Explain why it makes sense for someone who knows he will soon be tortured - but isn't being tortured yet - to fear the impending event. — csalisbury
Why do you say 'not any longer'? What has changed? — Wayfarer
But I think - am I deceiving myself? - that it is possible to form an attachment to one's daughter, not just to an image of oneself being attached. — unenlightened
There is a fairly respectable thread in psychology going back to Bowlby that holds attachment to be a crucial feature of the development of the child. Now such an attachment will be asymmetric; dependence on the child's part, and dependability on the parent's. Here is Gabor Mate talking about it, (and mentioning Buddhism). It takes a while to get to attachment.
Because the image of a loving father must have a real source, surely?
I wonder if we are saying the same thing or not. — unenlightened
I suppose compassion comes from empathy, whereas attachment comes from self image. So are you saying that my compassion for my daughter's suffering is necessary, but the extra 'weight' of pain that comes from my attachment is unnecessary and self inflicted? I'm not terribly happy with that analysis.
I was wondering when this would become an explicit question. It has been given answers in various comments that I have avoided responding to, and has hovered in the background of the discussion of the toddler video. One might look at infants or animals, one might look to evolutionary psychology. But I don't want to answer, because I don't want to start from there, I want to start from here.
So my only answer is that the primary feeling is the feeling I have before I make a judgement or have a feeling about my feeling. It may well be that such feelings do not even have a name of their own, because they are so universally masked. Or maybe it is some list - fear, disgust, curiosity, affection, or whatever. I don't want to preempt what anyone might uncover, or force feelings into categories. — unenlightened
Can I say that to be attached is to be vulnerable to hurt? This immediately prompts one to see the benefit of detachment. But to me, detachment is a curse, it is a state of unreality in which my relationship to the world is denied. There is no feeling more destructive of the person and the other than indifference. — unenlightened
If we now relate the term perception with the differences in the way of being given which temporal objects have, the opposite of perception is then primary memory and primary anticipation (retention and protention) which here comes on the scene, so that perception and non-perception pass continuously into one another
I'm not so sure jealousy is simpler. One could say that jealousy is the motivator of competition, and competition is the motivator of excellence. It seems to be concerned again with self image, and may or may not involve a component of anger. But whether it is felt to be good or bad, that feeling comes after the jealousy itself, and does not affect the complexity of the source of the feeling. — unenlightened
I want to hold clear the distinction between the feeling - anger, and the action - harming. So, although it is not always used quite this way, I define anger as the feeling that motivates harm. Now one can't make an omelette without breaking eggs, but breaking eggs isn't normally the motive. So to endorse harm is not necessarily to endorse anger. I support taxing the rich, not to damage them, but to help the poor. I can imagine not hating Hitler, but loving Jews enough to assassinate him. — unenlightened
I'm concerned to emphasise that whether anger is proper or improper, good or bad, harmful or not, is a feeling one has about one's anger (or about another's). The phrase 'consuming anger' is interesting; when one is consumed by anger, it has taken over, to the extent that in the moment, there is no judgement - no feeling about anger - one is anger itself, completely. To get carried away is to be for a moment undivided, single minded, and this is a wonderful state of no (internal) conflict. Afterwards, one may judge one's condition to have been proper or improper in the usual divided and conflicted way. This is part of the attraction of anger, that it liberates one from conflict. — unenlightened
Now, given all this, where are the teeth left in the criticism? Suppose that we can, as Husserl insists, perceive the past, and so Derrida's insistence that perception is strictly the form of the present (segun Husserl) is wrong in the strong sense he has maintained it so far. Suppose further, as he also insists, that non-perception lies at the end of protention and retention as a continuum. Given this picture, what is the appeal of placing Husserl within a 'metaphysics of presence?' — The Great Whatever
