The 'Currently Reading' thread is not in the Lounge, as I explained earlier. Jamal responded calling it an 'anomaly', giving historical reasons for it not being there.As it stands it could've been a review in the Currently Reading thread, and thus Lounge — fdrake
That's one reason I decided to step out of admin shoes. It's a philosophy, not an art, forum, and I don't feel I do enough philosophy on here now to justify being an admin. I remain a mod because I think I can still offer enough to the site to justify that. But we all need to recognize where we are and act accordingly. — Baden
...the forum is set up to prioritize philosophical content on the first page, so that means less-philosophical content may be put in the lounge. — Baden
To me, that's not a value judgement: "Less-philosophical" does not equal "worse" in a general sense, but logically it equates to a lower priority overall on a philosophy forum. Otherwise, we would need to redescribe / rename ourselves. — Baden
For the literary event part, I think once a year makes it more special. However, I encourage creative activity year round. The "Get Creative" thread is part of that and anyone can write a short story any time and post it in the category set up for that. — Baden
Abstract
This is the opening chapter to The Philosophy of Creativity: New Essays. It argues that since creativity is such a significant aspect of the human experience, and since it raises a wealth of philosophical questions, it deserves much more attention than it currently receives in philosophy.
It also argues for the fruitfulness of interdisciplinary exchange, integrating philosophical insights with research in experimental psychology. Providing an overview of the field and of the subsequent essays in the volume, this chapter surveys issues such as the definition of creativity, the role of consciousness in the creative process, the role of the audience in the creation of art, the emergence of creativity through childhood pretense, whether great works of literature give us insight into human nature, whether a computer program can really be creative, whether creativity is a virtue, the difference between creativity in science and art, and whether creativity can be taught—both in general and within philosophy itself. — Academic.oup - The Philosophy of Creativity
...But perhaps compressed within those few lines is something with an ability to show us a part of ourselves or the world that we hadn't previously recognized. — wonderer1
Epicurus taught that the point of all one’s actions was to attain pleasure (conceived of as tranquility) for oneself, and that this could be done by limiting one’s desires and by banishing the fear of the gods and of death. Epicurus’ gospel of freedom from fear proved to be quite popular, and communities of Epicureans flourished for centuries after his death. — IEP - Epicurus
Philebus and Protarchus are hedonists; they consider pleasure as the highest good and equate it with the absolute Good. Socrates represents the opposing view, prioritizing reason and insight. While he does not dispute the legitimacy and value of pleasure, he points out the diversity of pleasures and argues for a more nuanced assessment. — Wiki - Philebus
My understanding is that Hedonism was the original Stoicism. — I like sushi
During the Greek and Roman periods, hedonism was popular but controversial; many Greeks worshipped a god called Dionysus, the god of wine and pleasure. His festivals were crazy hedonistic parties with plenty of drinking, overeating, and reckless behavior. The traditional religious authorities permitted and in some cases encouraged this sort of hedonism. It even played a role in philosophy: one of Plato’s most famous works is all about a wild drunken party where all the best philosophers gather to discuss the pleasures of love.
Philosophy in the later Roman Empire was dominated by Stoicism, a philosophy with a complex relationship to hedonism. The Stoics are usually thought of as opposite to hedonists. They argued for rigorous discipline and control of the emotions; they were somewhat ascetics. But they also believed in training their minds to get pleasure out of behaving in a healthy and moral way. This strongly resembles Buddhism and many historians believe that Stoicism was influenced by the Greek contact with Buddhists in what is now Pakistan, where Buddhism ruled at that time. — Hedonism
How this relates to aesthetics though is something I feel is important but it has not registered properly in any rational sense. — I like sushi
I was thinking more along the lines of feeling passionate — I like sushi
perhaps a stoic finds meaning in the understanding of works of art, whereas a hedonist finds meaning in being attracted, surprised, provoked etc by works of art. Therefore, it might matter for the hedonist whether a work is ugly or beautiful or at least interesting. — jkop
...the category heading 'Philosophy of Art'. This seems to require the inclusion of a philosophical argument. — Amity
Aesthetics is cool. It comes under philosophy of art, and we have a category for that. There's no requirement for elaborate argumentation; there just has to be some philosophical meat. More than just a mention of an idea. — Jamal
I think philosophy of mind would be a perfectly legitimate category for a wide ranging discussion of how and why poetry affects us as it does, and what that can tell us about the nature of our minds. What is special about the ways that we can use poetry to communicate with each other? — wonderer1
The Aesthetic Mind breaks new ground in bringing together empirical sciences and philosophy to enhance our understanding of aesthetics and the experience of art.
An eminent international team of experts presents new research in philosophy, psychology, neuroscience, and social anthropology: they explore the roles of emotion, imagination, empathy, and beauty in this realm of human experience, ranging over visual and literary art, music, and dance.
