I know of two cultures which have been claimed as thinking radically differently about being, presence and purpose in comparison with Western approaches. Heidegger singled out pre-Socratic thinkers like Heraclitus and Parmenides as understanding becoming in a fundamental way that was derailed when Socrates, Plato and Aristotle shifted the focus on beings and truth as correctness, and Western thinking has followed suite ever since. It didnt matter to Heidegger whether a language like Russian was missing the present tense copula or not. What mattered was what kind of philosophical and religious literature was produced within those languages without the copula. If the simple absence of the copula in a language predisposes their culture toward modes of thought which avoid the trap of fixing becoming into being, where is the evidence of this in their philosophical writings? — Joshs
I am not aware of any Russian philosophers who directly linked the absence of a copula in the language to a different approach to understanding reality. Perhaps someone has mentioned this, but it is unknown to me. However, I can speak about the distinct approach of Russian philosophers to being. (For them, as for Heidegger, the presence or absence of a copula in language was not significant.)
I will try to explain what this distinction entails in the context of our discussion. This is a very interesting topic, and I would like to start with Dostoevsky, although he was not an academic philosopher, his literary works are considered philosophical.
Dostoevsky viewed human being as a process tied to freedom and moral choice, rather than a static essence. In Notes from Underground (1864), the protagonist—the underground man—rejects rationalistic determinism, symbolized by the “crystal palace,” a utopian idea where human behavior is predictable and subject to the laws of nature. He asserts that human being is defined by free will, even if it leads to irrational or self-destructive actions: “Man needs… only independent volition, whatever it may cost and wherever it may lead.”. "Eh, gentlemen, what kind of free will is there when it comes to arithmetic, when only twice two four is in use? Twice two will be four without my will. Is this what free will is?"
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https://www.newyorker.com/books/page-turner/can-dostoevsky-still-kick-you-in-the-gut)
In The Brothers Karamazov (1880), Elder Zosima teaches that life is a continuous process of spiritual becoming, where each moment of choice brings a person closer to or further from God: “Every moment one must save oneself.” He describes being as a movement through time, shaped by love and responsibility.
For Dostoevsky, being is not a fixed state but a dynamic process of struggle, doubt, and spiritual becoming. Each moment of choice shapes a person, making their existence open and unfinished. This resonates with the idea of “living in becoming,” where being is not a sequence of fixed “snapshots” but a dynamic process tied to will and responsibility.
The Russian-Ukrainian philosopher Grigory Skovoroda, in his work Narcissus, viewed being as a triadic unity of the macrocosm (the universe), the microcosm (the human), and symbolic reality (Holy Scripture). He emphasized that being is a process of uncovering the invisible divine nature, not a static essence.
Nikolai Berdyaev clearly distinguished between “being” and “existence” in works such as The Philosophy of Freedom (1911) and The Meaning of the Creative Act (1916). He argued that being is tied to spiritual freedom and creativity, while existence refers to the material, objective world subject to necessity.
Similarly, the works of Alexei Losev (1893–1988) reveal ideas of the processuality of being. For example, in his multi-volume History of Ancient Aesthetics, Losev reinterprets the Platonic eidos as a dialectical process rather than a static form. He writes: “Eidos is a becoming form, a living dialectic of matter and meaning” (Volume 1, section “Platonic Eidos”). For Losev, being is not a fixed substance but a process of interaction between form, matter, and the subject, where every thing is constantly transformed through its meaning.
Russian philosophy, developing from the 18th century, especially in the 19th and 20th centuries, differs from Western philosophy in its emphasis on spirituality, existential questions, and a holistic perception of being. It is often tied to the religious and mystical traditions of Orthodoxy. Unlike Western philosophy, which, starting with Descartes and Kant, focused on rationalism, systematization, and substantialism, Russian thought leans toward processuality, intuitiveness, and ethical reflection. Russian philosophers such as Vladimir Solovyov, Nikolai Berdyaev, Alexei Losev, Grigory Skovoroda, and Fyodor Dostoevsky (as a thinker) often viewed being as a dynamic process tied to freedom, creativity, and spiritual becoming, rather than a static essence.
Undoubtedly, there were other Russian philosophers who thought in the context of substantialism, but those I have listed are studied in universities as having had the greatest influence on Russian philosophy as a whole.
To complete the picture, I will give an example from Kazakh philosophy
Abai Kunanbayev (1845-1904) viewed being as a dynamic process of spiritual and moral improvement. In "Words of Edification" (for example, the 25th word), he emphasizes that a person must constantly develop through reason, labor and morality: "Reason and labor are the main qualities that an ideal person must master." His philosophy emphasizes the continuous movement towards enlightenment, overcoming ignorance and achieving harmony with society and nature. In poems such as "Spring" or "Summer", nature is depicted as a changeable, living force, reflecting the process of becoming a person and society.
For Heidegger, the process of being is an analytical disclosure of Dasein through care, where the subject exists in "abandonment" and is directed towards death. This is a more abstract and universal approach, without drama or ethical passion. The Eastern approach is more emotional, spiritual, connected with personal ethics, with a development that may be erroneous but humane.
Were these works inspired by the absence of a copula in the language? I don’t know. In any case, I am unaware of any works that explicitly state, “We have no copula, therefore we are processualists.” Is my idea speculative? Perhaps. But then what philosophical intuition is non-speculative?