Even saying “there is no one truth for all” is a truth for all. — Fire Ologist
Of course being is not contained in language. Being is not contained in anything, and neither is language a container. Hence any any attempt to step outside of all language to describe being “as such” is suspect.
But this seems to be what you would do - supposing that there are ants prior to "There are ants" being true; and not temporally prior, but logically prior, as if it were not sentences that are true or false.
We can't stand outside of the interpretation that claims there are ants, in order to say there are ants outside of that interpretation...
We can't stand outside of the interpretation that claims there are ants, in order to say there are ants outside of that interpretation...
I think it's a little more radical than that. Consider any physical object - the ever-useful rock example, let's say. But now wait a minute . . . what makes it a solid object for us? Is being the discrete, solid thing that it appears to us to be a feature of "things as they are", which we have only to note and make true statements about?
Rather, isn't it the case that our particular needs and capacities as humans allow us to perceive and group items in the world according to categories like "discrete" and "solid"? This has nothing to do with whether they "really are" this or that. Now I'm not a proponent of anti-realism. For our purposes, certainly they are, and atoms are real, etc etc. My point is that we don't approach the world as a collection of neutral phenomena which hold still for us as we go on to discover what is true about them. We have a large role to play in constituting the phenomena we then say true things about. Again, this doesn't mean we make them up or that they could be any which way, or that the things we say aren't true. It means that "things as they are" should probably be reserved for a particular reductive conception of physics, and even there viewed with some doubt.
That is, crude relativism would assert this without apparently noticing that it's contradictory.
What is the response then? Things aren't as they are? Things are as they aren't? — Count Timothy von Icarus
. . . . should not lead us to conclude that the rock is not actual (existing as it is) prior to our knowing it. — Count Timothy von Icarus
As you say yourself: "this doesn't mean we make them up or that they could be any which way." Yet what determines interpretations? Something must first be something determinant before it can determine anything else in any determinant way. — Count Timothy von Icarus
That is, crude relativism would assert this without apparently noticing that it's contradictory.
Or they just don't mind contradiction. — Count Timothy von Icarus
Wittgenstein's thesis about hinge propositions . . . — Count Timothy von Icarus
"Things are as they are to us."
The idea is that "the rock" is a construct, a very useful and non-arbitrary and important one for us. But for all we know, God doesn't see it that way at all; perhaps God sees an astonishing interplay of quantum phenomena.
Do you really believe you know "what things are"?
That's why I call it "crude relativism," somewhat derisively, and contrast it with a relativism worth reading and thinking about. Yes, I suppose there are thinkers who don't mind contradiction, but if you've read any actual relativists, and especially people like Gadamer and Habermas and Bernstein who try find interpretive middle ground between totalizing critique and unworkable foundationalism, you see that the issue of contradiction is very much on their minds. The idea that relativism -- one of the most influential philosophical positions of the previous century -- was espoused by philosophers who "don't mind contradiction," just doesn't stand up under even a cursory reading of their work.
I'm not really sure what you mean when you refer to "transcendence," though. — Count Timothy von Icarus
It occurred to me that Cicero might be an example of an ethics grounded in an understanding of human nature and telos that is more "naturalistic." — Count Timothy von Icarus
Is being the discrete, solid thing that it appears to us to be a feature of "things as they are", which we have only to note and make true statements about?
Rather, isn't it the case that our particular needs and capacities as humans allow us to perceive and group items in the world according to categories like "discrete" and "solid"? — J
My point is that we don't approach the world as a collection of neutral phenomena which hold still for us as we go on to discover what is true about them. — J
We have a large role to play in constituting the phenomena we then say true things about. — J
It means that "things as they are" should probably be reserved for a particular reductive conception of physics, and even there viewed with some doub — J
Also, if you wanted to confine "things as they are" to terms of intersubjectivity — J
However I still don't understand what makes 'the world go round' in the sense of artistic quality. — Red Sky
One thing I wanted to know was when it came to art what was the judge of quality.
Specifically if there was one thing you needed no matter what. (I am still open to opposing ideas)
Do a number of factors combined have to meet some standard? But if something was slightly less than that standard, would it also not qualify? — Red Sky
The obvious response is, why should we supose that there is a "sui generis source of beauty in the cosmos" at all?I am not more inclined to think that man, with our without his institutions and "games," is the sui generis source of beauty in the cosmos (or goodness, or truth for that matter). — Count Timothy von Icarus
Aesthetic claims - that the roast lamb in the oven as we speak, slow cooked with six veg, to be served with greens - is better than a Big Mac, is not just an expressions of feeling nor statements of fact—but an interpretation within a context of belief, intention, tradition, form, and reception. It arises as a triangulation of speaker, interpreter and dinner. It's not objective, but it's not relative, either. It is cultivated and critiqued, without requiring foundational aesthetic truths, because it is an integral part of a holistic web of taste that extends beyond the speaker and even beyond the interpreter into the world at large. Further, no such aesthetic scheme is incommensurable with other such schemes. — Banno
“Being” isn’t a content to be grasped outside language—
it’s not in language, but we can only talk about it within language.