Among the questions discussed are: Why do we engage with things aesthetically and why do we create art? Does art or aesthetic experience have a function or functions? Which characteristics distinguish aesthetic mental states? Which skills or abilities do we put to use when we engage aesthetically with an object and how does that compare with non-aesthetic experiences? What does our ability to create art and engage aesthetically with things tell us about what it is to be a human being?
At first I didn't get, and was a bit put off by, Rorty's use of "compression" in referring to poetry...
...But perhaps compressed within those few lines is something with an ability to show us a part of ourselves or the world that we hadn't previously recognized. — wonderer1
That being said,
this is just something that popped into my head,
and not feeling sufficiently well read,
I doubt I'll write that OP before I am dead — wonderer1
Take pleasure in it while you have the chance, for a storm is brewing on yonder horizon. — Jamal
I really appreciate how you value my thread, Amity. But you—and I—need to understand that the forum has standards and all. — javi2541997
My aim is not even debate with others but trying to read more poems that can make me feel that 'unbearable nostalgia' that Kundera referred to in his novel.
Poetry may have a bit of philosophical content per se, but I mainly focused on nostalgic poems. These have a lot of art but not philosophical content. If I feel nostalgia reading a poem it is just a personal emotion of mine that escapes from rational thinking... — javi2541997
It's difficult to know where it would best fit. The PoA category has a variety of threads. Some I noted with titles like 'Beautiful Structures' or 'Beautiful Things' are not of the argumentative type.
https://thephilosophyforum.com/discussion/2678/beautiful-things/p1
https://thephilosophyforum.com/discussion/3112/beautiful-structures/p1
So, if not there, where else would you suggest? — Amity
Recent work in aesthetics, to some extent inspired by the seminal writings of Sartre and Wittgenstein, has devoted considerable attention to the study of creative imagination. The hope has been to provide the extra ingredient in aesthetic experience that bridges the gap between the sensory and the intellectual and at the same time shows the relation between aesthetic experience and the experience of everyday life—an enterprise that is in turn of the first importance for any study that seeks to describe the moral significance of beauty. [...]
...it is not only art that stirs our emotions in the act of aesthetic attention: the same is or may be true of natural beauty, whether that of a face or of a landscape. These things hold our attention partly because they address themselves to our feelings and call forth a response which we value both for itself and for the consolation that we may attain through it. Thus we find an important philosophical tradition according to which the distinctive character of aesthetic experience is to be found in distinctively “aesthetic” emotions. — Britannica - Aesthetics
As to the scope of this thread, from the OP:
I fully consider poetry as a topic of philosophy.
— Amity
As with many threads the scope expands. I am addressing your attack on and what I take to be your misunderstanding of this little piece by Rorty. — Fooloso4
Anyway, the germ of some possible philosophical content in the OP is probably this bit:
that's precisely what I feel when I read poems: Unbearable nostalgia
— javi2541997
If Javi had made a brief argument as to how and why this is an important part of the appreciation of literature, that would have been enough to make it belong unambiguously on the main page, in my opinion. — Jamal
Lines of Swinburne's "Garden of Proserpine":
We thank with brief thanksgiving
Whatever gods may be
That no life lives for ever;
That dead men rise up never;
That even the weariest river
Winds somewhere safe to sea.
and Landor's "On His Seventy-Fifth Birthday":
Nature I loved, and next to Nature, Art;
I warmed both hands before the fire of life,
It sinks, and I am ready to depart.
I found comfort in those slow meanders and those stuttering embers. I suspect that no comparable effect could have been produced by prose. Not just imagery, but also rhyme and rhythm were needed to do the job. In lines such as these, all three conspire to produce a degree of compression, and thus of impact, that only verse can achieve.
— Poetry Foundation - The Fire of Life
Here's one I like: "The Full Heart" by Robert Nichols (1893-1944) — Vera Mont
It's a time to appreciate what I've had* and come to term with all that's left undone.
*Not a poem; a song. The iconic Louis and Ella. — Vera Mont
f I recall correctly, I started it because there had been one on the old forum, and if anyone else had done it that would've also been fine. — Jamal
It certainly would be if explicated and developed, because it's a good thought. — Jamal
It's because it's non-theoretical that it probably doesn't belong in a philosophy category. — Jamal
Yes, that thread is something of an anomaly, though I'm happy with where it is. — Jamal
It probably doesn't fit in Philosophy of Art, but I might not have moved it to the Lounge if it had been placed there originally, because I just like to see threads about art, literature, etc. — Jamal
If Javi had made a brief argument as to how and why this is an important part of the appreciation of literature, that would have been enough to make it belong unambiguously on the main page, in my opinion. — Jamal
After reading a poem, Kundera, as a narrator of the story, says: The purpose of the poetry is not to dazzle with an astonishing thought, but to make one moment of existence unforgettable and worthy of unbearable nostalgia.