It therefore prescribes the place of a problematic that puts phenomenology into confrontation with every thought of non-consciousness that would know how to approach the genuine stakes and profound agency where the decision is made: the concept of time
The sharp point of the instant, the identify of lived-experience present to itself in the same instant bears therefore the whole weight of this demonstration
If the punctuality of the instant is a myth, a spatial or mechanical metaphor, a metaphysical concept inherited, or all of that at once, if the present of the presence to self is not simple, if it is constituted in an originary or irreducible synthesis, then the principle of Husserl's entire argumentation is threatened
Although the flowing of time is "indivisible into fragments that could be by themselves, and indivisible into phases that could be by themselves, into points of continuity," the "mods of the flowing of an immanent temporal object have a beginning, a, so to speak, source-point This is the mode of flowing by which the immanent object begins to be. It is characterized as present" Despite all the complexity of its structure, temporality has a non-displaceable center, an eye or a living nucleus, and that is the puncutality of the actual now
(emphasis mine)We have chosen to be interested in this relation in which phenomenology belongs to classical ontology
A written sign is proffered in the absence of the receiver. How to style this
absence? One could say that at the moment when I am writing, the receiver may
be absent from my field of present perception. But is not this absence merely a
distant presence, one which is delayed or which, in one form or another, is idealized
in its representation? This does not seem to be the case, or at least this
distance, divergence, delay, this deferral [differ-ance] must be capable of being
carried to a certain absoluteness of absence if the structure of writing, assuming
that writing exists, is to constitute itself. It is at that point that the differ-ance [difference
and deferral, trans. ] as writing could no longer (be) an (ontological)
modification of presence. In order for my "written communication" to retain its
function as writing, i.e., its readability, it must remain readable despite the absolute
disappearance of any receiver, determined in general. My communication
must be repeatable-iterable-in the absolute absence of the receiver or of any
empirically determinable collectivity of receivers. Such iterability-(iter, again,
probably comes from itara, other in Sanskrit, and everything that follows can be
read as the working out of the logic that ties repetition to alterity) structures the
mark of writing itself, no matter what particular type of writing is involved
(whether pictographical, hieroglyphic, ideographic, phonetiC, alphabetiC, to cite
the old categories). A writing that is not structurally readable-iterable-beyond
the death of the addressee would not be writing. Although this would seem to be
obvious, I do not want it accepted as such, and I shall examine the final objection
that could be made to this proposition. Imagine a writing whose code would be
so idiomatic as to be established and known, as secret cipher, by only two "subjects."
Could we maintain that, following the death of the receiver, or even of
both partners, the mark left by one of them is still writing? Yes, to the extent that,
organized by a code, even an unknown and nonlinguistic one, it is constituted in
its identity as mark by its iterability, in the absence of such and such a person, and
hence ultimately of every empirically determined "subject." This implies that
there is no such thing as a code-Drganon of iterability-which could be structurally
secret. The possibility of repeating and thus of identifying the marks is
implicit in every code, making it into a network [une grille] that is communicable,
transmittable, deCipherable, iterable for a third, and hence for every possible
user in general. To be what it is, all writing must, therefore, be capable of functioning
in the radical absence of every empirically determined receiver in general.
And this absence is not a continuous modification of presence, it is a rupture
in presence, the "death" or the possibility of the "death" of the receiver inscribed
in the structure of the mark (I note in passing that this is the point where the
value or the "effect" of transcendentality is linked necessarily to the possibility of
writing and of "death" as analyzed). The perhaps paradoxical consequence of my
here having recourse to iteration and to code: the disruption, in the last analysis,
of the authority of the code as a finite system of rules; at the same time, the radical
destruction of any context as the protocol of code. We will come to this in a
moment.
