Enframing means the gathering together of that setting-upon that sets upon man, i.e., challenges him forth, to reveal the real, in the mode of ordering, as standing-reserve. Enframing means that way of revealing that holds sway in the essence of modern technology and that it is itself not technological
f I put on my Heidegger hat, I say that we can only break enframing by means of a radical antihumanist shift. Only a God can save us, because only a God can subordinate mankind in the way necessary for an antihumanist (thus post-technological) turn in society to occur. We are not post-Gestell until we are posthumanist, and this cannot occur in terms of a philosophy that smuggles in the old enlightenment conceits - and this is precisely where most contemporary attempts fail.
Thought? — Pneumenon
In contrast to the Rationalism and Classicism of the Enlightenment, Romanticism revived medievalism[7] and elements of art and narrative perceived as authentically medieval in an attempt to escape population growth, early urban sprawl, and industrialism. — link
Enframing means the gathering together of that setting-upon that sets upon man, i.e., challenges him forth, to reveal the real, in the mode of ordering, as standing-reserve. Enframing means that way of revealing that holds sway in the essence of modern technology and that it is itself not technological — Pneumenon
So there are several meaningless neologisms, several semantic problems, and these render the entire paragraph completely non-sensical. — god must be atheist
https://plato.stanford.edu/entries/heidegger-aesthetics/#ModSubLatModEnfAesBy tacitly approaching reality through the lenses of this Nietzschean ontotheology, we increasingly come to understand and so to treat all entities as intrinsically-meaningless “resources” (Bestand) standing by for efficient and flexible optimization. It is (to cut a long story short) this nihilistic technologization of reality that Heidegger’s later thinking is dedicated to finding a path beyond.[23] For Heidegger, true art opens just such a path, one that can guide us beyond enframing’s ontological “commandeering of everything into assured availability” (PLT 84/GA5 72), as we will see in section 3.
First, however, we need to understand how subjectivism leads beyond itself into enframing. Put simply, subjectivism becomes enframing when the subject objectifies itself—that is, when the human subject, seeking to master and control all aspects of its objective reality, turns that impulse to control the world of objects back onto itself. If we remember that modern subjectivism designates the human subject’s quest to achieve total control over all objective aspects of reality, then we can see that late-modern enframing emerges historically out of subjectivism as subjectivism increasingly transforms the human subject itself into just another object to be controlled. Enframing, we could say, is subjectivism squared (or subjectivism applied back to the subject). For, the subjectivist impulse to master reality redoubles itself in enframing, even though enframing’s objectification of the subject dissolves the very subject/object division that initially drove the subject’s relentless efforts to master the objective world standing over against it (Thomson 2005). Subjectivism “somersaults beyond itself” in our late-modern age of “enframing” because the impulse to control everything intensifies and accelerates even as it breaks free of its modern moorings and circles back on the subject itself, turning the human subject into just one more object to be mastered and controlled—until the modern subject becomes just another late-modern entity to be efficiently optimized along with everything else. We are thus moving from modern subjectivism to the late-modern enframing of reality insofar as we understand and relate to all things, ourselves included, as nothing but intrinsically-meaningless “resources” standing by for endless optimization. — link
https://en.wikipedia.org/wiki/The_World_Is_Too_Much_with_UsWordsworth gives a fatalistic view of the world, past and future. The words "late and soon" in the opening verse describe how the past and future are included in his characterization of mankind. The author knows the potential of humanity's "powers", but fears it is clouded by the mentality of "getting and spending." The "sordid boon" we have "given our hearts" is the materialistic progress of mankind. The detriment society has on the environment will proceed unchecked and relentless like the "winds that will be howling at all hours". The speaker complains that "the world" is too overwhelming for us to appreciate it, and that people are so concerned about time and money that they use up all their energy. These people want to accumulate material goods, so they see nothing in Nature that they can "own", and have sold their souls.[citation needed]
Unlike society, Wordsworth does not see nature as a commodity. The verse "Little we see in Nature that is ours", shows that coexisting is the relationship envisioned. We should be able to appreciate beautiful events like the moon shining over the ocean and the blowing of strong winds, but it is almost as if humans are on a different wavelength from Nature. The "little we see in Nature that is ours" exemplifies the removed sentiment man has for nature, being obsessed with materialism and other worldly objects. Wordsworth's Romanticism is best shown through his appreciation of nature in these lines and his woes for man and its opposition to nature. The relationship between Nature and man appears to be at the mercy of mankind because of the vulnerable way nature is described. The verse "This Sea that bares her bosom to the moon", gives the vision of a feminine creature opening herself to the heavens above. The phrase "sleeping flowers" might also describe how nature is being overrun unknowingly and is helpless.[citation needed]
The verse "I, standing on this pleasant lea, have glimpses that would make me less forlorn", reveals Wordsworth's perception of himself in society: a visionary romantic more in touch with nature than his contemporaries. — link
Heidegger captures something about us, perhaps. Marx is probably helpful too. Our practical behavior is more abstract these days. Quality is quantified. Perhaps I make low-quality or ugly things because they sell when I'd prefer to make quality or beautiful things. Maybe our dreary practical situation is especially ugly in some way lately, but it's hard to imagine being saved entirely from unromantic compromise. — jjAmEs
But dismissing his observations on those grounds is falling prey exactly to his criticism. This isn't about reaching eco-utopia, it's about avoiding techno-dystopia, which is a real danger right now. If you don't believe me, look at how China is presently governed. Ask yourself what happens when we're basically data-cattle for social media and government. — Pneumenon
If I put on my Heidegger hat, I say that we can only break enframing by means of a radical antihumanist shift. Only a God can save us, because only a God can subordinate mankind in the way necessary for an antihumanist (thus post-technological) turn in society to occur. We are not post-Gestell until we are posthumanist, and this cannot occur in terms of a philosophy that smuggles in the old enlightenment conceits - and this is precisely where most contemporary attempts fail. — Pneumenon
So, when he talks about a "god" saving us, I think it's along these lines, some sense of the spiritual with unfortunate resonances of blind ideological fervour of the kind he fell foul of with the Nazis. — Baden
Enframing is a way of seeing things that leads us to think about them technologically, and is the way of seeing things that Heidegger was still in thrall to in his early work. Being and Time was essentially an explication of how a philosopher thinks under the sway of Gestell, under enframing.
If I put on my Heidegger hat, I say that we can only break enframing by means of a radical antihumanist shift. — Pneumenon
Another way forward might be to find an instability within the enframing concept that sees humans within nature, or as always already inhuman. Human mastery over nature, seeing it as instrumentalised for us, invites a reverse position where we're (1) nothing but one type of its instruments and (2) thus have a duty of care for that which we're coextensive with. — fdrake
At the moment I do not even want to wiggle the doorknob on this. But soon enough I suspect I'll yield to the temptation.I guess the question is, once we return to the concerns of dasein, what will we hope to have gained from our romantic excursion into Being? — Pneumenon
Get involved in philosophical discussions about knowledge, truth, language, consciousness, science, politics, religion, logic and mathematics, art, history, and lots more. No ads, no clutter, and very little agreement — just fascinating conversations.