page,
    Not knowing it’s the page that sets the stage;
    The words that flow are both the ink and sheet,
    As wisdom writes itself from age to age.

    Conclusion

    Look in the mirror—who sees whom therein?
    The eye that looks, the face that might have been?
    Both viewer and the viewed are one same self,
    Playing at two until the game wears thin.

    So ask not where the scribe and slate may dwell,
    Nor seek for separate Heaven, separate Hell;
    All opposites unite in consciousness,
    Where knower, known, and knowing weave their spell.
  • Moliere
    5.6k
    Part 2:

    5.
    When a Tree Falls in the Forest

    Plan:

    Show if the tree makes a sound when no one is around.

    Mainly

    When forests fall with none to hear their sound,
    No ear converts their waves to thunder’s round;
    No nose detects the scent of broken wood,
    No retina makes colors dance and bound.

    Without a brain to weave perception’s dance,
    No form or texture catches conscious glance;
    The world remains pure pattern, undefined,
    Till mind gives chaos order’s sweet romance.

    See how the black hole’s entropy reveals
    That surface, not volume, its nature seals;
    Perhaps our depth is but projection’s art,
    A hologram that solid space conceals.

    Like photon pairs that mirror change through space,
    Though seeming separate in time and place,
    Remain one pattern in projection’s room,
    Where separation yields to quantum’s grace.

    The tree that falls, observed or standing free,
    Is interference pattern’s mystery;
    Until consciousness tunes its signal in,
    Reality sleeps in possibility.

    This explains how dreams feel just as real
    As waking life—both patterns that we steal
    From vast arrays of wavelengths interweaved,
    Which mind makes solid as the things we feel.

    All things connect in overlapping waves,
    No true division marks what nature saves;
    One vast united pattern fills all space,
    While seeming borders mark illusory graves.

    Like memory spread through neural matter’s field,
    Where every part holds all that’s been revealed,
    The cosmos lives complete in every grain,
    As Blake’s world blazes in the flowers of yield.

    We are the dance, the dancer, and the stage,
    The cosmic story and the turning page;
    Both author and the tale that’s being told,
    As universe peers through its human cage.

    The past may hide in holographic whole,
    While present moments endlessly unroll;
    Each electron’s shake sends ripples far,
    As part and whole trade places, pole to pole.

    Conclusion

    This secret lies beneath reality’s mask:
    One fundamental pattern, should you ask,
    Indestructible and everywhere at once,
    Performing life’s interminable task.

    For all is one—no piece can stand alone,
    No fragment separate from all that’s known;
    The universe complete in every part,
    As consciousness makes all its patterns shown.


    6.
    Religion’s Restraint

    Aim:

    Show how religion holds us back.


    Main

    The light of Heav’n did the Earth illumine,
    When He shaped human nature’s acumen.
    Temptations He then placed everywhere,
    But He’ll punish us for being human!

    He binds us in resistless Nature’s chain,
    And yet bids us our natures to restrain;
    Between these counter rules we stand perplexed:
    Hold the jar slant, but all the wine retain!

    What master sets a task impossible,
    Then damns the slave who proves fallible?
    Who plants the tree, then curses it for growth,
    Or blames the river for being unstoppable?

    He gave us passions burning fierce and bright,
    Then commanded us to douse their light;
    Like children told to swim with weighted feet,
    We struggle in the depths of wrong and right.

    Our maker filled our veins with wild desire,
    Then bade us quench this self-implanted fire;
    What potter shapes the clay to flow one way,
    Then breaks the pot when it won’t flow higher?

    He set sweet fruits before our hungry eyes,
    Then called it sin to feast on Paradise;
    What gardener tends the vine with loving care,
    Then damns the grape for making wine arise?

    The cosmic jest grows deeper still to see:
    He gave us minds to question and be free,
    Then thunders wrath when we dare ask Him why,
    Or seek to understand His mystery.

    Our nature pulls us earthward like the tide,
    While heaven’s law would have us turn aside;
    Between these millstones of divine decree,
    We’re ground to dust, yet still must choose our side.

    He gave us reason as our guiding light,
    Then called it pride to trust our own insight;
    Like birds commanded both to soar and crawl,
    We’re damned if we stay low or dare take flight.

    What justice can there be in such design:
    To make the cup, then curse it for the wine?
    To shape the heart with longing’s burning core,
    Then damn it for the very heat divine?

    Concluding

    The riddle stands: why plant forbidden trees,
    Then punish those who follow nature’s keys?
    Why give us wings, then clip them when we fly,
    Or grant us sight, then scold us when we see?


