Well if you are trying to deceive us, you don't deserve an answer at all. — unenlightened
The problem though, is that it is only a possibility, that I am trying to deceive you. And you state a conditional, "if you are trying to deceive us..." So you need to make that judgement whether or not I am trying to deceive you, which you cannot accurately do without engaging me in some way.
A narrative, like a story, establishes some significant connection between its elements that gives it the power to subsist as an organizing emotive force for those elements. Narratives have emotional power. — Baden
This is exactly why I have been arguing that narrative is improper as a formula for a true identity. The connections between events, which you refer to, that give the narrative emotive force, often consist of invalid implications as I described. A "true" story would consist only of a description of observed events, what your referenced page calls a "recount". Notice that this is described as the method of science. But a "narrative" as you use the word, adds something to the true story, it adds "significant connection" between the events. And as I explained in the last post, these added aspects often consist of invalid implications, and false representations of goals and intentions.
And it is these unsound aspects of the narrative, the proposed relations which are often invalid, or simply incorrect, which give it its emotive force. Therefore to have a proper and true understanding, we must remove these aspects from the narrative (or if that's essential to "narrative", remove narrative altogether), to give us a simple "recount". This is for the purpose of separating the true from the fictitious. Then relative to a person's identity as a temporal being, the person's past is represented truly, by removing that emotional force.
To get a proper understanding of the causal relations between events, intention, we can now turn to the future aspect, which consists of how we view goals and possibilities. Separating these two aspects, the past and the future is necessary for a proper analysis. Imagine if the person who gave the recount of a science experiment added statements about why such and such events occurred, without properly validating these claimed causal connections. Of course this would give the recount emotive force, but this is undesirable when describing events scientifically. So this would not be acceptable science. Likewise, the element which give "emotive force" to the narrative is undesirable.
This I believe is the Heideggerian principle. The tendency to look at oneself in terms of narrative (how we look at others) gives an inauthentic identity. We cannot see the goals and intentions of others, so we add those elements as we see fit, and these are unsound features of the narrative which give it emotive force. Then, when I turn inward, and look at myself in this way I employ the same technique, as is the habit of narrative. The problem though, is that since it is myself that I am making a narrative of, rather than another, I tend to simply assume, and believe, that I have real access to these causal elements, as my goals and intentions, therefore I think that I am making a true narrative here. But all I've done is deceived myself. If I look more deeply in introspection, I realize that I really do not properly understand my intentions and goals, and how they influence my behaviour
The reality is, as Heidegger indicates, that there is a real separation between the past (observable events) and the future (possibilities), and this separation constitutes being at the present. We cannot understand being at the present until we move to represent this separation. Unifying these two in a narrative is a false representation. Only after the separation is properly understood can I produce a true representation of my identity at the present. And, because each of those past events, when it occurred, was an instance of existence of this separation, i.e. being at the present, it needs to be represented separately. So we separate the recount of events which may obtain scientific truth, from the proposed goals and intentions which are supposed to be causal, but with far less certainty than the recount. Then we no longer have a narrative but two separate stories.
So the point is that the narrative gives a combination of described events, and a view of goals. I argue that this is a false or unsound combination because it combines the verifiable with the unverifiable. in reality the agent living and acting at the present, behaves as a separation between past events and future possibilities. What would constitutes a true or authentic representation of my identity would be to completely separate my past from my future. This would allow me to make true, unbiased decisions.
Also, the idea that a proper narrative "does not include the goals or intentions of the agents" and that "if a goal is included into a narrative, it is not a valid part of the narrative" is utterly baffling to me. I have no idea where you got that from but I would challenge you to support it as it would preclude probably most of the great stories of humankind as being narratives. — Baden
What I mean is that a "narrative" as such is not a true or sound recounting of events.
