There is a metaphysical tenet that says images are the schemata of our representations.....
Is there an argument for this tenet? — jkg20
Maybe not so much an argument as a given condition in keeping with a particular epistemological theory. Mental imagery has been in the game from at least Aristotle, through Anscombe (1965), both as a necessary subjective reality or merely as overly zealous philosobabble. Descartes and Locke called images of perception ideas, Hume called them sentiments or passions. Kant changed the extant predominance of ideas into conceptions present in intuition as representations, changing images of perception into phenomena, relegating those kinds of images to memory. “Been there, done that” sorta thing, such that we know what a kitchen sink is without having one having to stand in front of one.
But that left conceptions without forms of their own (where is it you’ve been, what was it you did) so if somebody says “triangle”, and you need to bring up something that relates to it, and all you have is memory, which includes every triangle you’ve ever experienced...which one do you settle on to relate with? Because his experience of triangles will be different than yours, if you bring up a triangle of your experience, it is impossible to know your two meanings will correspond. And such correspondence is absolutely necessary, in order for the two of you to understand each other. Much simpler to just bring up the general notion “triangle”, any three sided figure enclosing a space, without having to bother with particular ones from memory. These become the form of conceptions, as mental images of the general form of a particular conception, and are the schema of that conception.
The a priori rationality behind all this hoop-la arises form the differences in kinds of perception. A triangle drawn on a piece of paper is as much a phenomenon as hearing the word representing “triangle”, but the triangle drawn has its sides arranged so must be intuited accordingly, but the triangle spoken
qua triangle does not, its sides can be arranged in thought in accordance with the principle “a minimum of three intersecting lines is necessary to enclose a space”. Now the fundamental conception must be thought in common to both phenomena, drawn and spoken, but when conditional conceptions are missing, by which a general triangle becomes intuited as a specific triangle, the form of triangle itself, must lay in the conception and not the intuition.
As soon as you say, “I understand what a triangle is”, you’ve already brought up a mental image of one, otherwise you would have no means to justify such a claim. What you don’t do, is bring up the image Mrs. Grady put up on the fifth grade blackboard, because then all you’ve understood is THAT triangle, not any and all other triangles in general.
As for an supporting argument, I use this one (CPR B180, 181), one of the more significant antagonisms belonging to Wittgenstein, 1953, reinforced by Fodor, 1975, both of which took Kantian imagery into a place it was never supposed to be, because they related it to language, hence intentionality, whereas Kant intended it for nothing but the necessary means for the possibility of cognition alone.
“...In truth, it is not images of objects, but schemata, which lie at the foundation of our pure sensuous conceptions. No image could ever be adequate to our conception of a triangle in general. For the generalness of the conception it never could attain to, as this includes under itself all triangles, whether right-angled, acute-angled, etc., whilst the image would always be limited to a single part of this sphere. The schema of the triangle can exist nowhere else than in thought, and it indicates a rule of the synthesis of the imagination in regard to pure figures in space. Still less is an object of experience, or an image of the object, ever to the empirical conception. On the contrary, the conception always relates immediately to the schema of the imagination, as a rule for the determination of our intuition, in conformity with a certain general conception. The conception of a dog indicates a rule, according to which my imagination can delineate the figure of a four-footed animal in general, without being limited to any particular individual form which experience presents to me, or indeed to any possible image that I can represent to myself in concreto. This schematism of our understanding in regard to phenomena and their mere form, is an art, hidden in the depths of the human soul, whose true modes of action we shall only with difficulty discover and unveil. Thus much only can we say: "The image is a product of the empirical faculty of the productive imagination—the schema of sensuous conceptions (of figures in space, for example) is a product, and, as it were, a monogram of the pure imagination a priori, whereby and according to which images first become possible, which, however, can be connected with the conception only mediately by means of the schema which they indicate, and are in themselves never fully adequate to it."...”
Anyway.....food for thought as much as ridicule.