Direct and indirect photorealism Isn't this kind of side-stepping the debate and saying "You have your truth, I have mine" — AmadeusD
Haha, not if
@Michael can help it. And good for him.
As he says, and I admitted in the first place, I may not be addressing the usual problem, and certainly not in the usual terms.
Yes, you raise some relevant points about aesthetic notions and doctrines concerning photorealism, which might help expose the subtext I mentioned.
What would a "broken" chain be? — Michael
If conveyance of a physical trace is the criterion, the chain is broken by any link that fails to convey an actual physical trace from one link to another.
An artist's or AI's visual image might be richly informative, and even be considered a true picture of the reported scene or event, but it would break any chain of supposed forensic connection with that scene. Just as a verbal description would break that chain, even if true.
Is seeing my face in a mirror an "unbroken" chain and so "direct" perception of my face? — Michael
If you mean, is your retinal image, or the array of reflectance in the glass, a physical trace of the light reflecting off your face, obviously yes. And the process is direct in the sense of an unbroken chain of conveyance of physical properties and patterns and effects, but indirect in the sense of the properties being transformed and the patterns distorted.
Is watching football on TV an "unbroken" chain and so "direct" perception of a football match? — Michael
I expect most fans of TV football hope that the displayed picture completes an unbroken chain of conveyance of physical traces from the light and sound reflecting off players and scenery at a particular place and time. They would be displeased to learn that the chain began or (restarted) at a different place and time, perhaps in an AI.
So would I. Sometimes a direct, I mean unbroken, connection with reality is important to the epistemic value of audiovisual footage. Although it doesn't guarantee any such value. And it isn't always needed.
I'm not even sure which properties you're claiming to be "presented in and constitutive of the photo". — Michael
Visual ones.