I'm asking if "There are Cypress trees lining the bank" states the way things are if and when there are Cypress trees lining the banks?
— creativesoul
I think it is right as you have done to distinguish words within exclamation marks to refer to thoughts and language and words not in exclamation marks to refer to things in the world. — RussellA
Are they seeing Cypress trees or are they seeing the way the Cypress trees appear to them? Are they smelling fresh ground Kona coffee, or the way fresh ground Kona coffee smells to them? Are they tasting cauliflower, or the way cauliflower tastes to them? — creativesoul
I can’t justify receiving the lawful effects of light refraction while at the same time blaming my eyes for giving me blatant distortions. — Mww
I would say that "I am conscious of seeing the colour green", "I am conscious of tasting something bitter", "I am conscious of an acrid smell", "I am conscious of a sharp pain" or "I am conscious of hearing a grating noise".
Therefore, in my mind I am conscious of perceiving a sight, a taste, a smell, a touch or a hearing. — RussellA
There's a very odd use of "inference" in Michael's account. — Banno
I think we see (if we are close enough to identify them) what the distant objects are. The way you are putting it seems confused to me, and liable, if taken seriously, to breed further confusion — Janus
scientism — Leontiskos
Michael's usage seems entirely appropriate. The knowledge that there is a tree in front of me is not a given, transmitted directly into my brain. The only thing about the environment that is a given to any organism is the sensory information it receives from it. What else can an organism do with this information but infer things (consciously or otherwise) about its environment? — hypericin
I think direct realism is the prima facie (naive) view. Indirect realism responds, throwing it into question. — Leontiskos
To me it is crystal clear. Only by way of the sounds and sights coming from the viewing device do you experience the on screen action of the film. And only by experiencing and interpreting the on screen action do you construe the story. This seems indisputable. — hypericin
No, not a window.
You said my view is not realism because it terminates at sensory experience, not the real. But rather, the real lies on the other side of the stack. Hence, indirect realism, where the stack of sensory experience, and all the indirection that may lie on top of that, sits between the knower and the known. — hypericin
The only thing about the environment that is a given to any organism is the sensory information it receives from it. — hypericin
What else can an organism do with this information but infer things (consciously or otherwise) about its environment? — hypericin
But we don't want a strange world of nothing but particles arranged x-wise or one undifferentiated process either. We'd like to say cats exist on mats (and just one at one time and place), that lemons are yellow, that rocks have mass and shape, etc. I am just unconvinced that these can be properly be dealt with fully on the nature side of the Nature/Geist distinction. — Count Timothy von Icarus
The sensory information that an organism receives from its environment is a perception. You are basically saying that our perceptions are direct. — Luke
Direct Realist Presentation: perceptual experiences are direct perceptual presentations of ordinary objects.
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Direct Realist Character: the phenomenal character of experience is determined, at least partly, by the direct presentation of ordinary objects.
There are, however, two versions of direct realism: naïve direct realism and scientific direct realism. They differ in the properties they claim the objects of perception possess when they are not being perceived. Naïve realism claims that such objects continue to have all the properties that we usually perceive them to have, properties such as yellowness, warmth, and mass. Scientific realism, however, claims that some of the properties an object is perceived as having are dependent on the perceiver, and that unperceived objects should not be conceived as retaining them.
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Scientific direct realism is often discussed in terms of Locke’s distinction between primary and secondary qualities. The Primary qualities of an object are those whose existence is independent of the existence of a perceiver. Locke’s inventory of primary qualities included shape, size, position, number, motion-or-rest and solidity, and science claims to be completing this inventory by positing such properties as charge, spin and mass. The secondary qualities of objects, however, are those properties that do depend on the existence of a perceiver.
Seeing the color green as "green" is what we do after talking about it. — creativesoul
If we draw enough meaningful correlations between green things and other stuff, we can become conscious of green things. That's not the same as being conscious of seeing green things. The apple is green. We can become conscious of green things before we know it. Being conscious of seeing the colour green is knowing how to group things by color and being aware of doing it. Being conscious of a big green monster does not require being conscious of seeing a green monster.
