The power of the US-Israel lobby makes it the United States' problem as well. — Tzeentch
A deal right now would mean "Hamas won", Netanyahu would be chased out of office and probably jailed. Israel will have to live with its stained reputation for the foreseeable future and it will have nothing to show for it. — Tzeentch
The US doesn't care about peace. The only thing it cares about is whether unconditional support for Israel blows back on Biden and ruins his chances at re-election. — Tzeentch
It pretends to broker a peace deal in order to placate US progressives, only to subsequently come up with excuses, to placate Israel and the US-Israel lobby. — Tzeentch
I must say, nothing in this thread has impressed me about the assembled philosophers. Is it the Lounge, or just the Trump effect? Logic, reason and reading comprehension are in short supply. — fishfry
Don’t try to reason— just enjoy the show. — Mikie
Trump hasn’t committed any crimes, nor could you name where he did. All I get is emojis. — NOS4A2
Modern politics is a giant clown car any way. — Tzeentch
And even if university students are showing what future generations will think about Israel's actions, it will take a long time for opinions to change in the US because of the evangelist support will not go away. — ssu
This here is the problem with the overall debate in the world. People replace insight and knowledge with "what they feel is the truth". A devastating practice in pursuit of truth and a common ground for all people to exist on. Producing "truths" based on what feels right is what leads to conflict and war. — Christoffer
No on is claiming that either. Why is this a binary perspective for you? Saying that ChatGPT simulates certain systems in the brain does not mean it is as intelligent as a human. But it's like it has to either be a dead cold machine or equal to human intelligence, there's no middle ground? ChatGPT is a middle ground; it mimics certain aspects of the human brain in terms of how ideas, thoughts and images are generated out of neural memory, but it does not reach the totality of what the brain does. — Christoffer
However, while people fear the economic disruption, the world is also worried about how work is stressing us to death, how people have lost a sense of meaning through meaningless jobs and how we're existentially draining ourselves into a soulless existence. — Christoffer
It's ironic that people complain about these AI companies through the perspective of capitalist greed when the end result of massive societal disruption through AI would effectively be the end of capitalism as we know it, since it removes the master/slave dynamic. — Christoffer
Any nation who spots these disruptions will begin to incorporate societal changes to make sure living conditions continue to be good for the citizens. — Christoffer
And instead of working ourselves to death with meaningless jobs, people may find time to actually figure out what is meaningful for them to do and focus on that. — Christoffer
I'm rather optimistic about a future that has, through automation, disrupted capitalism as we know it. — Christoffer
Still doesn't change the fact that these lazy CEOs and companies were treating artists badly before firing them due to AI. I don't think this is a loss for artists. — Christoffer
Yes, consuming like the training process does with these models. It's a training process, like training your brain on references and inspirations, filling your brain with memories of "data" that will be used within your brain to transform into a new ideas, images or music. This is what I'm saying over and over. Don't confuse the output of these AI models with the training process. Don't confuse the intention of the user with the training process. Because you seem to be able to make that distinction for a human, but not for the AI models. You seem to forget that "user" component of the generative AI and the "user decision" of how to use the generated image. Neither having to do with the training process. — Christoffer
To defend human creativity with that it's magic isn't enough. — Christoffer
I find it a bit ironic that people don't want massive change while at the same time complain that nothing is done about the problems that actually exist in society. — Christoffer
If I have to be blunt, the benefits of these AI systems are potentially so massive that I couldn't care less about a minority of bitter artist who lost a job at a corporation that didn't even appreciate these artists contribution enough to value them staying. — Christoffer
Is that a bad thing? Does anyone actually care about ads in terms of aesthetic appreciation? Or is everyone trying their best to get their adblockers to work better and remove them all together? The working conditions for artists were already awful for these kinds of companies, maybe it's better that this part of the industry collapses and gets replaced by outputs of the same quality as the no-caring CEOs of these agencies. Why are we defending shit jobs like these? It's them which will be replaced first. — Christoffer
Companies who actually care about art but use AI will still need artists, they need their eyes to handle AI generative outputs and change according to plan and vision. — Christoffer
Then start learning AI and be the artist who can give that expertise showing an edge against the non-artists that are put to work with these AIs and who don't know what the word "composition" even means. It's an easier working condition, it's less stressful and it's similarly "just a job". Why is anyone even crying over these kinds of jobs getting replaced by an easier form? It makes no sense really. Why work as a slave because a CEO demanded 5 new concept art pieces over the weekend not caring how much work that this would demand of a concept artist?
