The note of a bagpipe. — 180 Proof
He was a rockstar of philosophy: brilliant, mesmerizing, physically beautiful, sexually active, and vain. — Olivier5
Leporello, Don Giovanni’s servant, is proudly exclaiming his master’s catalogue of women in order to dissuade Donna Elvira (a victim of these conquests) from pursuing after this womanizer. The aria has two main thematic sections: the first states the (ridiculous) number of women that Don Giovanni has conquered in various countries, and the second thoroughly describes the many women on this list both in personality and physical aspect. — Sarah Ma
Gary Larson - The Far Side - Cows — synthesis
How do you moo?’ – language of cows cracked by scientists
...They reckon moos are deep and more sonorous when cattle are talking about happy things, such as their food; where as when they are complaining about the weather, their noises are lower pitched.
“We found that cattle vocal individuality is relatively stable across different emotionally loaded farming contexts,” says Alexandra Green, the study’s lead author.
The team think their findings could help farmers improve herd welfare by understanding each cow’s mood through translation of their individual moos.
It’s an interesting idea, but we think these researchers might be milking it a bit. — Oliver Hill
So he was excessive in his pamphlet but maybe that's what it took to make an impact. — Olivier5
Well, I had no idea of this extra talent of Rousseau whose philosophy of human nature I read and failed to appreciate quite some time ago. I didn't take to him. Might change my mind. From wiki on Rousseau.Jean-Jacques Rousseau was a composer, with some modest success — Olivier5
I had brought with me from Paris the prejudice of that city against Italian music; but I had also received from nature a sensibility and niceness of distinction which prejudice cannot withstand. I soon contracted that passion for Italian music with which it inspires all those who are capable of feeling its excellence. In listening to barcaroles, I found I had not yet known what singing was...
— Confessions[19] — wiki
The effect of the quarrel was to open French opera to outside influences that triggered a renewal in the form. In particular, the Comédie-Italienne and Théâtre de la foire developed a new type of opera that combined Italian natural simplicity with the harmonic richness of French tragédie en musique. — Wiki Querelle des Bouffons
It does sound like a mishmash of Italian and French influences, not terribly original. — Olivier5
that there is neither measure nor melody in French music, because the language is not capable of them; that French singing is only continual barking, unbearable to all unprejudiced ears; that its harmony is brutal, without expression and feeling uniquely like schoolboys' padding;
[ :smile: Yes, I know what you mean in that context, but looking further...]self-negating. — Banno
Self negation simply means doing away with those categories that limit ourselves and others from our full potential, that hinder us more than they assist our understanding.
Self negation cannot be an individual act. White people cannot escape from ‘whiteness’ by simply acting in a way they perceive as being contrary to this identity. Rather, they must work to alter the relationship between themselves and non-whites; and this necessarily means fundamentally altering the society we live in.
....Let us work to negate the present society and with it those aspects of ourselves poisoned by it.
It is possible to reject most isms. — Cuthbert
"ism" is just a bit of language, a suffix, which people associate with dogma. But really, from fascism or pacifism, it's a diverse world despite those three letters. — Tom Storm
From whence we get the notion of acrimonious schisms between the isms. — Tom Storm
Imagine for a moment that you reject any and all Isms — TheMadFool
What happens if we now say no to Nihilism too? — TheMadFool
Here’s a short list of some common isms that we see in society every day.
political isms
cultural isms
social justice isms
systemic isms
philosophical isms
These main categories are just the tip of the iceberg when it comes to philosophy words ending in ism, and by no means are these all the isms in the world.
An -ism:
a distinctive doctrine, cause, theory or religion
manner of action or behavior characteristic of a (specified) person or thing
prejudice or discrimination on the basis of a (specified) attritube
adherence to a system or a class of principles
Thanks for linking to the channel4 article. Unfortunately I expect we will see more reports like that. — Punshhh
Boris Johnson has denied saying last autumn that he would rather let the “bodies pile high” than have another lockdown after the latest in a series of leaks that have rocked Downing Street.
Fantastic reply thank you. — unintelligiblekai
So then when we think of time, The typical understanding of it is primarily Psychic and unconscious. It is popular to describe time as a concept but it seems to me that when I hear that statement from the regular crowd, they do not portray signs of contemplation of what they mean by that. — unintelligiblekai
Is time merely a concept or the interpreted signals of what the world may be like to the senses? and by the world I mean experiences of physics in motion. — unintelligiblekai
You already understand what time is. Does that make it "beyond a concept"? Depends what a concept is. If a concept must be definable in words, then perhaps. — Banno
The Persistence of Memory contains a self-portrait over which is draped a 'soft watch'. For Dali, these 'soft watches' represent what he called the 'camembert of time', suggesting that the concept of time had lost all meaning in the unconscious world. The ants crawling over the pocket watch suggest decoy, an absurd notion given that the watch is metallic. These 'paranoid-critical' images reflect Dali's reading and absorption of Freud's theories of the unconscious and its access to the latent desires and paranoia of the human mind, such as the unconscious fear of death alluded to in this painting...
...The watches, which he says are:"nothing more than the soft, extravagant, solitary, paranoiac-critical Camembert cheese of space and time... Hard or soft, what difference does it make! As long as they tell time accurately.