Seeing the color green as "green" is what we do after talking about it. — creativesoul
For the Rays, to speak properly, have no Colour. In them there is nothing else than a certain power and disposition to stir up a sensation of this Colour or that. — Isaac Newton
I find that mereological nihilism (i.e. the denial that wholes like trees and cats really exist) tends to have two problems. — Count Timothy von Icarus
There is plenty of work in the philosophy of physics and physics proper that claims to demonstrate that "particles" are just another of those things that don't really exist "independently of humans." They are a contrivance to help us think of things in the terms we are used to. — Count Timothy von Icarus
mathematized conceptions of the universe, ontic structural realism, tends to propose that the universe as a whole is a single sort of mathematical object......................Everything seems to interact with everything else — Count Timothy von Icarus
How do we resolve the apparent multiplicity of being with its equally apparent unity? — Count Timothy von Icarus
Where exactly do you see the trees, cats, and thunderstorms as coming from? — Count Timothy von Icarus
But this presents a puzzle for me. If the experience of trees is caused by this unity, then it would seem like the tree has to, in some way, prexist the experience. Where does it prexist the experience? — Count Timothy von Icarus
1. It doesn't really make sense to declare that "human independent" being is more or less real. — Count Timothy von Icarus
2. Notions like tree, cat, tornado, etc. would seem to unfold throughout the history of being and life, having an etiology that transcends to mind/world boundary — Count Timothy von Icarus
3. Self-conscious reflection on notions, knowing how a notion is known, and how it has developed, would be the full elucidation of that notion, rather than a view where the notion is somehow located solely in a "mind-independent" realm, which as you note, has serious plausibility problems — Count Timothy von Icarus
So, again, in what meaningful sense can we still say that perception of distant objects is "direct"? — Michael
There are (at least) two parts to perception; sensation and cognition. — Michael
the senses don’t think. — Mww
That being the case, the meaningful sense in which we can say perception of distant objects is direct, is given from the fact the purely physiological operational status of sensory apparatuses is not effected by the relative distances of their objects. For your eyes the moon is no less directly perceived than the painting hanging on the wall right in front of you. — Mww
What sits between the lemon and the creature's smelling?
— creativesoul
A necessary relation, and some means by which it occurs. (??)
— Mww
Causal. Biological machinery(physiological sensory perception). — creativesoul
There are (at least) two parts to perception; sensation and cognition. — Michael
What does "direct presentation" mean if not literal presence? — Michael
Given the actual mechanics of perception, conscious experience does not extend beyond the brain/body, and so distant objects and their properties are not present in conscious experience, and so in no meaningful sense does conscious experience involve the "direct presentation" of those distant objects. — Michael
I think @Banno and I share a suspicion of all metaphysics, though I welcome correction from him if I'm wrong.
I don't think science parses to Nature/Geist or most philosophies at all.
I think they are different, or if not, it's not easy to trace the connections.
In Kant's terms, the transcendental unity of apperception, a feature of the mind rather than a feature of things-in-themselves.
From the same place that beauty, ghosts, bent sticks and unicorns come from, from the mind.
If I am stung by a wasp, I could say "my pain is real". As an adjective, "my pain is real" means I am being truthful when I say that "I am pain". As a noun "my pain is real" is more metaphysical, in that in what sense does pain exist. It cannot have an ontological existence in a mind-independent world, but can only exist as part of a mind.
I agree that notions like tree, cat, tornado, etc unfold throughout the history of English speakers, presumably all human, but not throughout the history of non-English speakers, nor other forms of life, such as cats and elephants.
As Wittgenstein pointed out, the possibility of a private language is remote, and that all language is a social thing requiring an individual speaker to be in contact with other users of the language.
For me, part of my world is other people and the language they use.
For example, if someone is watching a film it is not at all clear that the sounds are more direct than the story — Leontiskos
To me it is crystal clear. Only by way of the sounds and sights coming from the viewing device do you experience the on screen action of the film. And only by experiencing and interpreting the on screen action do you construe the story. This seems indisputable. — hypericin
Perception (from Latin perceptio 'gathering, receiving') is the organization, identification, and interpretation of sensory information in order to represent and understand the presented information or environment. All perception involves signals that go through the nervous system, which in turn result from physical or chemical stimulation of the sensory system. Vision involves light striking the retina of the eye; smell is mediated by odor molecules; and hearing involves pressure waves.
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Perception depends on complex functions of the nervous system, but subjectively seems mostly effortless because this processing happens outside conscious awareness.
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The process of perception begins with an object in the real world, known as the distal stimulus or distal object. By means of light, sound, or another physical process, the object stimulates the body's sensory organs. These sensory organs transform the input energy into neural activity—a process called transduction. This raw pattern of neural activity is called the proximal stimulus. These neural signals are then transmitted to the brain and processed. The resulting mental re-creation of the distal stimulus is the percept.
To explain the process of perception, an example could be an ordinary shoe. The shoe itself is the distal stimulus. When light from the shoe enters a person's eye and stimulates the retina, that stimulation is the proximal stimulus. The image of the shoe reconstructed by the brain of the person is the percept. Another example could be a ringing telephone. The ringing of the phone is the distal stimulus. The sound stimulating a person's auditory receptors is the proximal stimulus. The brain's interpretation of this as the "ringing of a telephone" is the percept.
The relevant context is phenomenal experience, and perception phenomenally lacks intermediaries between experiencer and object of experience, therefore perception is direct. — Jamal
There are many intermediaries between phenomenal experience and, say, a painting on the wall. There's light, the eyes, and the unconscious processing of neural signals. — Michael
Maybe you misunderstood what I meant by "distant". I just meant "situated outside the body". — Michael
The known mechanics of perception make clear that objects outside the body and their properties are not present in conscious experience (which does not extend beyond the body), and so in no meaningful sense are "directly presented". — Michael
Simply saying that they're direct isn't explaining what it means to be direct. — Michael
Take the duck-rabbit. — Michael
And, most importantly, the features of phenomenal experience (colour, smell, taste), are not properties of those distal objects, contrary to the views of naive realism. — Michael
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