A company hiring a non-artist to work with AI won't work and they will soon realize this. You need the eyes, you need the ears and the poetic mind to evaluate and form what the AI is generating, that's the skill the artist is bringing. — Christoffer
What you're saying is like saying that if an artist makes something that's not transformative enough, we should rule that artist to never be able to look in magazines or photographs again for inspiration and references. — Christoffer
Why is it difficult to believe? It's far more rooted in current understandings in neuroscience than any spiritual or mystifying narrative of the uniqueness of the "human soul" or whatever nonsense people attribute human creativity to stem from. — Christoffer
But artists who trace will still come out unscathed compared to how people react to AI generated images. — Christoffer
That's not enough of a foundation to conclude that machines do not replicate the physical process that goes on in our brain. You're just attributing some kind of "spiritual creative soul" to the mind, that it's just this "mysterious thing within us" and therefore can't be replicated. — Christoffer
And when we dig into it, we see how hard it is to distinguish what actually constitutes human creativity form machine creativity. — Christoffer
But are we saying that we shouldn't progress technology and tools because of this? — Christoffer
When photoshop arrived with all its tools, all the concept artists who used pencils and paint behaved like luddites, trying to work against concept art being made with these new digital tools. When digital musical instruments started becoming really good, the luddites within the world of composing started saying that people who can't write notes shouldn't be hired or considered "real" composers. — Christoffer
Therefore, a company who fires an artist in favor of someone who's not an artist to start working with AI generation, will soon discover that the art direction becomes sloppy and uninspiring, not because the AI model is bad, but because there's no "guiding principles" and expert eye guiding any of it towards a final state. — Christoffer
The "good enough" companies, before these AI models, have never been good for artists anyway. Why would artists ever even care for their work towards these companies if they themselves won't care for the artists? — Christoffer
Then you agree that the lawsuits going on that targets the training process rather than the outputs, uses of outputs and the users misusing these models are in the wrong. — Christoffer
Sorry, ready this too late :sweat: But still, the topic requires some complexity in my opinion as the biggest problem is how the current societal debate about AI is often too simplified and consolidated down into shallow interpretations and analysis. — Christoffer
The difference between the systems and the human brain has more to do with the systems not being the totality of how a brain works. It's simulating a very specific mechanical aspect of our mind, but as I've mentioned it lacks intention and internal will, which is why inputted prompts need to guide these processes towards a desired goal. If you were able to add different "brain" functions up to the point that the system is operating on identical terms as the totality of our brain, how do laws for humans start to apply on the system? When do we decide it having agency enough to be the one responsible for actions? — Christoffer
Because when we compare these systems to that of artists and how they create something, there are a number of actions by artists that seem far more infringing on copyright than what these systems do. If a diffusion model is trained on millions of real and imaginary images of bridges, it will generate a bridge that is merely a synthesis of them all. And since there's only a limited number of image perspectives of bridges that are three-dimensionally possible, where it ends up will weight more towards one set of images than others, but never a single photo. An artist, however, might take a single copyrighted image and trace-draw on top of it, essentially copying the exact composition and choice of perspective from the one who took the photograph.
So if we're just goin by the definition of a "copy" or that the system "copies" from the training data, it rather looks like there are more artists actually copying than there are actual copying going on within these diffusion models. — Christoffer
Copyright law has always been shifting because it's trying to apply a definition of originality to determine if a piece of art is infringement or not. But the more we learn about the brain and creative process of the mind, the more we understand of how little free will we actually have and how influential our chemical and environmental processes are in creativity, and how less logical it is to propose "true originality". It simply doesn't exist. But copyright laws demand that we have a certain line drawn in the sand that defines where we conclude something "original", otherwise art and creativity cannot exist within a free market society. — Christoffer
Anyone who studied human creativity in a scientific manner, looking at biological processes, neuroscience etc. will start to see how these definitions soon become artificial and non-scientific. They are essentially arbitrary inventions that over the centuries and decades since 1709 have gone through patch-works trying to make sure that line in the sand is in the correct place.