    7.
    Unfree Will


    Purpose:

    Show that one cannot will the will.


    Mainline

    The cause of the experiential is done
    By the physical neurological;
    We are as tourists along for the ride,
    Consciousness showing what is going on.

    Our thoughts arrive like winds we cannot call,
    From memory’s web where old associations fall;
    No will commands these patterns as they form—
    They spring from hidden springs beyond our thrall.

    Consciousness lags three hundred beats behind
    The neural vote that’s already defined;
    Our sense of choice is but a pleasant tale
    We tell ourselves when truth’s too stark to find.

    See how our moods swing on chemical tides,
    As serotonin ebbs and flows and rides;
    What meaning dwells in molecular chance,
    When brain-soup determines how joy abides?

    Jealousy and fear arrive unbid,
    No choice in what emotions lift their lid;
    While personality’s determined course
    Runs fixed through sixteen channels, nature-hid.

    The mirror neurons in our watching brain
    Copy all they see, like falling rain;
    Each observation rewires who we are,
    Till watching others makes us in their strain.

    That ‘I’ we cherish as our deepest core
    Merely watches what comes through mind’s door;
    No unique subject sits behind these eyes,
    Just awareness common to all before.

    And Love, that seeming sacred mystery,
    Flows from hormones’ sweet chemistry;
    Oxytocin bonds our hearts as one,
    While reason bows to biology.

    We think we choose, we think we understand,
    But science shows us mechanisms planned;
    Each thought and feeling, every cherished choice,
    Springs from causes we can’t countermand.

    In Conclusion

    Yet in this clockwork dance of flesh and thought,
    Some wonder still remains unbought:
    How consciousness emerged from neural fire,
    And why these mechanisms feel like ought.

    For though we’re moved by forces we can’t see,
    The very knowledge sets some wisdom free;
    Perhaps in seeing through our robot’s eyes,
    We glimpse some deeper truth of what might be.


    8.
    Time and its Blast


    Intro

    Explain Time, the Now, and then Time’s Ravages

    Main Part

    Time moves in steps, not flowing smooth and free,
    Each Planck-length jump too small for eyes to see;
    No infinite division saves the hare
    From catching up with Zeno’s theory.

    The Now we know spans wider than we think,
    As consciousness takes time to form its link;
    Each present moment born from what has died,
    As past dissolves in memory’s swift sink.

    Memory’s ideas recall the last heard tone,
    Sensation savors what is presently known,
    Imagination anticipates coming sounds—
    The delight is such that none could produce alone!

    No block-universe stores time on dusty shelves,
    Though What IS might repeat its cosmic delves;
    Each moment fresh-created from the last,
    As reality continuous evolves.

    Let thou thy certainty of the present be
    Held mortgage for the Deed of Futurity,
    For tomorrow’s just a gleam from afar
    And yesterday’s but a cold ash of thee.

    The cosmos dances through eternal space,
    Perhaps to find each pattern, every grace;
    No genius plans the paths that life might take,
    But time tries all till some find lasting place.

    At first, you sleep in thy dear mother’s womb;
    At last, you sleep in the cold silent tomb.
    In between, Life whispers a dream that says,
    Wake, live, for the rose withers all too soon!

    All’s thanks to Death’s prolonged sifting of ‘dies’,
    Of the rest from the best, silly from wise,
    The pointless from the pointed—selection.
    Oh, through ink-black rivers we had to rise!

    Hopes flitter and flutter like butterflies—
    Whose forms show there can be a second guise,
    Although still one chained to time’s sovereignty.
    We cannot fly through time’s skies two-way wise.

    Throw not life to the breeze; draft this day known,
    For yesterday’s winds have already blown
    And future’s currents have not yet stirred.
    Forget dead airs; now’s breath is all you own.

    Each frame of time marks change or stays the same,
    Yet stillness seems forbidden in this game;
    Forever forward flows the arrow’s flight,
    As What IS writes its ever-changing name.

    From star-heart’s forge to death’s selecting hand,
    Time shapes all things that nature ever planned;
    No blueprint laid in some primordial dawn,
    But patient change writing in time’s swift sand.

    When entropy claims its final victory,
    And energy’s last loans no longer free,
    The cosmos dims toward its darkening end,
    While we arrange what brief light we can see.

    The galaxies flee faster year by year,
    As dark energy makes all disappear;
    Each snapshot of the heavens grows more dim,
    Till sister worlds can no more draw so near.

