Pain or damage don’t end the world, or despair or fucking beatings. The world ends when you’re dead. Until then, you got more punishment in store. Stand it like a man – and give some back.
Every fuckin’ beatin’ I’m grateful for. Every fuckin’ one of them. Get all the trust beat outta you. And you know what the fuckin’ world is.
“You can't slit the throat of everyone whose character it would improve.”
Say what you’re gonna say or prepare for eternal fucking silence.
Truth is, as a base of operations, you cannot beat a fucking saloon. — A throat-cuttin', Limey cocksucka
...This recording thus presents four compositions in suite form and three pieces of a different nature, all belonging to the florid repertoire of the courtly Salonmusik that was in vogue among the German upper classes at the time. Performing them is acclaimed Italian lutenist Mario D’Agosto, whose changes in tonality aim to better serve the capacities of the instrument (BWV 996 and 997, for instance, were written for the ‘Lautenwerk’, a sort of lute-harpsichord favoured by Bach) and whose embellishments are testament to the high level of ornamentation which played such an intrinsic role in baroque performance practice. — Composer: Johann Sebastian Bach Artist: Mario D'Agosto (lute)
Poems can imitate musical forms.
Michael Harper uses jazz as both inspiration and subject matter in poems such as 'Dear John, Dear Coltrane' and 'A Love Supreme' ( title of Coltrane's four movement masterpiece). — Drury
This is about the Arsène Lupin character, of recent Netflix fame. — Olivier5
Another reason for me to subscribe to Netflix, I suppose.
I seem to miss out on so much fun... — Amity
Kitty Kallen - If I Give My Heart to You — Amity
....Two string quartets – comprised of four violins, two cellos, and two violas, scored by George Martin – would become central to “Eleanor Rigby.” The biting sound that McCartney and George Martin sought was achieved with the help of engineer Geoff Emerick who, according to Rolling Stone, “was determined to capture the sound of bows striking strings with an immediacy previously unheard on any recording, classical or rock…” In order to achieve this, Emerick miked the instruments separately and had the musicians sit close to the mics. And the proof, as they say, is in the pudding, as the strings stand out on “Eleanor Rigby” – clearly audible, dominant, and not syrupy at all. The Beatles, however, do not play any instruments on “Eleanor Rigby;” the octet is the only music. McCartney provides the lead vocal, double-tracked, with Lennon and Harrison adding harmonies. — pophistory - eleanor rigby - beatles
The song translation process becomes more complicated since the translator has to adjust the translation into a language where historical and cultural references of the target audience are involved. For example, the songs Bed of Roses by Bon Jovi and Yesterday by the Beatles are significant and poignant in their original language. However, even if there are several translations of these songs in other languages, the sensitivity that is in the original song is lost.
But we have to note that there are also songs that are more beautiful when performed in other languages, such as:
Life of Mars by David Bowie, performed in Portuguese by Seu Jorge
Paint it Black by The Rolling Stones, performed by Caterina Caselli in Italian (Tutto Nero)
Hotel California by The Eagles, performed in Spanish by Gipsy Kings
Baby Love by The Supremes, sang in French by Annie Philippe
Stairway to Heaven by Led Zeppelin, performed by Rodrigo y Gabriela with a flamenco guitar
Somebody to Love by Queen, performed in Spanish by Ednita Nazario
Stand by Me by E King, performed by Adriano Celentano in Italian — Translating songs
Get involved in philosophical discussions about knowledge, truth, language, consciousness, science, politics, religion, logic and mathematics, art, history, and lots more. No ads, no clutter, and very little agreement — just fascinating conversations.