It's not a sign of intellectual rigor, broad-mindedness or virtuous humanity to empathize with career criminals; it's cowardice masquerading as such.

I can assure you none of you would be pleading for nuance if you had had a single experience of the pitiless malevolence with which such individuals operate.

These people ruin lives, communities, entire societies for petty monetary gain. They deserve no sympathy nor quarter. — Tzeentch

For the record, I largely agree with you. However I would like to offer the reminder that most people go through life fully, living and dying in a state of quasi-debilitation never really knowing or understanding the things some of us take for granted in life. Simply put, the lights are not all on upstairs.

"Never attribute to malice what can be adequately explained by stupidity" seems to be the words of a fool in your eyes, no? :smile:

While most people will state they "don't care", the reality of the individual is they simply don't understand. It's like dealing with a dog. It hungers, so it eats. It is blameless until one tries to view it as anything but what it is—an equal—which is unfortunately what you seem to be doing for reasons I cannot imagine.

There's a fine line here. Rogues are people who break the rules and thus evoke sympathy (something like Jack Sparrow). They remain within the rules themselves. The current conversation isn't about morally black (bad) people, but about morally gray people. That is, those who live entirely outside the good/bad paradigm. The phenomenon I'm talking about has a somewhat different nature. These heroes seem bad, but they are a reflection of us—they're just like us, with everyday problems. And we no longer know whether they're bad or not, or whether we can justify them (because we're all a bit like Walter White). — Astorre

I wasn't talking about black and white characters, either. "Morally gray" characters are nothing new, nor is the critics' hand-wringing over the "moral decline". Again, classic epics are a prime example, but if you want something more recognizable and relatable, look no further than nineteenth century literature - plenty of examples there: Thackeray, Maupassant, etc.

I think life is more complicated for many people than you do. Which is fine. I'm not going to change your mind, so there is little point in bothering. — Malcolm Parry

Good point. Some people are happy to judge others from the warm fug of ignorance. I’ve certainly done this myself.

I’ve known many career criminals, some bikies and gang members. Many of them, from what I have seen, didn’t have much of a chance from the start. Would I hesitate to shoot one if I had to? Probably not. But that doesn’t remove my feelings of sympathy, even if it’s qualified.

Do you think we'll see a true survival show by 2035? Like deathmatches or frantic races?
The participants could be death row inmates, debtors, or the terminally ill, and the action could take place in third-world countries. The technical details aren't so important; what matters is whether modern society is ready for such a show.

Ha! We don’t need a structured show for this. It’s probably more about putting cameras in real world hot spots. For a tame example, look at what YouTube makes of Philadelphia.

I think human beings are always ready for barbarism, it’s one of our capacities, along with empathy and compassion. Some of the biggest criminals I have met have been among the most generous. Sentimentality and cruelty go together. Anyway a lot of sci fi stories seem to have taken this plot as a modern day version of the coliseum.

Ever seen Soylent Green? Long before your time, but a chilling dystopian sci-fi.

I always loved the opening title sequence too.

I'll definitely check it out. Judging by the description, it looks interesting.

1. The majority of screen time in such "masterpieces" is dedicated to the aestheticization and heroization of the sinner; the moral justification of atrocities. — Astorre

We love the escapism.

It's an old genre of making criminals to be heroes and then trying to portray the story as a critique of the society. It's the old idea that criminals are forced into crime, because of the economy/society, not being people that actually like crime and voluntarily choose the lifestyle, do like violence for the sake of violence and are actual hideous people like psychopaths are. Usually they are forced to crime, not actively seeking crime and leaving a dull normal life they could totally chosen. And at some stage, they usually show that they still have morals, and aren't the psychopaths they often are.

For example mobsters have been portrayed as rockstars living a life different from us is the perfect escapism for us from our dull safe lives. This was totally obvious even before Coppola and Scorsese, from the films during the time when the US had really a Mafia problem. Only with the exception then that the "Cosa Nostra" remained hidden from the public.



Finally, there is punishment in the end, which is there to make actually the viewer to feel better. The main character has to die, usually with a violent yet glorious ending. Be it Breaking Bad, Scarface or in the gangster movies of James Cagney. Only in very few movies the criminal actually gets away with the murder and the lifestyle without there being any karma or justice. Just as only a few films are the police the actual gangsters, which they easily can be.

This all makes sense, when we understand the underlying reasoning: it's entertainment. A movie like Schindler's list isn't made to entertain you, but "Breaking Bad", "Scarface", "The Godfather", "The Departed", "Goodfellas", they all are there to entertain you. You won't feel bad afterwards. That's the issue here.

Just like with violence itself, people like it as entertainment. The Romans loved the Gladiator games, executions were flocked to see later in history. Quentin Tarantino says the truth about our love for violence: it's entertainment. It doesn't mean that we love actual violence. Not only is there this moral judgement in the end or the fact that the story implies the main character was somehow forced to crime, in the end they are all actors and it's fiction, even if based on a real story. Nobody actually died. Hence we can enjoy it as entertainment. Hence the real object isn't the main character, the real object is for the viewer to feel good afterwards and think the movie was worth wile to see.

It would be totally different if we would have just actual footage of people being tortured to death, being ripped apart into pieces by bomb blast with the viewer understanding that it isn't fake, that it's really innocent children or walkers passing by being killed. Naturally there that actual footage that criminals use to instill fear on others. Many wouldn't finish their popcorn, but throw up and be traumatized from the images.

I doubt it. Real death and violence is not fun to watch (for mentally healthy people, at least). Sports have a tendency of getting safer, with more emphasis on the long-term health and safety of the participants.

Even combat sports are generally enjoyed in the knowledge that the fighters are by and large safe. Deaths or serious injuries in the ring are not celebrated, health risks (like CTE) are taken seriously, etc.

The fantasy violence that people are provided through media is nothing like actual violence, but it has people forming opinions and views on what actual violence must be like. It detaches people from reality, and on a large scale that can start to be problematic.

It doesn't make people more violent (it's hard to imagine a less violent being than a modern western person), it makes them dumber and more ignorant - easier to goad into supporting wars the reality of which they will never have to experience.

"Never attribute to malice what can be adequately explained by stupidity" seems to be the words of a fool in your eyes, no? :smile: — Outlander

When dealing with ordinary people it works fine. When dealing with criminals or politicians, it does not.

While most people will state they "don't care", the reality of the individual is they simply don't understand. It's like dealing with a dog. It hungers, so it eats. It is blameless until one tries to view it as anything but what it is—an equal—which is unfortunately what you seem to be doing for reasons I cannot imagine. — Outlander

I'm not sure what you're saying, exactly.

Are you saying that criminals are essentially subhumans I ought not judge on the same basis as I would ordinary people?

Do you think we'll see a true survival show by 2035? Like deathmatches or frantic races? — Astorre

Not in a world where there is still a semblance of liberal values. If something fundamental happened to the world then mores could change drastically but until then, not a chance. Imho.