    Time hurls its million waves of change sublime
    Against existence’s rock time after time;
    The entropic seas denude all that stands,
    While we preserve what beauty we can rhyme.

    Our higher mammal moment briefly shines,
    A parenthesis in eternal lines;
    Like Frost foretold through fire or through ice,
    All paths lead where no star forever mines.

    The protons fade, then electrons must go,
    As particle by particle drops low;
    The universe grows thin and ever cold,
    While darkness claims all light we used to know.

    She, last of all our kind to still persist,
    Looks out upon the void where stars are missed;
    The window shows but darkness absolute,
    Where once bright galaxies kept cosmic tryst.

    Conclusion

    Yet in this death some hope may still remain,
    For What IS cannot die nor show its strain;
    No beginning means no final end,
    As cosmic cycles turn to start again.


    9.
    What are the Feelings of the Seasons?

    Prelude:

    Explain the feelings of Spring Fever, Summer Joy, Autumn Color, and Winter Rest.

    Once again, I have lived through winter’s chills,
    To see another spring of daffodils.
    Eager sap rises in my veins and thrills,
    As the sun pours life into my tendrils.

    Like trees that slumbered through the frozen night,
    My spirit wakes to touch the growing light;
    Each cell remembers ancient rhythms true,
    As winter’s dormant dreams take verdant flight.

    The same force lifting flowers toward the sun
    Now stirs my blood—two currents merged as one;
    No difference between my quickened pulse
    And spring’s green tide that sets the sap to run.

    My fingers spread like leaves to catch the ray
    That coaxes sleeping buds to greet the day;
    My roots, though city-bound in human shoes,
    Still feel Earth’s call to join the spring’s display.

    This body, winter-stiff, grows supple now
    As warming breezes touch each waking bough;
    The same sweet urgency that greens the grass
    Smooths age’s frost from every limb somehow.

    Mark how the daffodils, so lately dead,
    Thrust golden trumpets from their earthen bed;
    While in my heart, joy’s yellow blooms unfold,
    As winter’s grey thoughts flee my flowering head.

    Each spring reminds us we are nature still,
    Despite our walls and ways of human will;
    The same wild force that breaks the seed’s dark shell
    Cracks winter’s ice around our spirits’ rill.

    My bones, like branches, creak then grow more light
    As spring’s warm magic melts the winter’s spite;
    Each year this miracle returns anew:
    Both garden’s growth and human heart’s delight.

    The border blurs ‘tween flesh and flowering things
    When April’s resurrection anthem rings;
    We’re all Earth’s children, reaching toward the light,
    As life’s tide rises on its annual wings.

    For what are we but nature’s knowing part?
    The universe grown conscious, grown to art;
    Yet still we share the daffodil’s wild joy
    When spring’s sweet season sets the sap to start.

    Joy and exuberance are spring’s largesse;
    Sunlight, warmth, and growth are summer’s bequest;
    Autumn brings wealth, with its mellow harvest;
    Winter’s fruit is peace—its bounty is rest.

    See how each season brings its special grace,
    As Earth wheels onward through eternal space;
    Each quarter of the year bestows its gifts,
    As nature’s dance moves at its measured pace.

    Spring scatters treasures with a lavish hand:
    The crocus jewels that stud the wakening land,
    The silver songs of birds returned from far,
    And green flames spreading at the wind’s command.

    Her wild exuberance knows no restraint,
    As buds burst forth with joy that needs no paint;
    Each morning brings another miracle,
    As life responds to spring’s sweet, wild constraint.

    Then summer stretches golden arms out wide,
    As warmth and plenty spread on every side;
    The long days overflow with growth’s delight,
    While solar blessing bathes the countryside.

    The garden’s bounty swells beneath her touch,
    As fruits and flowers ripen overmuch;
    Each leaf spreads wide to drink the living light,
    While verdant shadows offer cool’s sweet clutch.

    When autumn comes with harvest’s mellow crown,
    The fields bow heavy, dressed in russet gown;
    Each tree presents its own particular wealth,
    As nature’s riches rain their sweetness down.

    The vineyard’s purple, orchard’s red and gold,
    The granary’s treasure more than barns can hold;
    While nuts drop plenty on the forest floor,
    And berries offer wealth of flavors bold.

    Conclusion

    At last comes winter with its gift of peace,
    As nature’s frenzy finds its sweet release;
    The busy world slows down to take its rest,
    While snow’s white silence bids all striving cease.