Identities gain strength over time precisely insofar as they provide coherent frameworks for the activity of our desires as defined both through our conceptualised goals and immediate needs for gratification. Identities may be directed by goals and direct goals. There’s no contradiction here. — Baden
There's no necessary contradiction, that's for sure, but when a person's goal is to better oneself, then there is a problem. Identity does not suffice, because exactly what is desired is to cease being what you have been to be something better. It brings to mind a line from the Elton John movie, "Rocket Man": "You gotta kill the person you were born to be to become the person you want to be." So Elton takes this to the extreme, killing the old person, and becoming a new person (a new identity), with each new album.
To truly represent how we deal with our goals and desires, we need to understand this aspect of temporal discontinuity, this way that we separate ourselves form our past, to be a person in the future completely different, 'new and improved', from the past person. We recognize our sins as sins, and move to become the new person who is free from them The real separation between multiple identities is temporal like this, we cease having one identity to take up another. Yet there is overlap.
There is no deficiency excepting the imposition of a level of determinism applied to the idea of how identity functions which not only have I never implied but that runs counter to the core of my argument. The logic of my posing the problem of self-conflicting selves contains within it the notion that breaking the “rules” of an identity is both something that happens and that is problematic. So, yes people get “lost in some situations” because a goal or desire conflicts with one or more of their identities. That’s part of the point I’ve been making. — Baden
Based on what I just said, I would argue that we do not only break the rules of this or that identity, but we break the rule of what it means to have an identity. The temporal extension of having this identity or that identity over a temporal duration, is what we continually strive to resist. That is what freedom is, to become a new person at each passing moment through striving to better oneself, and not being constrained by any such identity which has been the "me" of the past.
Yes, humans are inherently social. It's our ultimate contextualization; a recognizably human consciousness absent of all social interaction is incoherent. But we're social in a specifically human way that doesn’t preclude the prioritization of goals other than the immediately social. E.g. Our relationship to ourselves is mediated through the social phenomenon of language, which not only doesn’t restrict the variety of goals available to us but largely enables it. So, to speak of an overarching social goal that organizes our other sets of goals is just to admit that insofar as we are human we can't separate ourselves and our goals fully from our particular social context and the ideological hold it has over us. — Baden
This is where things get quite difficult, the social context. But I think that you and I have some agreement here. How we each get here though, is quite different. The reason I say that freedom of choice, goals, intention, and desires, are tied to "social context", is because most of our natural inclinations involve others. If our goals and desires did not involve others we could produce a separation, but they do, so that would be unrealistic.
To me, it’s as if you are trying to understand art by starting from one category of elements in different paintings as if they had such significance outside their individual framings they made such framings irrelevant. — Baden
I don't understand what you mean by "framings" here.
Firstly, it elides the importance of dispositions, histories, capacities (analagous to other elements in the paintings), which are necessary for the realisation of goals. — Baden
As I said, most goals involve others, therefore the social aspect is necessary to the realisation of goals.
Secondly, it conceptualises the frame overly simplistically as a pure limitation. But just as It's the frame that allows for art to function as art, it's identities and the ideologies that underly their formation that allow the social to function as social. To imagine a world where the individual pursuance of goals absent of ideological framings occurs under simple social limitations is hardly coherent. The social finds its form not in a bunch of obstacles we as individuals need to navigate but as the very field of possibilities which allows us to define ourselves as the kinds of beings who navigate. — Baden
Again, you'd need to elucidate on what you mean by "framing" here. I don't consider framing to be a necessary aspect of art. To me art consists of content and form, and framing may enter into the form. Depending on how you look at it, the entire form might simply be a framing of the content. So yes, social ideologies are a necessary aspect of personal desires and goals, just like art is not pure content, it must have a form, that's just a statement about the nature of personal goals and intentions. However, the social does not provide the "field of possibilities", I think that's a false representation. The individual's imagination provides the true field of possibilities, while the social aspect limits that, just like the artist's mind provides the field of possibilities, and the medium used by the artist restricts the possibilities.