...So, first, creativity isn't a magic box that produce originality, there's no spiritual and divine source for it and that produces a problem for the people drawing the line in the sand. Where do you draw it? When do you decide something is original? — Christoffer
Second, artists will never disappear because of these AI models. Because art is about the communication between the artist and their audience. The audience want THAT artist's perspective and subjective involvement in creation. If someone, artists or hacks who believe they're artists, think that generating a duplicate of a certain painting style through an AI system is going to kill the original artist, they're delusional. The audience doesn't care to experience derivative work, they care only about what the actual artist will do next, because the social and intellectual interplay between the artist and the audience is just as important, if not the most important aspect rather than some derivative content that looks similar. That artists believe they're gonna lose money on some hacks forcing an AI to make "copies" and derivative work out of their style is delusional on both sides of the debate. — Christoffer
Then you agree that the training process of AI models does not infringe on copyright and that it's rather the problem of alignment, i.e how these AI models generate something and how we can improve them not to end up producing accidental plagiarism that the focus should be on. And as I mentioned above, such a filter in the system or such an additional function to spot plagiarism would maybe even be helpful to determine if plagiarism has occurred even outside AI generations; making copyright cases more automatic and fair to all artists and not just the ones powerful enough to have a legal teams acting as copyright special forces. — Christoffer
AGI doesn't mean it thinks like us either. AGI just means that it generalizes between many different functions and does so automatically based on what's needed in any certain situation. — Christoffer
It might draw something that is accidental plagiarism out of that memory, but since the diffusion system generates from a noise through prediction into form, it will always be different than pure reality, different from a pure copy. — Christoffer
Let's say humans actually had a flash card in our brain. And everything we saw and heard, read and experienced, were stored as files in folders on that flash card. And when we wrote or painted something we all just took parts of those files and produced some collage out of them. How would we talk about copyright in that case? — Christoffer
Numerous research studies have found links between how the human mind generate new ideas to that of how AI models do it. Not in a self-aware way of intelligently guiding thought, but the basic fundamental synthesis of data into new forms. — Christoffer
But just a few years ago, manual scraping for images used in concept art was a fairly common practice. So these concept artists have been making money on photobashing copyrighted photos into their concept art for years, but now they criticize diffusion models (that doesn't even do this) to be infringing on copyright, effectively calling it "theft". Is this not clearly a double standard perspective? — Christoffer
But yeah, throwing away votes in protest back in 2016 was definitely worth the temporary feeling of moral righteousness. — Mikie
Bibi already has a war with Hamas and I don't see potentially sparking WWIII as something that he'd hope to get involved with, yet he must respond in some way. — BitconnectCarlos
It's not 'ironic', it's a deliberate tactic. He's furious that if the bill goes any way to addressing the problem, then it will reflect positively on Joe Biden. He wants the problem to be as bad as possible, so he can use it against Biden and then take credit for solving it himself. — Wayfarer
The Senate Republicans and the moderate Republicans in Congress are all furious about it. — Wayfarer
Thank you, Mr Surge the Borders President. :roll: — jgill
The big question is how many American will just stay home. — ssu
Well, a generic democrat would have done better against Trump than Hillary Clinton. But the democrats simply ignored how annoying and hated Hillary was among the Republicans. And how disliked the Clintons in general were. — ssu
Latest polls on the general election:
Biden 44% Trump 43% (yougove, 10th Jan)
Biden 41% Trump 43% (morning consult, 14th Jan)
Biden 37% Trump 45% (The Atlanta Journal)
I think Biden was way ahead in the polls prior to the last elections, wasn't he? — ssu
To be fair I don't think anybody did that in 2020 either.No one is getting out of bed to vote for Joe, not even Joe. — Hanover
The impeachment inquiry into Biden has begun. — NOS4A2
We live in interesting times, for better or worse. — T Clark
That seems like a pretty short-sighted view. I can't imagine there won't be significant advancements in the near future. AI as a real thing has only really been out in public for a year or so. — T Clark