    Beneath the frost, life dreams in quiet deep,
    As roots and seeds their hidden wisdom keep;
    This too’s a bounty—time to pause and mend,
    As nature shows us beauty’s quiet sleep.


    BENEATH, BELOW, AND FURTHER

    In succession due does the large give way and rule
    To the ever smaller, the tiny, the minuscule,
    And onto the negligibly insufficient ‘awol’
    Of not really much of anything there at all.

    Yet it was at this bottom here-from that the all
    Of the upward progression began its call,
    And so here the answer lies to the sprawl,
    At the boundary where nature wrote its scrawl
    Of existence upon the foam, and back and forth,
    A place not necessarily like that we think it is,
    A lawless, formless realm that’s ever been the quiz.

    Stability too has decreased woefully,
    Melting within our descending journey,
    And so we must meet the perfect instability
    Of the potentially perfect symmetry that cannot be,

    For not only is it that everything must leak
    But that there can be not even one more antique
    Of a controlling factor lurking about,
    For of anything else we’ve totally run out.

    Here then the pulsations and the throbbings
    Of the so-called vacuum that must ever swing
    Between here and there, ever averaging to not much
    In its rise and fall, alternating here and varying.

    Here Eternity and his elemental fellow rhymes
    Of Anything and Everything bide their times,
    Of which they have and always had continually
    All of the time of everlasting perpetuity,

    And so then if one waits long enough,
    Which is but an instant in Forever’s trough,
    Say for a months of Sundays in donkey’s years,
    Then not only do the rarest of events come to pass,
    But eventually so do all things possible that can last.

    By: @PoeticUniverse
  • Amity
    5.8k
    Part 1 & Part 2

    Parts of what? A poet's philosophical perspective of life, the universe and everything. Described as an:
    Original Philosophical Investigation seriesAuthor

    The explorer has returned from his bold journey, where no man has gone before. It is unique.
    The terrain is shared, the tale told in a tavern - The Orion Arms, 42 Milky Way, The Universe.
    Imagine that. The prologue sets the scene.
    Here we go…Author

    Allons-y!
    But not so fast. Where's the map? Ah, the 8 stages, or stations, are set out. Hold on. Where does Part 1 start and the other begin or end? [I've edited it to clarify] A quick scan reveals the layout of the land. Is this to be a Treasure Island? Where is the gold buried? Is there a pot at the end of the rainbow?

    I believe gems are to be found along the way. In the poem, long and hard, rewarding for some...depending on patience, a squinted eye, fragments of a pointed impression. Zoom in and out.

    It is up to the reader to find their own way of reading. I suggest this is a piece you can dip into, stay a while at any station, pass by the more analytical Part 1 to a more relaxed conclusion. The sleuth-hounds have untangled the yarn. The search is over. We knit the knits and purl the purls.
    From the added Stage 9 - What are the feelings of the seasons?
    Conclusion

    At last comes winter with its gift of peace,
    As nature’s frenzy finds its sweet release;
    The busy world slows down to take its rest,
    While snow’s white silence bids all striving cease.

    Beneath the frost, life dreams in quiet deep,
    As roots and seeds their hidden wisdom keep;
    This too’s a bounty—time to pause and mend,
    As nature shows us beauty’s quiet sleep.


    At the start of Stage 9 (18 4-line verses) the author sets out his aim.
    Prelude:
    Explain the feelings of Spring Fever, Summer Joy, Autumn Color, and Winter Rest.

    This is the format most of the way through. A quick look at the titles, intro and conclusion of each stage will help you decide if the main is to your taste.

    The map or outline:

    PART 1
    (1) On Human Being.

    (2) The Extreme Humungousness of the Universe
    As an Impossible Recipe.
    Later changed to:
    The Impossible Recipe?
    A Dialog About the Universe’s Free Lunch

    (3) Of Dreams Night and Day
    (4) Dancer or the Danced Upon?

    PART 2
    (5) When a Tree Falls in the Forest

    (6) Religion’s Restraint
    I added the aim and conclusion as an example. Excellent!
    [Aim: Show how religion holds us back
    Concluding:
    The riddle stands: why plant forbidden trees,
    Then punish those who follow nature’s keys?
    Why give us wings, then clip them when we fly,
    Or grant us sight, then scold us when we see?
    ]

    (7) Unfree Will
    (8) Time and its Blast
    (9) What are the Feelings of the Seasons?

    ***
    For me, the initial stage was the most difficult to traverse in my bouncy space-shuttle.
    The author's objective:
    A kind of pyramid is envisioned, with two oppositionals and two transitionals that cross to generate the humans’ being, via this and additional pairings of necessity derived that are basic, not complicated.

