Who are these guys? — Olivier5
The Speck of Dust
When you find yourself in (a) vicious cycle
Searching for some truth in useless titles
Seems so complicated
Too sophisticated
See the world created (is) just the speck of dust
Bridge:
Doo-doo-doo-doo Doo-doo-doo-doo
Explanations
Doo-doo-doo-doo Doo-doo-doo-doo
Allegations
Doo-doo-doo-doo Doo-doo-doo-doo
Alterations
Getting lost in translations
Refrain:
There’s no time
There’s no place
Only spirit full of grace
You can sing
You can fly
Now you sure will never die
No more tears
No more pain
Cause’ you found yourself again
Shining light
On your way
To the total freedom
You had been a lone and wasteland rover
When you realized the game is over
Leave the false temptations
Free imagination
See the whole creation (is) just the speck of dust
Bridge:
Doo-doo-doo-doo, Doo-doo-doo-doo
Stars and planets
Doo-doo-doo-doo, Doo-doo-doo-doo
Rocks and granits
Doo-doo-doo-doo, Doo-doo-doo-doo
Now that’s all yours
Breaking out of the universe
This is what this thread is about: not just good music, but good texts too, with an existential dimension. — Olivier5
I played the bass on an African cover of the Mission Impossible theme in my crazy youth, and that was in 5/4 too if memory serves. — Olivier5
"She's Funny That Way"[1] or "He's Funny That Way" is a popular song, composed by Neil Moret, with lyrics by Richard Whiting.[2] It was composed for the short film Gems of MGM in 1929 for Marion Harris, but the film was not released until 1931.[1] Harris sang it as "I'm Funny That Way".[3]
A torch song, according to Philip Furia and Michael Lasser, the "song begins self-deprecatingly—'I'm not much to look at, I'm nothing to see'—but "at the end of each chorus, it affirms the lover's good fortune: 'I've got a woman crazy 'bout me, she's funny that way'". ...
The song has generally been covered by female artists as "He's Funny That Way". Thelma Carpenter recorded it in the 1930s at the age of 19, "handling the vocal like a seasoned veteran" according to Dave Oliphant,[5] but it is most associated with Billie Holiday, who first recorded it in 1937.[6] Holiday later featured it on her 1953 album An Evening with Billie Holiday.[7] It was later covered by Mary Osborne with Mary Lou Williams,[8] Etta James for her 2001 album Blue Gardenia[9] and Liza Minnelli.[2]
Author and filmmaker Sebastian Junger tackles this question in his new book “Tribe: On Homecoming and Belonging,” and in a talk at Town Hall Seattle on Tuesday.
After covering war for more than twenty years, he says he wants to change the way people think about conflict. He believes adversity experienced as a group has the power to create a more cohesive society.
In “Tribe” Junger says that civilians rarely understand the veteran experience and have difficulty building societal cohesion, unless disasters happen on the home front, like 9/11 in New York or the “Blitz” during WWII in London. He points out that violent crime, depression and suicide rates tend to go down during these crises.
Did you enter a story? — 180 Proof
I entered a story in the contest and you will have to guess the one I wrote which, oddly enough, you (partly) inspired. Btw, that's meant as nothing less than flattery despite the uncertain quality of my efforts. :smirk: — 180 Proof
Get involved in philosophical discussions about knowledge, truth, language, consciousness, science, politics, religion, logic and mathematics, art, history, and lots more. No ads, no clutter, and very little agreement — just fascinating conversations.