The idea of “stepping outside language” is incoherent, not because language limits being,
because thought and communication are what make talk of “being” meaningful in the first place
The obvious response is, why should we supose that there is a "sui generis source of beauty in the cosmos" at all?
Being” isn’t a content to be grasped outside language—it’s not in language, but we can only talk about it within language.
The idea of “stepping outside language” is incoherent, not because language limits being, but because thought and communication are what make talk of “being” meaningful in the first place.
Rather, isn't it the case that our particular needs and capacities as humans allow us to perceive and group items in the world according to categories like "discrete" and "solid"? — J
Yes. That does not mean they do not exist otherwise. — AmadeusD
We don't grasp being at all with the senses prior to language acquisition? So infants have no grasp of being? Animals as well? The disabled who cannot speak? — Count Timothy von Icarus
To my eye, and I'd supose to the eye of many who have given it some thought, this use of "being" is fraught. The question as posed seems to depend on a very specific and perhaps equivocal sense of "grasping being," without clarifying what that would amount to. As such much of what you say here has a merely rhetorical quality.
Being” isn’t a content to be grasped outside language
That is, you seem to have missed the point entirely.
Now It's clear that the picture you see before you makes sense to you. Uncharitably, you seem to think that God made the world in discrete pieces ready for the Greeks to name.
But that's a very suspect view.
You would have me respond to sentences such as that quoted above, but "being" is not a term I would choose to use, let alone defend. That we "grasp being" strikes me as verging on a nonsense expression. That I use the term at all is by way of showing how problematic it is.
Of course being is not contained in language. Being is not contained in anything, and neither is language a container. Hence any any attempt to step outside of all language to describe being “as such” is suspect
Truth doesn't reflect the mind's grasp of being, it is the minds grasp of being. “Prior” suggests an ontological gap that can’t be made coherent. We don’t grasp being by representing it from the outside, but are embedded in a structure of interpretation, where belief, truth, and world hang together.
I can't see how to make sense of your attempt to foreclose on this. You bold "Nothing about this priority requires any claim about stepping outside of all interpretations" only to then say " The truth itself is grounded in being, and hence is already actual prior to any interpretation." You appear to just be smuggling back in the scheme/content distinction you reject.
a process that promises no end. — Banno
truths become available within human discourse—not arbitrarily, not as illusions, but as intelligible articulations of a world we are always already in relation with. — Banno
The verbage of "grasping being" is yours Banno. — Count Timothy von Icarus
first, and again,grasp of being — Count Timothy von Icarus
before I quote your use.grasp on being — Count Timothy von Icarus
Why is that the question? The topic here is aesthetics, not animal psychology.The question is: can animals know anything? — Count Timothy von Icarus
...you seem to think that God made the world in discrete pieces ready for the Greeks to name. — Banno
Another ridiculous strawman mixed with bigotry. — Count Timothy von Icarus
Either something determines language or usefulness, and is thus prior, or nothing does. — Count Timothy von Icarus
the idea that language or what we find useful can be "any which way," is deeply contrary to experience. — Count Timothy von Icarus
being cannot be grasped outside language"↪Banno. — Count Timothy von Icarus
the world is always already in language, — Count Timothy von Icarus
So we might describe a chair variously as constructed from multiple pieces of wood, or as a collection of gluons and forces, and yet have both descriptions as equally true, but differing in intent. — Banno
Why is that the question?
You need additional premises like "knowing/experiencing something in any way requires language," and "what something is must be posterior to human speech about it" or "nothing can be actual prior to human speech about it," as well as "language only ever speaks about language and linguistic entities, never about what exists outside the context of human language." That is, you need to actually support a metaphysics of language that concludes that language cannot ever refer outside itself, else you are just engaged in question begging.
Aesthetics entails a metaphysical standpoint.
Ethics entails a metaphysical standpoint.
Which is why threads starting along those lines, like this one, when placed in the hands of the Wittgensteinians, end up in this same conversation about language and not the thing language is speaking about (whatever the thing is). Sparring for the most consistent use of language instead of saying something about the world that another person might also say about the same world.
if one goes in assuming all problems are pseudoproblems, it lends itself to a tendency to ignore argument in favor of appeals to having "unmasked the pseudoproblem." — Count Timothy von Icarus
It is wrong to murder. — Hanover
Does their disagreement demonstrate that there is no fact of the matter here? — Count Timothy von Icarus
C. Too little familiarity - this problem occurs when we have no context to place an aesthetic experience within. If we have heard very little music, we might find jazz or a symphony overwhelming on a first exposure.
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