    Many questions of matter, time and space, when, where etc. crisscross and merge in my mind as total confusion. Perhaps, that's the idea. Perhaps, a diagram would help.
    Anyway, I hope this snapshot has been of value to the author and any other passing detective.
    I could murder a beer at the Orion Arms :party:

    Edit to add:
    This is too long, well over the 5,000 word limit. (approx. 5,810)
    It also looks like a number of previous pieces stuck together with individual aims and conclusions.
    Edited - well, yes, :roll: there is a big clue at the start:
    Original Philosophical Investigation seriesAuthor

    I think it would be a clearer, more coherent philosophy piece with a solid introduction and conclusion. Also, a mix of prose and poetry would provide the reader some ease. Just my thoughts. It's too much. The enormity and strangeness can overwhelm. But then, what's wrong with that, if it makes you think and feel and wonder...

    There is no doubting your creative spirit and passion. Never ending imagination and questions and responses in poetry and philosophy. A very fine mix. Thank you for sharing.
    I decided to go with the flow, not to analyse, swim in the space and not mind the gaps in understanding.
  • Vera Mont
    4.8k
    A kind of pyramid is envisioned, with two oppositionals and two transitionals that cross to generate the humans’ being, via this and additional pairings of necessity derived that are basic, not complicated.Moliere
    Yes, it is! Much too.
    But I like the rap.
  • Jack Cummins
    5.5k
    Generally, I am impressed by the way this author writes in the form of poetry. I almost imagine him thinking in rhyme. For the purpose of this essay activity I do wonder if the writing should have been tailored a little. As it is, it is a little long and obscure, with some of the arguments becoming a little muddled or muddied through too much rhyming poetry. The patterns of rhyme almost seem to convey a picture of a clockwork, mechanistic universe.
  • Vera Mont
    4.8k
    for poetic skill, it's no Hound of Heaven, but it has great breadth as well as depth. It touches on every discipline with interesting analogies, changes pace and rhythm, lapses into vernacular and takes off on flights of picturesque fancy. There are succinct insights
    The Now we know spans wider than we think,
    As consciousness takes time to form its link;
    Each present moment born from what has died,
    As past dissolves in memory’s swift sink.
    Moliere
    We chase our shadows round the cosmic hall,
    Like cats that chase their tails and sometimes fall;
    Not seeing that the watcher and the watched
    Are one same dance against existence’s wall.
    Moliere
    and beautiful passages
    Dreams are the starlight of our minds’ vast night,
    A scattered glory burning clear and bright;
    Above the mundane world of daily tasks,
    They spread their constellations of delight.
    Moliere
    Like trees that slumbered through the frozen night,
    My spirit wakes to touch the growing light;
    Each cell remembers ancient rhythms true,
    As winter’s dormant dreams take verdant flight.
    Moliere
    It covers more territory than any poem or prose piece I've ever read.
    I'm impressed by the ambition, the audacity and the sheer quantity of work that went into this entry.
    :clap: :clap: :clap:
  • Amity
    5.8k
    It covers more territory than any poem or prose piece I've ever read.
    I'm impressed by the ambition, the audacity and the sheer quantity of work that went into this entry.
    :clap: :clap: :clap:
    Vera Mont

    What a beautiful and encouraging thing to say. I love your choice of passages. I will be returning to this for some quiet meditation. I only have one more essay to comment on. After trudging through that, then I will need a peaceful sanctuary.

    To enjoy the creative voice of the universe...
  • PoeticUniverse
    1.6k
    The sleuth-hounds have untangled the yarn. The search is over. We knit the knits and purl the purls.Amity

    Generally, I am impressed by the way this author writes in the form of poetry. I almost imagine him thinking in rhyme.Jack Cummins

    It covers more territory than any poem or prose piece I've ever read.Vera Mont

    Thanks, Amity, Jack, and Vera for the comments on the long read.

    First comes the living, then the writing, then perhaps the poem, then the illustration, and then the moving/voicing/singing, through video… and then someday… the 3D hologram.

  • Vera Mont
    4.8k

    And then may we visit Pandora and ride a blue dragon? I'll settle for Carl Sagan's ship of the imagination.
  • PoeticUniverse
    1.6k
    Many questions of matter, time and space, when, where etc. crisscross and merge in my mind as total confusion. Perhaps, that's the idea. Perhaps, a diagram would help.Amity

    cdoyvkiupniyxmjh.jpg

    Being!
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