The Persistence of Memory alludes to the influence of scientific advances during Dali's lifetime. The stark yet dreamlike scenery reflects a Freudian emphasis on the dream landscape while the melted watches may refer to Einstein's Theory of Relativity, in which the scientist references the distortion of space and time.
...The pocket watches are not the only references to time in the painting. The sand refers the sands of time and sand in the hourglass. The ants have hourglass-shaped bodies. The shadow that looms over the scene suggests the passing of the sun overhead, and the distant ocean may suggest timelessness or eternity.
...Three of the clocks in the painting may symbolize the past, present and future, which are all subjective and open to interpretation, while the fourth clock, which lies face-down and undistorted, may symbolize objective time.
...The denuded, broken branch in the painting, which art experts identify as an olive tree in the context of other Dali artworks, represents the demise of ancient wisdom as well as the death of peace, reflecting the political climate between the two World Wars as well as the unrest leading to the Spanish Civil War in Dali's native country.
There was a good discussion about it on Matt Frei’s slot on LBC yesterday (24th April, approx 11.30am). — Punshhh
There are people dying in the streets, cities with populations of millions where hospitals are in a state of collapse. Oxygen supplies all but exhausted — Punshhh
Over 2k DVDs and just over 1k CDs. Why? I'm not a "collector" by any stretch but I love to roam libraries and love having my own library even more. Books? Down to 3-3.5k so far. — 180 Proof
The best new music I have heard this year is the new album by the seventies singer, Alice Cooper. — Jack Cummins
It does seem that so many people have stopped buying music, but mainly shuffle music on their phones or computers. I do download books but I find going out and looking for CDs in music basements to be so exciting. Mind you, I accumulate pile of them, — Jack Cummins
...It sounds as if he was just scared. “I’m a very fearful person. Truthfully, a lot of what this book is about is the people who represent fearlessness to me.”
When it comes to fearlessness, Stipe has always taken a lot of strength from his friendship with Patti Smith, whom he admired when he was young and is still delighted to be friends with. He shows me a mask of William Blake with writing scrawled over it; a gift from Smith. “She’s the one who said to me, ‘At some point, you need to walk unafraid’,” he says. “And I turned that phrase into a song about exactly that (REM’s Walk Unafraid). But that fierce fearlessness is something that I still look to. To show me the way, to pull me away from the parts of myself that allow me to be absorbed into fear. And to run towards the thing that scares you the most. As a creative person, that’s maybe a superpower.” — Guardian article
He was in the one of the most influential indie bands ever, but the songwriter prefers life as a visual artist. He talks presidents, parties and photographing his heroes
...in August 2019. Giorno, who was once Andy Warhol’s lover, and appeared in REM’s last music video (for We All Go Back To Where We Belong), died while Stipe was in Europe. His death changed the nature of Stipe’s photography project. “I had the rolls of film in my bag and the moment he died, I thought, I need to include John,” he says. So he expanded the book’s concept to include people other than women – “to de-gender the project”, as he puts it. All the people he wanted to feature “are, for me, insanely heroic. The work that they’ve done, their activism, their art.” — Interview by Miranda Sawyer
I used to have some but they used to chew up sometimes, which used to be so stressful, so I hope this did not happen to the 2 favourite albums you mentioned. — Jack Cummins
I'm probably "young" for TPF, but the older I get, the harder it is for me to find music that astounds me. This record makes the cut. I'm also a big Pharoah fan. — Noble Dust
"Turn! Turn! Turn!", or "Turn! Turn! Turn! (To Everything There Is a Season)", is a song written by Pete Seeger in the late 1950s and first recorded in 1959. The lyrics – except for the title, which is repeated throughout the song, and the final two lines – consist of the first eight verses of the third chapter of the biblical Book of Ecclesiastes. The song was originally released in 1962 as "To Everything There Is a Season" on folk group the Limeliters' album Folk Matinee, and then some months later on Seeger's own The Bitter and the Sweet.[1] — wiki
Controversy ensued when the group admitted they had not played on the record, but that all the work was done by session musicians, although such a practice had long since been common.[2]
Their first recording of the song, produced by Muff Winwood, had featured them playing all the instruments.[3] But the record label rejected this version in favour of one produced by Mike Smith, recorded with a recording studio rhythm section, strings, brass, flutes and backing vocalists, arranged by Keith Mansfield[3] – and Ellis as the only member of the group to be heard.[4]
The backing vocals were provided by four female singers who became well known in their own right: Kiki Dee, Madeline Bell, Lesley Duncan and Kay Garner (as one of the Ladybirds). The bass part was played by Russ Stableford and Clem Cattini played drums.
It's my pleasure to share music that moves me with anybody who can feel it. — 180 Proof
Steven Beeber, the vinyl aficionado and author of The Heebie-Jeebies at CBGB's: A Secret History of Jewish Punk, summed up the appeal of records this way: "As with so many things, the Luddites were right. The old ways were better. Vinyl has a richness and depth that digital media lacks, a warmth, if you will. And hell, even if it didn't, it sure looks cool spinning on the table, and you've got to treat it with kindness to make it play right, so it's more human too. As in our love lives, if you want to feel the warmth, you've got to show you care." — STEVEN BRYKMAN