I have no problem with it being in a corner I visit regularly, rather than being buries in Philosophy of Art, which can get ponderous and pretentious at times. — Vera Mont
"Hasn't anything you've read been of any use?" my son persisted. "Yes," I found myself blurting out, "poetry." "Which poems?" he asked. I quoted two old chestnuts that I had recently dredged up from memory and been oddly cheered by, the most quoted lines of Swinburne's "Garden of Proserpine":
We thank with brief thanksgiving
Whatever gods may be
That no life lives for ever;
That dead men rise up never;
That even the weariest river
Winds somewhere safe to sea.
and Landor's "On His Seventy-Fifth Birthday":
Nature I loved, and next to Nature, Art;
I warmed both hands before the fire of life,
It sinks, and I am ready to depart.
I found comfort in those slow meanders and those stuttering embers. I suspect that no comparable effect could have been produced by prose. Not just imagery, but also rhyme and rhythm were needed to do the job. In lines such as these, all three conspire to produce a degree of compression, and thus of impact, that only verse can achieve. — Poetry Foundation - Rorty's 'The Fire of Life'
Richard Rorty said that 'the purpose of philosophy is not to discover timeless truths, but rather to provide better ways of living and understanding.' This opens things up. Philsophy seems to be one of those subjects where the framing is wide or narrow depending upon one's biases. — Tom Storm
[my bolds]Because Rorty did not believe in certainty or absolute truth, he did not advocate the philosophical pursuit of such things.
Instead, he believed that the role of philosophy is to conduct an intellectual “conversation” between contrasting but equally valid forms of intellectual inquiry—including science, literature, politics, religion, and many others—with the aim of achieving mutual understanding and resolving conflicts. — Britannica - Richard Rorty
Here is a short and famous piece he wrote on poetry and philosophy.
https://www.poetryfoundation.org/poetrymagazine/articles/68949/the-fire-of-life — Tom Storm
Since I am very sentient to these poems, I ask you if you know anything similar to them, and I will very much appreciate it if you want to join me this windy Friday in Madrid to read nostalgic poems and drink sake.
I often get stuck in thinking how to put discussions of ideas into categories. Part of the problem may be that there are complex interplays between the various aspects of philosophy, such as art, science and metaphysics. There are divisions but they are far from absolute. — Jack Cummins
As regards to the lounge, my own understanding is that it allows for discussion which is slightly off key from philosophy itself. All in all, let's hope that it allows for the broadest discussion of philosophy. — Jack Cummins
Yes, it's not in-your-face obvious but you can hover over the title and a box will appear showing the category. Your 'How 'Surreal' are Ideas?' > General Philosophy; 'Tragedy or Pleasure'> Philosophy of Art.Even though there are categories, I am glad that these don't show up on the front page. — Jack Cummins
The philosophy of the arts may be seen as of lesser importance than that of the sciences. I see this as extremely problematic and hope that the way in which all of the categories show up on the front page allows for as little bias as possible in multidisciplinary thinking on this site. — Jack Cummins
The words from city and country spoken as if to us in particular. — Paine
I still believe that it doesn't have philosophical content, — javi2541997
I am not the one who wrote the rules of this forum. :sweat:
I fully consider poetry as a topic of philosophy. But, according to the rules, I think I would have to write the thread in a different manner — javi2541997
If I had tried to place the thread on the main page, I guess the moderators would have placed it in The Lounge, anyway. — javi2541997
I guess it doesn't have as much philosophical content as the ones on the main page. So, I decided to place it in The Lounge. — javi2541997
Poems are an artistic representation of ourselves through words. I enjoyed reading the poem of the picture of your OP. I interpret it as the beautiful essence of a normal day. Where everything happens as is used to be. Fortunately, there is nothing what can disturb our serene day.
Verses make different emotions on people. I am against all of those who are rigid towards interpreting a poem. There isn’t anyone clever than other in terms of experiencing poetry. I want share another poem with you:
[He] said:
“the sea used to come here”
And and [he] put more wood on the fire. Ozaki Hōsai.
This haiku poem gives me nostalgia because the author is missing something that is no longer with him: the sea.
Family is always a key aspect in poetry. — javi2541997
Whether planting trees or tending endangered species, concern for the environment permeates all Merwin's writings -- prose, poetry or translation. Merwin sits casually in his blue jeans, and talks of the environment and villanelles. He reads five poems from The Rain in the Trees ("Late Spring," "West Wall" and "The Solstice") and two from his latest volume, Travels, ("Witness" and "Place").
Since I am very sentient to these poems, I ask you if you know anything similar to them, and I will very much appreciate it if you want to join me this windy Friday in Madrid to read nostalgic poems and drink sake. — javi2541997
After reading a poem, Kundera, as a narrator of the story, says: The purpose of the poetry is not to dazzle with an astonishing thought, but to make one moment of existence unforgettable and worthy of unbearable nostalgia. — javi2541997
'Poetry always begins and ends with listening.' W.S. Merwin reads his poem:The rhythm of 'American' English is key to the evocation. — Paine