What holds for the receiver holds also, for the same reasons, for the sender or
the producer. To write is to produce a mark that will constitute a sort of machine
which is productive in turn, and which my future disappearance will not, in principle,
hinder in its functioning, offering things and itself to be read and to be
rewritten. When I say "my future disappearance" [disparition: also, demise,
trans.], it is in order to render this proposition more immediately acceptable. I
ought to be able to say my disappearance, pure and simple, my nonpresence in
general, for instance the nonpresence of my intention of saying something meaningful
[mon vouloir-dire, mon intention-de-signification], of my wish to communicate,
from the emission or production of the mark. For a writing to be a
writing it must continue to "act" and to be readable even when what is called the
author of the writing no longer answers for what he has written, for what he
seems to have signed, be it because of a temporary absence, because he is dead
or, more generally, because he has not employed his absolutely actual and present
intention or attention, the plenitude of his desire to say what he means, in
order to sustain what seems to be written "in his name. " One could repeat at this
point the analysis outlined above this time with regard to the addressee. The
situation of the writer and of the underwriter [du souscripteur: the signatory,
trans. ] is, concerning the written text, basically the same as that of the reader.
This essential drift [derive] bearing on writing as an iterative structure, cut off
from all absolute responsibility, from consciousness as the ultimate authority,
orphaned and separated at birth from the assistance of its father, is preCisely what
Plato condemns in the Phaedrus. If Plato's gesture is, as I believe, the philosophical
movement par excellence, one can measure what is at stake here.
Austin thus excludes, along with what he calls a "sea-change," the "non-serious,"
"parasitism," "etiolation," "the non-ordinary" (along with the whole general theory
which, if it succeeded in accounting for them, would no longer be governed
by those oppositions), all of which he nevertheless recognizes as the possibility
available to every act of utterance. It is as just such a "parasite" that writing has
always been treated by the philosophical tradition, and the connection in this
case is by no means coincidental.
I would therefore pose the following question: is this general possibility
necessarily one of a failure or trap into which language may fall or lose itself as in
an abyss situated outside of or in front of itself? What is the status of this parasitism?
In other words, does the quality of risk admitted by Austin surround language
like a kind of ditch or external place of perdition which speech [la locution]
could never hope to leave, but which it can escape by remaining "at home,"
by and in itself, in the shelter of its essence or telos? Or, on the contrary, is this
risk rather its internal and positive condition of possibility? Is that outside its
inside, the very force and law of its emergence? In this last case, what would be
meant by an "ordinary" language defined by the exclusion of the very law of
language? In excluding the general theory of this structural parasitism, does not
Austin, who nevertheless claims to describe the facts and events of ordinary language,
pass off as ordinary an ethical and teleological determination (the univocity
of the utterance [enonel?}--that he acknowledges elsewhere [pp. 72-73] remains
a philosophical "ideal"-the presence to self of a total context, the
transparency of intentions, the presence of meaning [vouloir-dire] to the absolutely
singular uniqueness of a speech act, etc.)?
For, ultimately, isn't it true that what Austin excludes as anomaly, exception,
"non-serious,"9 citation (on stage, in a poem, or a soliloquy) is the determined
modification of a general citationality-Dr rather, a general iterability-without
which there would not even be a "successful" performative? So that-a paradoxical
but unavoidable conclusion-a successful performative is necessarily an "impure"
performative, to adopt the word advanced later on by Austin when he
acknowledges that there is no "pure" performative.
I take things up here from the perspective of positive possibility and not simply
as instances of failure or infelicity: would a performative utterance be possible
if a citational doubling [doublure] did not come to split and dissociate from
itself the pure singularity of the event? I pose the question in this form in order to
prevent an objection. For it might be said: you cannot claim to account for the socalled
graphematic structure of locution merely on the basis of the occurrence of
failures of the performative, however real those failures may be and however
effective or general their possibility. You cannot deny that there are also
performatives that succeed, and one has to account for them: meetings are called
to order (Paul Ricoeur did as much yesterday); people say: "I pose a question";
they bet, challenge, christen ships, and sometimes even marry. It would seem
that such events have occurred. And even if only one had taken place only once,
we would still be obliged to account for it.
