TPF Quote Cabinet "It was of no small importance for a painter’s career in China to get a forgery of an Old Master into the collection of a well-known connoisseur. He who succeeds in such a forgery of a master’s work gains great recognition, as it provides proof of his ability. For the connoisseur who authenticated his forgery, the forger is equal to the master. Even Chang Dai-chien, one of the best-known Chinese painters of the twentieth century, got his breakthrough when a famous collector exchanged an original by an Old Master for his forgery. ... . As we know, even Michelangelo was a forger of genius. He was, as it were, one of the last Chinese of the Renaissance. Like many Chinese painters he created perfect copies of borrowed pictures and gave them back instead of the originals".
Also: "In the Chinese literary world today we can see a similar process. If a novel is very successful, fakes immediately appear. They are not always inferior imitations that simulate a nonexistent proximity to the original. Alongside the obvious fraudulent labeling, there are also fakes that transform the original by embedding it in a new context or giving it a surprising twist. Their creativity is based on active transformation and variation. Even the success of Harry Potter initiated this dynamic. There now exist numerous Harry Potter fakes that perpetuate and transform the original. Harry Potter and the Porcelain Doll, for instance, makes the story Chinese. Together with his Chinese friends Long and Xing, Harry Potter defeats his Eastern adversary Yandomort, the Chinese equivalent of Voldemort, on the sacred mountain of Taishan. Harry Potter can speak fluent Chinese, but has trouble eating with chopsticks, and so on."
Byung-Chul Han, Shanzhai: Deconstruction in Chinese
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"Theory in the strong sense of the word is a phenomenon of negativity. It makes a decision determining what belongs and what does not. As a mode of highly selective narration, it draws a line of distinction. On the basis of such negativity, theory is violent. Without the negativity of distinction, matters proliferate and grow promiscuously. In this respect, theory borders on the ceremonial, which separates the initiated and the uninitiated. It is mistaken to assume that the mass of positive data and information — which is assuming untold dimensions today — has made theory superfluous, that is, that comparing data can replace the use of models.
Theory, as negativity, occupies a position anterior to positive data and information. Data-based positive science does not represent the cause so much as the effect of the imminent end of theory, properly speaking. It is not possible to replace theory with positive science. The latter lacks the negativity of decision, which determines what is, or what must be, in the first place. Theory as negativity makes reality itself appear ever and radically different; it presents reality in another light".
Byung-Chul Han, The Transparency Society