I'll answer: "Perhaps." We should first be clear on what constitutes the status
of "occurrence" or the eventhood of an event that entails in its allegedly present
and Singular emergence the intervention of an utterance [enonel?] that in itself
can be only repetitive or citational in its structure, or rather, since those two
words may lead to confusion: iterable. I return then to a point that strikes me as
fundamental and that now concerns the status of events in general, of events of
speech or by speech, of the strange logic they entail and that often passes unseen.
Could a performative utterance succeed if its formulation did not repeat a
"coded" or iterable utterance, or in other words, if the formula I pronounce in
order to open a meeting, launch a ship or a marriage were not identifiable as
conforming with an iterable model, if it were not then identifiable in some way
as a "citation"? Not that citationality in this case is of the same sort as in a theatrical
play, a philosophical reference, or the recitation of a poem. That is why there
is a relative specificity, as Austin says, a "relative purity" of performatives. But this
relative purity does not emerge in opposition to citationality or iterability, but in
opposition to other kinds of iteration within a general iterability which constitutes
a violation of the allegedly rigorous purity of every event of discourse or
every speech act. Rather than oppose citation or iteration to the noniteration of an
event, one ought to construct a differential typology of forms of iteration, assuming
that such a project is tenable and can result in an exhaustive program, a
question I hold in abeyance here. In such a typology, the category of intention
will not disappear; it will have its place, but from that place it will no longer be
able to govern the entire scene and system of utterance [l'enonciation]. Above
all, at that point, we will be dealing with different kinds of marks or chains of
iterable marks and not with an opposition between citational utterances, on the
one hand, and singular and original event-utterances, on the other. The first consequence
of this will be the following: given that structure of iteration, the intention
animating the utterance will never be through and through present to itself
and to its content. The iteration structuring it a priori introduces into it a dehiscence
and a cleft [brisure] which are essential. The "non-serious ," the oratio obliqua
will no longer be able to be excluded, as Austin wished, from "ordinary"
language. And if one maintains that such ordinary language, or the ordinary circumstances
of language, excludes a general citationality or iterability, does that
not mean that the "ordinariness" in question-the thing and the notion-shelter
a lure, the teleological lure of consciousness (whose motivations, indestructible
necessity, and systematic effects would be subject to analysis)? Above all, this
essential absence of intending the actuality of utterance, this structural unconsciousness,
if you like, prohibits any saturation of the context. In order for a
context to be exhaustively determinable, in the sense required by Austin, conscious
intention would at the very least have to be totally present and immediately
transparent to itself and to others, since it is a determining center [foyer] of
context. The concept of -Dr the search for-the context thus seems to suffer at
this point from the same theoretical and "interested" uncertainty as the concept
of the "ordinary," from the same metaphysical origins: the ethical and teleological
discourse of consciousness. A reading of the connotations, this time, of Austin's
text, would confirm the reading of the descriptions; I have just indicated its
principle.
'Post-modernism' is not a school of thought, but a period of history. — Wayfarer
What do you think? Are we, should we, each just make up our own narrative about what is most important, are we, should we each just make up our own narrative about how to live the best life possible? — anonymous66
I'm just trying to understand how the first 3 chapters bring us to the themes of chapter 4. If, in chapter 4, the tight - tho oft-interrupted - analysis gives way totally to a freewheeling impressionistic meditation on various phenomenological themes, well, I feel a little disappointed. — csalisbury
I cited a book and a study, I may as well go forth and cite Things Hidden Since the Foundation of the World which explains the theory behind mimesis. — Agustino
And the idea that it had no effect on what people thought of adultery is equally laughable. It certainly influenced what some folks thought about it, and it would be quite extreme to deny that. Do you not see so many 10-12 year olds do exactly what they see Kim Kardashian and other celebrities do? The same pattern of miming behaviour that is perceived as cool, either because it comes from a well-known leader, or otherwise, exists in adults.
